Search - Ustad Aashish Khan, Ustad Zakir Hussain :: Golden String of the Sarode

Golden String of the Sarode
Ustad Aashish Khan, Ustad Zakir Hussain
Golden String of the Sarode
Genres: International Music, Pop
 
  •  Track Listings (3) - Disc #1

For this intimate yet scintillating, Grammy-nominated duet, Aashish Khan, son of the legendary Ali Akbar Khan and a brilliant sarode virtuoso, is heard with percussionist, producer, and composer Zakir Hussain, who has not ...  more »

     
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CD Details

All Artists: Ustad Aashish Khan, Ustad Zakir Hussain
Title: Golden String of the Sarode
Members Wishing: 1
Total Copies: 0
Label: Moment
Original Release Date: 1/1/2005
Re-Release Date: 12/13/2005
Genres: International Music, Pop
Styles: India & Pakistan, India
Number of Discs: 1
SwapaCD Credits: 1
UPC: 731621102131

Synopsis

Amazon.com
For this intimate yet scintillating, Grammy-nominated duet, Aashish Khan, son of the legendary Ali Akbar Khan and a brilliant sarode virtuoso, is heard with percussionist, producer, and composer Zakir Hussain, who has not only taken his ancestral tabla drums into the 21st century, but is a noted classicist with an impressive pedigree of his own. His famous father, Ustad Alla Rakha, working with sitar master Ravi Shankar, was largely responsible for bringing Indian classical music to Western ears during the 1960s. Together, the two younger men explore and expand the perimeters of their respective instruments. Invented in the 17th century, the fearsomely demanding sarode (sarod-dhayak-vina in sanskrit) is made of teak wood with a fretless steel fingerboard, resonating goat skin belly, and 25 metal strings variously employed for drone, rhythm, and melody. The term tabla actually refers to a pair of drums; the smaller dayan is played with the right hand while the larger bayan is played with the left. The three raags that make up the recital are, as is typical of this type of music, are associated with different times of day. Bhimpalashri, meant for the afternoon, is gently but not passively melancholy. Lalita Gouri captures the lingering fires of sunset, while Bhairavi is redolent of fragrant night shadows, romantic longing, and the eternal feminine. --Christina Roden