Search - Keith Fullerton (aka Hravatski) Whitman :: Multiples: Stereo Music for Acoustic Electric and Electronic Instruments by Keith Fullerton Whitman

Keith Fullerton (aka Hravatski) Whitman
Multiples: Stereo Music for Acoustic Electric and Electronic Instruments by Keith Fullerton Whitman
Genres: Dance & Electronic, Pop, Classical

Track Listings (8) - Disc #1
1. Stereo Music For Hi-Hat
2. Stereo Music For Serge Modular Prototype (Part One)
3. Stereo Music For Serge Modular Prototype (Part Two)
4. Stereo Music For Serge Modular Prototype (Part Three)
5. Stereo Music For Yamaha Disklavier Prototype, Electric Guitar And Computer
6. Stereo Music For Farfisa Compact Duo Deluxe, Drum Kit
7. Stereo Music For Acoustic Guitar, Buchla Music Box 100, Hewlett Packard Model 236 Oscillator, Electric Guitar And Computer (Part One)
8. Stereo Music For Acoustic Guitar, Buchla Music Box 100, Hewlett Packard Model 236 Oscillator, Electric Guitar And Computer (Part Two)

Keith Fullerton Whitman recorded Multiples at the Harvard University studios where he had access to vintage synthesizers and electronics. The eight tracks on this album flow from piercing electronic tones to interlocking ... more »

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CD Details

All Artists: Keith Fullerton (aka Hravatski) Whitman
Title: Multiples: Stereo Music for Acoustic Electric and Electronic Instruments by Keith Fullerton Whitman
Members Wishing: 1
Total Copies: 0
Label: Kranky
Original Release Date: 1/1/2005
Re-Release Date: 5/24/2005
Genres: Dance & Electronic, Pop, Classical
Styles: Dance Pop, Chamber Music, Historical Periods, Modern, 20th, & 21st Century, Instruments, Electronic
Number of Discs: 1
SwapaCD Credits: 1
UPCs: 796441808120, 796441808120

Synopsis

Album Description

CD Reviews

A great composer in the making?

C. Quinn | County Louth, Eire | 05/24/2005

(5 out of 5 stars)

"KFW's influences are pretty obvious, and he's happy to reveal them - Terry Riley, Steve Reich, Christoph Heeman. He knows all about tone clusters, overtones and shifting minimal rhythms. But the textures on 'Multiples' are so beautiful that it's never just an academic exercise. This is somewhere between 60s and 70s American minimalism and the more psychedelic analog drone-work of Kawabata Makoto (when he's not cracking skulls with Acid Mothers Temple) or Yamazaki Maso (when he's not cracking skulls as Masonna). One thing it's NOT is ambient, even if some of the treatments are a little Eno-esque.

There are signs here that Whitman is outgrowing his influencers, particularly on the glorious final piece (the last two tracks), and developing a really individual voice. He is certainly worth watching carefully. For now, 'Multiples' fills that nagging gap where you want something more sensual than conservatoire minimalism but more musically structured than psych-drone."