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Blues Jam in Chicago 1
Fleetwood Mac
Blues Jam in Chicago 1
Genres: Pop, Rock, Classic Rock
  •  Track Listings (15) - Disc #1


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CD Details

All Artists: Fleetwood Mac
Title: Blues Jam in Chicago 1
Members Wishing: 3
Total Copies: 0
Label: Sony/Bmg Int'l
Release Date: 7/19/2004
Album Type: Extra tracks, Import, Original recording remastered
Genres: Pop, Rock, Classic Rock
Styles: Blues Rock, British Invasion
Number of Discs: 1
SwapaCD Credits: 1
Other Editions: Blues Jam in Chicago 1
UPCs: 4988010782726, 766487604147

CD Reviews

"Talk To Me Baby...I Get A Real Good Feeling Talking To You
Mark Barry at Reckless Records, Lon | UK | 10/12/2008
(4 out of 5 stars)

"Fleetwood Mac's 4th vinyl outing was a double-album called "Blues Jam At Chess" issued on Blue Horizon Records S 7-66227 in the UK and Blue Horizon BH 3801 [2] in the USA. Recorded in one day, 4 January 1969, and released just a few months later, it was produced by MIKE VERNON and MARSHALL CHESS at the Chess "Ter-Mar" Studios in Chicago. The artists involved were FLEETWOOD MAC, OTIS SPANN on Piano, WILLIE DIXON on Bass, WALTER "SHAKEY" HORTON on Harmonica, J.T. BROWN on Tenor Sax, GUY BUDDY on Guitars (Guy Buddy is a pseudonym for Buddy Guy), HONEYBOY EDWARDS on Bass with S.P. LEARY on Drums.

A word about the less than exciting UK and US 'original' artwork and why it 'hasn't' been used on this reissue. The original UK issue had a wavey backdrop and titled sleeve - no real effort in the art department - while the original US copy didn't fare much better - credited as "Fleetwood Mac - In Chicago" - it was also issued in a a very dull red cover. However, the double was reissued again in the USA in 1970 as two 'separate' volumes - "Blues Jam In Chicago, Vol.1 and 2" on BH 4802 and BH 4803 respectively - and it is these two volumes with their far prettier artwork (pictured above) that were used for "The Complete Blue Horizon Sessions 1967-1969" 6CD Box Set issued in 1999 - and are now individually issued again here in 2004 as these much extended editions.

Also, in order to show the musical differences, I've detailed the vinyl first, then the extended CD...
(Volume 1 is Side 1 and 2 of the original double; Volume 2 - Side 3 and 4 - is a separate review)

Side 1:
1. Watch Out [Peter Green song]
2. Ooh Baby [Chester Burnett aka Howlin' Wolf cover]
3. South Indiana - Take 1 [Walter `Shakey' Horton cover]
4. South Indiana - Take 2 [Walter `Shakey' Horton cover]
5. Last Night [W Jacobs cover]
6. Red Hot Jam [Peter Green Instrumental song]
Side 2:
1. I'm Worried [Elmore James cover]
2. I Held My Baby Last Night [Elmore James/Jules Taub cover]
3. Madison Blues [Elmore James cover]
4. I Can't Hold Out [Elmore James cover]
5. I Need Your Love [Jimmie Rogers cover]
6. I Got The Blues [Walter `Shakey' Horton cover]

EXTENDED CD (68:24 minutes):
Tracks 1 to 5 are the same as the LP above
Track 6 is "Red Hot Jam" [Take 1 with Studio talk - An Inserted Previously Unreleased Track]
Track 7 is "Red Hot jam" [Take 2 - The Master Version, Track 6 on the LP]
Tracks 8 to 11 are "I'm Worried" through to "I Can't Hold Out" and are as per the LP
Track 12 is "Bobby's Rock" which is an inserted Previously Unreleased cover of an Elmore James song
Track 13 is "I Need Your Love" (same as the LP)
Track 14 is "Horton's Boogie Woogie [Take 1 with Studio Chatter - an Inserted Previously Unreleased Version]
Track 15 is "I Got The Blues" is the Master but with inserted Previously Unreleased False Start

The tapes have been digitally remastered to STUNNING SOUND QUALITY - as fresh as a politician's new excuses and the booklet has informative and detailed liner notes by MIKE VERNON.

WALTER HORTON plays Harmonica on CD tracks 3, 4, 5, 6, 7, 13, 14 and 15
JEREMY SPENCER replaces Peter Green on Guitar and Vocal for 8, 9 10 and 11 - these tracks also feature J.T. BROWN on Tenor Sax with WILLIE DIXON on Upright Bass
OTIS SPANN plays Piano and S.P. LEARY plays drums on 13, 14 and 15

Fans greet the album itself with equal amounts of affection and disdain because at times it sounds like one long rehearsal - and a slightly uninspired and dull one at that. It's not that its bad - it just isn't red hot like you'd think it should have been. Highlights, however, include the lovely shuffle of "Watch Out", the harmonica driven slow blues of "Last Night" and the slashing Elmore James riffs in "I Can't Hold Out" (lyrics above). "Bobby's Rock" is a rubbishy extra, but Take 1 of "Horton's Boogie Woogie" is fantastic - alive and kicking and worth the price of entry alone. I play it a lot and it picks me up every time.

To sum up then - this is a 5 star presentation of a 3 to 4 star album - but there's still enough magic on here to recommend it. And for Mac and Blues fans, it's a necessity.

PS: For those wishing for more, the Blue Horizon label Fleetwood Mac UK albums are:
1. Peter Green's Fleetwood Mac (1968)
(original album, known as "Fleetwood Mac" in the USA)
2. Mr. Wonderful (1968)
(original album)
3. The Pious Bird Of Good Omen (1969)
(compilation of non-album 7" singles, their B-sides, collaborations and other rarities)
4. Blues Jam At Chess (1969)
(original 20-track 2LP set often referred to as a Various Artists compilation.
Its full credit is to: Fleetwood Mac, Otis Spann, Willie Dixon, Shakey Horton, J.T. Brown, Guitar Buddy
(Buddy Guy), Honey Boy Edwards, S.P. Leary. Originally a 2LP set on release, it was broken into 2 volumes
for the "Complete" box set and renamed "Blues Jam In Chicago Volume 1" and "Blues Jam In Chicago
Volume 2". It is ONLY these singular re-sequenced releases that are available today.)
5. The Original Fleetwood Mac (1971)
(although released in '71, this LP has recordings from August 1967 through to October 1968, all of which
were previously unreleased at the time)

PPS: I've reviewed about 20 of the excellent Blue Horizon CD reissues - see LISTMANIA for a full list"
4 1/2 stars. A find for fans of the original Fleetwood Mac,
Docendo Discimus | Vita scholae | 02/26/2009
(4 out of 5 stars)

"The original, Peter Green-led Fleetwood Mac play some really competent Chicago blues on this fine album. Some of the young white blues enthusiasts of the period were so afraid to get it "wrong" that their music became a stale and overly cautious attempt at making a carbon copy of the real thing, and others just overdid it, maybe thinking that the blues was sure great, but if they tweaked it a little it would be even better. (It wasn't.)

But Peter Green, Mick Fleetwood, John McVie, Jeremy Spencer, and Danny Kirwan got it right. Green's elegant lead guitar playing shows a real understanding of how blues music is created and played, he doesn't just replicate the latest Howlin' Wolf-single. And the guest stars are phenomenal, of course. Willie Dixon is here, as is pianist Otis Spann, Buddy Guy and David "Honeyboy" Edwards guest on a couple of tracks, and Big Walter Horton's magical, inimitable harp smoulders all the way through. The subtlety of his phrasing and the characteristic tone of his harmonica works wonders on cuts like "Red Hot Jam" and "Last Night". Horton also sings in a pleasant, if rather husky voice on his own soulful slowie "I Got The Blues" and on a great cover of Jimmy Rogers' piano-driven boogie "I Need You Love", and he completely owns the instrumental "South Indiana".

Covers of Howlin' Wolf's "Ooh Baby" and Elmore James' "I'm Worried" and "I Can't Hold Out" are also among the highlights, and "Watch Out" is one of Peter Green's best, most authentic original blues numbers. Jeremy Spencer, who joined the band in 1967, was a huge Elmore James-fan, and he plays gritty slide guitar on several Elmore-covers and sings in a strong, confident voice, too, and Elmore's saxist John T. Brown guest stars, providing excellent, sympathetic backing.

"Blues Jam in Chicago vol. 1" is not the most original blues record ever, perhaps, but it is one of Fleetwood Mac's very best, and that is saying quite a lot. This is just terrific blues music played by some of the very best the genre has to offer."
Fleetwood Mac Blues Jam in Chicago, Vol. 1
moviegoer | Austell, GA USA | 03/21/2009
(5 out of 5 stars)

"Recorded around 1970, this is a record that I come back to over and over again. If you like old Chicago blues, you should like this record. I smile every time I hear it. Many of the blues masters featured on this recording are no longer with us and this is a reminder of just how influential they all were in creating pop music."