Search - Front 242 :: 05:22:09:12 Off

05:22:09:12 Off
Front 242
05:22:09:12 Off
Genres: Dance & Electronic, Alternative Rock, World Music, Pop
  •  Track Listings (16) - Disc #1

This title is manufactured "on demand" when ordered from, using recordable media as authorized by the rights holder. Powered by CreateSpace, this on-demand program makes thousands of titles available that were ...  more »


Larger Image
Listen to Samples

CD Details

All Artists: Front 242
Title: 05:22:09:12 Off
Members Wishing: 0
Total Copies: 3
Label: Rre
Release Date: 8/23/1993
Album Type: Import
Genres: Dance & Electronic, Alternative Rock, World Music, Pop
Styles: Techno, Goth & Industrial, Europe, Continental Europe, Dance Pop
Number of Discs: 1
SwapaCD Credits: 1


Album Description
This title is manufactured "on demand" when ordered from, using recordable media as authorized by the rights holder. Powered by CreateSpace, this on-demand program makes thousands of titles available that were previously unavailable. For reissued products, packaging may differ from original artwork. standard return policy will apply.

Similar CDs

Similarly Requested CDs


CD Reviews

Really hard, really innovative
Travis M. Owens | Syracuse, NY USA | 09/30/2004
(5 out of 5 stars)

"I always had a hard time deciding which of the two innovative 1993 albums from 242 was better. At first I prefered this album, but then I went back to liking the more laid back 'Up Evil' album better because of all the complex layers it had.

But despite, this album is the harder & stronger big brother of 'Up Evil'. The lyrics are loud & driving with distortion filters. I think 242 really paved the way on vocal filter innovation here.

I see this album as a MUST HAVE for any real industrial fan. While 242 isn't as commonly known as NIN because their lack of a Top40 hit, I would say 242's music is much more complex than NIN, if not always as catchy.

1. Animal (Cage) - great slow intro (I don't rate intros)
2. Animal (Gate) - 5 stars
3. Animal (Guide) - 4.5 stars
4. Modern Angel - 5 stars
5. Junkdrome - 5 stars
6. Serial Killers Don't Kill Their Girlfriend - 4.75 stars
7. Skin (Fur Coat) - 4 stars
8. GenEcide - 3.75 stars
9. Crushed - 5 stars
10. offEND - great soundscape (I only rate songs)
11. Animal (Zoo) - 4.5 stars
12. Serial Killers Don't Kill Their Boyfriend - 4.25 stars
13. Happiness (More Angels) - 4.75 stars
14. Crushed (Obsessed) - 4.75 stars
15. Melt (Angel) - 4 stars (sounds a touch like older 242)
16. Speed Angels - 5 stars"
Perfect blending of Industrial and Techno/Electronica/Etc.
Eric A. Standridge | Charlotte, NC USA | 06/21/2005
(5 out of 5 stars)

"09t 100% Industrial, and definitely not 100% Techno, this is an amazing recording. I have always loved NIN, early Front 242, Ministry, some Skinny Puppy, and a bit of Front Line Assembly, but THIS work takes the cake... amazing... I remember buying this when it was first released and expecting the same old Front 242 attack... wow, was I surprised.... female vocals for starters, but also a new sense of continuity and VERY cool synth/sample work... it will ALWAYS be one of my required listening CD's... Highlight: GenEcide... just listen to it.

UPDATE: More than 4 years later since my original review, and the song I most turn to now is "Serial Killers Don't Kill Their Girlfriend". I'm starting to think it is the best Front 242 song ever. Dark. Scary. Twisted. Jean-Luc De Meyer is still the main vocal focus. I still love "Genecide", but "SKDKTG" is sounding more and more as the quintessential Front 242 opus.

UPDATE: 11/04/09 The best songs on this CD are the Front 242 traditional song "Serial Killers Don't Kill Their Girlfriend" and the less traditional 242 song, "Genecide". Brilliant songs, brilliant CD. Wow... can I still call this a CD?"
Real rhythmic power
The Pitiful Anonymous | the Acres of Skin | 07/15/2008
(5 out of 5 stars)

""Off" is an album I initially had mixed feelings about, due to the addition of Christine Kowalsky, whose vocals are punky, angsty, and obnoxious, and whose lyrics are occasionally quite cliched and cheesy. She isn't the only major difference between this album and classic 242, however; "Off" is definitely a stylistic switch in many ways.

First of all, the album is basically designed to function as one big long flowing 70 minute dance mix, with few obvious breaks between songs and plenty of reprised ideas. Although 242's music was always made with the dance floor in mind, on "Off" they pull out all the stops and switch into full-on rave mode, incorporating acid and trance bass-lines and arpeggiated synth lines left and right. I wasn't expecting this, but luckily they prove themselves damn good at it.

The production on this album is amazing. The psychedelic effects and general "huge" feel of it just keep sounding better and better as you turn up the volume knob. The beats will get you dancing almost instantaneously, even if you've never been to a rave before and are enjoying the music in the solitude of your bed room. Those who complain that 2003's come back album "Pulse" is too mellow and generally lacks life are likely referring to this album as proof- and while I love "Pulse", it's true, the difference is instantly obvious.

The album is full of beautiful synth noise. It actually forms into coherent singable melody far less often than on other 242 albums, but that doesn't seem to matter with the style they're pursuing here. The perfect example is the wonderful, blinding, vibrant, shining wash of "GenEcide" (likely my favorite track).

Typical 242 maintains an almost clinical, stoic maturity, owing in no small part to the personality of vocalist Jean Luc De Meyer. This is completely gone on "Off". It is not a mature album, emotionally or lyrically, and is full of no-holds-barred intensity. I am now able to appreciate Kowalsky's violent vocals, as they compliment the rhythmic energy of the album perfectly, although I almost considered knocking off a star for her overly simple lyrics (example: "Just get away, get away from me, 'cuz I'll never be what you want me to be!"). In the end, she doesn't make this album any less enjoyable, so I can't give it any less than a 5 star rating. She is actually fairly versatile as well, and when she decides to use a cleaner, more melodic tone, she sounds lovely (like in the aforementioned "GenEcide").

In conclusion, very few if any electronic albums can match "Off" for sheer rhythmic power and atmosphere. If the cheesy lyrics don't bother you (and they no longer bother me), this album is one hell of a ride from start to finish, especially if you play it loud. There are no weak tracks, and every song has something valuable to contribute to the whole. Oh yeah, and the version of "Melt" (from "Up Evil") on here is even better than the original, which was great.

Highly recommended for fans of Front 242 or any dance-oriented electronica, although the things that make this enjoyable are different than in other Front 242 material. 5 stars."