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Jim Jones Revue
Jim Jones
Jim Jones Revue
Genres: Pop, Rock
 
  •  Track Listings (10) - Disc #1

U.S. pressing of the eponymous debut album, described as sounding like a car crash between Little Richard and The MC5, The 'Revue play supercharged Rock 'N' Roll inspired by The Killer, The Georgia Peach and, of course, Th...  more »

     
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CD Details

All Artists: Jim Jones
Title: Jim Jones Revue
Members Wishing: 2
Total Copies: 0
Label: Punk Rock Blues
Original Release Date: 1/1/2009
Re-Release Date: 9/12/2008
Genres: Pop, Rock
Style:
Number of Discs: 1
SwapaCD Credits: 1
UPCs: 5060051618482, 0600516184821, 5024545553116

Synopsis

Album Description
U.S. pressing of the eponymous debut album, described as sounding like a car crash between Little Richard and The MC5, The 'Revue play supercharged Rock 'N' Roll inspired by The Killer, The Georgia Peach and, of course, The Memphis Flash and the deranged sons of Detroit. The Jim Jones Revue strip Rock back to its essential elements and this album is a document of their base alchemy. Recorded live (no overdubs!) on four track in one straight 48 hour session, the record is a celebration of no-holds-barred full-on rocking. Jim Jones, the former lead singer of Sub Pop garage legends Thee Hypnotics, handles vocals and guitar. Punk Rock Blues.
 

CD Reviews

Great music, horrible recording!
Bosco Gomez | Beavercreek, OH USA | 10/17/2009
(3 out of 5 stars)

"Love The Jim Jones Revue, but this CD is almost unlistenable. I know that making CDs "hot" (oversaturating) is all the rage, but this CD takes it to a new high (or low in my opinion). This CD is so oversaturated that it is painful to listen to. It is so distorted that it takes away from the great music Jim Jones is making. I have an idea for the music companies who push the idea the "hot" CDs are better. How about lowering the recorded volume, and I can turn up my sound system to the volume I want, without distorting the music. What a radical idea!"
Rip it up and start again.
Adrian Stranik | London | 01/12/2009
(5 out of 5 stars)

""Rock n Roll is dead" is an oft used diatribe - the ultimate in nihilistic reproach when the mutterer suspects that they just weren't made for these times. Jim Morrison was yelling it at arena audiences back in '68 and the idea wasn't lost on Elvis fans a decade earlier as he shouldered his kit bag up the gangplank en route to Der Fatherland. You only have to glance at the covers of the music `glossies' with the same old tired stories of how Zeppelin tamed America, of Rick Rubins' Johnny Cash resurrection and yet another account of the Beatles White Album sessions. Pop may well eat itself but It appears that rock forgets, remembers and reassess itself - every f**kin' month! The Hold Steady? Pick a window - you're leaving. No sir, I was not made for these times.

But just as the natural order of things supply the human race with nurses, soldiers and criminals, every generation defaults to a glimmer of hope. From an era which considers Coldplay important and Madonna a feminist icon cometh The Jim Jones Revue.

Not to be confused with the religious idiot who preached Kool-Aid and suicide this Jim Jones - an epiphany of velvet waistcoats, sideburns and great shoes - wouldn't be out of place in a Tombstone gin joint. If Poe had a band The Jim Jones Revue would be it. London's music tableau is in a state of flux at the moment where the best of old school traditional forms appear to be melding with the fire of punk to create an exciting hybrid which is rocking clubs from Euston to Houston. `The Revue' are a primary mover in this `secret revolution' and thirty seconds into their self-titled debut album you'll be all wised up and killing for tickets.

Recorded live onto a four track Tascam their opening volley is a crash-course in anti-production and probably the best British debut since The Who's My Generation. Searing vocals, torrid guitar runs and cut-throat piano have been jammed into a meat grinder and have come out the other end sounding like Little Richard's voice. In fact a cover of Richard's Hey Hey Hey is a welcome nod to what is clearly a starting point and new single Rock n Roll Psychosis is at once a standout and outstanding.

Ultimately The Jim Jones Revue is just that - a review and a `bringing it all back home' endeavour referencing Jerry Lee's 50's blueprint and employing the crash-clatter chaos of The Cramps, MC5 and The Birthday Party.

The only gnat in the Brylcreem is that they're nearly upstaged by their own opener. Princess & the Frog raises the bar so high that it takes another couple of listens to realise the rest of the album more than lives up to it.

Rock n roll is dead? Sometimes - but not today. Renew my subscription to the resurrection.

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