Search - Future Sound of London :: Dead Cities

Dead Cities
Future Sound of London
Dead Cities
Genres: Dance & Electronic, Pop
  •  Track Listings (13) - Disc #1

This U.K. duo's landmark ambient techno album Lifeforms (1994) explored lush jungle vistas. Its follow-up opts for a much darker urban nightmare motif that makes it an ideal soundtrack while reading William Gibson. Progre...  more »


Larger Image
Listen to Samples

CD Details

All Artists: Future Sound of London
Title: Dead Cities
Members Wishing: 1
Total Copies: 0
Label: Virgin Int'l
Release Date: 10/28/1996
Album Type: Import
Genres: Dance & Electronic, Pop
Styles: Ambient, Electronica, Big Beat, Trip-Hop, Techno, Dance Pop, Vocal Pop
Number of Discs: 1
SwapaCD Credits: 1
UPC: 724384206826

This U.K. duo's landmark ambient techno album Lifeforms (1994) explored lush jungle vistas. Its follow-up opts for a much darker urban nightmare motif that makes it an ideal soundtrack while reading William Gibson. Progressive rockers by any other name, FSOL are highly respected innovators who rate with Orbital as the genre's leading exponent. --Jeff Bateman

Similar CDs

Similarly Requested CDs


CD Reviews

Headphone Commute Review
Headphone Commute | 11/30/2008
(5 out of 5 stars)

"This is obviously an amazing record to start off my Random Vinyl of the Week adventure, as I dig through my dusty archives. Released in 1996, Dead Cities was Garry Cobain and Brian Dougans' fourth full length album as The Future Sound of London. Dead Cities was that very last record and then there was a torturing silence for six years. Even when the duo returned in 2002 with The Isness, it was ... not the same... How can one describe the layered dark samples with memorable vocal lines that are implanted in my brain? "I have killed a man. A man who looked like me." The album is an absolute classic, and its complex ambient and cinematic fragments continue to offer new insight into the minds of FSOL. Dead Cities was not received with as much success as my absolute favorite, earlier 1994 release Lifeforms [the latter climbed to 6 position on the UK Album Charts, while Dead Cities got up to 22]. The music of Dead Cities features more sampled beats carefully blending in big-beat and bringing trip-hop into the mix. We Have Explosive (which also came out as a single) features several samples from Run DMC's album Tougher Than Leather. The rest of the sounds [all very dear and familiar to my mind at this point] all convey the atmosphere of urban decay. An album from the future that rusted in the past. Like a empty feeling after watching a rerun of Blade Runner [and the sample off Mary Hopkin's vocals from the movie's soundtrack], the eerie nostalgia of revisiting a dirty old friend crackles in the hindsight. Oh, and how's this for a shocker for you. On one of the tracks guess who's playing piano? I'll give you a hint. The title of the track is Max and the pianist's last name is Richter. In addition to restructured MIDI files, Max Richter has also contributed other recordings and "environments". The album cover (and the two inserts that house the double vinyl) feature 3D graphics and digitally processed photography by Buggy G. Riphead. This is one of the albums to hold in your hands and marvel at its grandiose and epic stand in time. Since 2007, FSOL has opened up their vault and released a collection of forgotten tracks from their library, titled From The Archives (it is now up to its 5th volume). I hope I have excited you enough to revisit Dead Cities through my first adventure of Random Vinyl of the Week. I know that I have worked myself up enough to seek out the limited box set release [complete with a booklet!!!], and am now waiting for it to arrive in the mail!"
Good stuff...
twintango | olympia, wa. | 01/06/2007
(5 out of 5 stars)

"For those with a narrow musical mind, (i.e. the 'top 40' variety) this would be an unbearable CD to have to sit through, but for those with more open musical tastes, particularly in the lineage of ambient, acid techno , then this CD is for you. The soundscapes and musical textures on this masterpiece are eerie, haunting, beautiful, intricate, complex and dark. Hats off to Dougans and Cobain , the musical geniuses behind this production. I particularly enjoy the track 'Glass'. But the songs as a whole fit perfectly together and mesh well. For those looking for something similar, try Tangerine Dream's 'Ricochet'. This is the only album I can compare it to in terms of eerie, haunting, beautiful, intricate , complex and dark. And TG did it back in the 70'! Even the album cover , like Dead Cities, is ominous. Good stuff....."