Fine anthology of Wilden's action-packed sountrack music
hyperbolium | Earth, USA | 04/21/1999
(3 out of 5 stars)
"This second anthology of Wilden's brilliant soundtrack music exchanges the busty schoolgirls of last year's Schulmädchen collection for the spys, private eyes and villains of Germany's late-60s pulp cinema. These films, or "krimis," are a shadowy melange of foggy Soho alleyways, smokey harborside bars, troublesome dames and Christopher Lee's enigmatic Fu Manchu. Wilden's scores underwrite the menace with a trademark fusion of basslines ala The Shadows, horns ala Nelson Riddle, and a cinematic playfulness that crosses the slinky sounds of Henry Mancini with the energy of American International's beach parties.Saxophones and organ play against a dance beat in "Hong Kong Twist," while muted trumpets and a loping guitar spell trouble ahead in "Murder Beat." The seduction of "Gaslight Mood" suggests a good time with the wrong woman, ending with a blackjack to the back of the skull. The bluesy "Beach Party" invites hipsters to dance the Madison, and the deceptively titled "Oriental Nights" swings with a Latin beat.Without the over-exposure afforded the soundtracks of Bond, Helms and Flint, Wilden's unique orchestrations and original melodies remain as fresh as the day they were written."
Action Packed!
sequeiraj | Sydney, Australia | 05/06/2002
(3 out of 5 stars)
"..Crime music can be a little boring to me, although I like a lot of stuff from that era, but this album from Gert Wilden is a little better than average. Sure it's got the saxophones, the bad guy beat, but this is more up-tempo than most, with a good groove. Title track is my fave, with some cute fifies female vocals and a catchy riff, while Rolf Torring is spooky jazz based that races along. If you're interested in Gert Wilden I'd actually suggest Schulmadchen Report, which is a real pulse-pounding, go-go dancing, fuzz guitar number. This one's a little different, but if you like it check out 100% Cotton by the prolific fellow German Peter Thomas."
Prepare yourself...
sequeiraj | 01/18/1999
(5 out of 5 stars)
"fantastic!!the first track puts u on the train to the magic of the gert wildern action fantasy feeling. although the great scores in this cd were written for the most chisiest action german films of the 50' and 60' like "shle" and "yakarliki shak shak" the sound isn't chip at all. it has the power of a shotgun and the instruments are played so profesenatuly it kind of brings you back in time. buy it without thinking twist!"
Solid Collection But Not for Everyone
KC | Northern CA | 02/03/2006
(3 out of 5 stars)
"There are several ways to look at soundtrack composers & their efforts. There are really three camps in which efforts fall into:
The INGRAINED - where a track or a soundtrack becomes so ingrained in our collective memories that just hearing the music causes to start looking for the DVD - hard for that track to stand on its own listening ... (Ennio, Jaws Theme, etc ...)
The STAND ON ITS OWN - where tracks or the soundtrack can stand on their own - that they are evocative and interesting enough that they stand on their own.
Just MUSIC - and that's where this collection pretty falls under. It's not necessarily a bad thing and while everything is solid, professional and performed with verve - it's really a series of 1960's movies themes that don't really evoke anything. Again, it's not a horrible thing - it's just not a great thing.
For example, an Italian movie composer Armando Sciascia works in mostly the same realm of spy/sci-fi/low budget thriller but yet all of his tracks stand on their own. They are fully fledged sexy, exotic, jazzy and brassy slightly-over-the-top themes that just scream a fun 1960's movie you want to see or be a part of ...
Gert Wilden's work is professional but not particularly compelling (and of course - not particularly sexy or jazzy or brassy). If you're a competist of 1960's movie composers, Gert is a fine addition but this CD is not for casual listeners or just the merely interested."