Search - George Benson :: Breezin (Dlx)

Breezin (Dlx)
George Benson
Breezin (Dlx)
Genres: Jazz, Pop, R&B
 
  •  Track Listings (6) - Disc #1

Before this album was released in 1976, George Benson was known largely for his Wes Montgomery/Charlie Christian-inspired licks and his stints with Jack McDuff and Miles Davis. Breezin' was a million-selling, Grammy Award...  more »

     
2

Larger Image

CD Details

All Artists: George Benson
Title: Breezin (Dlx)
Members Wishing: 3
Total Copies: 0
Label: Rhino / Wea
Release Date: 1/16/2001
Album Type: Original recording reissued
Genres: Jazz, Pop, R&B
Styles: Smooth Jazz, Contemporary R&B
Number of Discs: 1
SwapaCD Credits: 1
UPCs: 081227671327, 081227690861, 075992733427

Synopsis

Amazon.com
Before this album was released in 1976, George Benson was known largely for his Wes Montgomery/Charlie Christian-inspired licks and his stints with Jack McDuff and Miles Davis. Breezin' was a million-selling, Grammy Award-winning LP and made Benson an "overnight" star. The reasons for that success were Tommy LiPuma's topnotch production, Claus Ogerman's ethereal arrangements, and Benson's soulful vocals on Leon Russell's ballad "This Masquerade." Backed by Fourplay drummer Harvey Mason, master percussionist Ralph MacDonald, bassist Stanley Banks, rhythm guitarist Phil Upchurch, and keyboardists Ronnie Scott and Jorge Dalto, Benson and the crew laid down the moods and grooves we now call "contemporary jazz." From the soft-rock of "Six to Four," the midtempo backbeat of the title track, and the Latin-tinged tunes "Affirmation," "So This Is Love?" and "Lady," Benson's fleet-fingered Ibanez guitar lines make the rare leap from straight-ahead to the mainstream. Added to the CD reissue are three bonus tracks not on the LP: a snappy and soulful rendition of "Down Here on the Ground," from the movie Cool Hand Luke, a Bob James-like funk number "Shark Bite," and the single-edit version of "This Masquerade." George Benson was never the same after this record and neither was jazz. --Eugene Holley, Jr.

Similarly Requested CDs

 

CD Reviews

Tap Your Feet
Howard Wexler | White Plains, NY United States | 02/03/2008
(4 out of 5 stars)

"Usually "smooth jazz" stinks, IMHO. But if you reprogram your brain and listen to this CD as pop, not jazz, it becomes quite good.



Best track by far on the CD is "Down Here On The Ground", just a lovely song with rhythm, melody and harmony.



Now, when will someone reissue the stuff that Benson did with Benny Goodman, starting with the PBS tribute to John Hammond that brought them together."
Landmark recording...
Kerry O. Burns | 12/11/2007
(5 out of 5 stars)

"I still remember the first time a friend of mine played this for me, insisting that this was something I just had to hear. It was my introduction to smooth jazz and I've been a big fan ever since. This recording not only propelled George Benson to stardom but propelled smooth jazz to the mainstream. A must for any jazz collector. This album is so smooth, sexy and breezy but the music is not elevator music but just a beautiful recording."
My introduction to "Smooooothe Jazz"
G. E. Williams | California | 02/10/2007
(5 out of 5 stars)

"I clearly remember becoming aware of George Benson, on Saturday night in the Summer of 1976. I had managed to ask a beautiful, Post Grad coed form BYU to dance, and trying to sound sophisticated I remarked "Stevie Wonder has such a great voice" Those beautiful brown eyes looked into mine and she replied "That's not Stevie Wonder".



Although I felt foolish, my lovely dance partner, educated me about George Benson, the next Monday I bought "Breezin" and have been a fan of George Benson and Smooth Jazz ever since.



At the time I remember, at the beginning of my Jazz education that this album was controversial, in the world of jazz, because Mr. Benson was told he couldn't sing on the album, because jazz fans would not accept him as a serious musician if he did. Lucky for the world that he sang anyway and we have had over thirty years of not only his unbelievable skills on the guitar, but one of the most full beautiful voices of any male singer ever recorded.



A must have album for fans of Smooth Jazz.

"