Search - Franz Joseph Haydn, Jordi Savall, Le Concert des Nations :: Haydn: Septem Verba Christi in Cruce

Haydn: Septem Verba Christi in Cruce
Franz Joseph Haydn, Jordi Savall, Le Concert des Nations
Haydn: Septem Verba Christi in Cruce
Genre: Classical
 
  •  Track Listings (16) - Disc #1


      
?

Larger Image
Listen to Samples

CD Details

All Artists: Franz Joseph Haydn, Jordi Savall, Le Concert des Nations, Francisco Rojas
Title: Haydn: Septem Verba Christi in Cruce
Members Wishing: 1
Total Copies: 0
Label: Alia Vox Spain
Original Release Date: 1/1/2007
Re-Release Date: 11/13/2007
Album Type: Import
Genre: Classical
Styles: Opera & Classical Vocal, Chamber Music, Historical Periods, Classical (c.1770-1830), Sacred & Religious
Number of Discs: 1
SwapaCD Credits: 1
UPCs: 400000003382, 7619986098548
 

CD Reviews

Haydn's Orchestral Masterpiece
Siddhartha Guatama | Nirvana | 04/11/2009
(5 out of 5 stars)

"From allmusic.com where this got five stars for both performance and for sound

Jordi Savall is strongly devoted, perhaps more so than any other conductor, to Franz Josef Haydn's Seven Last Words of Christ on the Cross in its orchestral version, the original incarnation of this masterwork; the familiar string quartet and less familiar solo keyboard and oratorio versions came later. Savall, as is his wont, strongly responds to any music with a historic connection to his native Spain; the commission for the Seven Last Words arrived from José Sáenz de Santmaría of the confraternity of the Hermandad, and it was first performed in Cádiz, the oldest continuously inhabited city in Western Europe. AliaVox's Joseph Haydn: Septem Verba Christi in Cruce is the second recording Savall has made of the Seven Last Words with Le Concert des Nations; the first one was made in 1990 for Auvidis and recorded in a cathedral in Italy. This 2006 recording was made at l'Eglise Santa Cueva de Cádiz, the very venue in which the work was first heard in 1786. As with Savall's earlier recording, an evangelist reads the words of Christ before each movement, in this case the reader is Francisco Rojas, who reads in Latin accented with marvelous, Spanish-sounding rolled Rs. This is at most a minor distraction, but the giant, 155-page booklet is a little unwieldy, though copious with illustrations and containing essays on Christ's final words by Interfaith pioneer Raimon Panikkar and Nobel Prize-winning author José Saramago.

What typifies Savall's approach to this particular Haydn work -- and perhaps nowhere else in his extensive catalog do these attributes routinely apply -- is tact and restraint. The exception, of course, is in the concluding "Earthquake" movement, which trembles with turbulence and violence just as Haydn intended it; the period kettledrums sound great here. AliaVox' recording is both spacious and generous, though a tiny bit distant on this, the conventional CD version; AliaVox has also issued this Seven Last Words in a hybrid CD version. Given the tremendous care with which Savall has prepared this performance, the absolute authenticity of its environs and the sheer dedication that drives this package, it is hard to imagine a more deluxe and appropriate delivery mechanism for Haydn's most innovative orchestral masterwork than this AliaVox recording. The jury is probably still out on what might be the best string quartet version of the Seven Last Words, of which there are many fine recordings available. As far as the orchestral piece is concerned, AliaVox's Joseph Haydn: Septem Verba Christi in Cruce decidedly takes the brass ring, surpassing even Savall's own earlier recording of the work.
"
Great version but the first Savall's recording is the best
Antonio Mustaros | Naucalpan, Estado de México Mexico | 07/29/2009
(5 out of 5 stars)

"This new recording of Haydn's masterpiece of the original orchestral version is, like all Savall's efforts, notable, but the first Savall's recording of this piece in the early 1990 is unsurpassable, just look the musicians: Fabio Biondi, Fabrizio Cipriani, Bruno Cocset, Alfredo Bernardini, Paolo Pandolfo, etc.
This second recording also have big musicians but does not sound as fresh and colourfull as the first. The tempo is a little slow too. Nevertheless, this is a great recording but try the old one and surely you'll agree with me."