Search - Eric Dolphy :: Out to Lunch

Out to Lunch
Eric Dolphy
Out to Lunch
Genres: Jazz, Pop
  •  Track Listings (5) - Disc #1

With four of the brightest innovative talents in New York (Freddie Hubbard, Bobby Hutcherson, Richard Davis and Tony Williams) and five startling, diverse originals, Eric Dolphy made the greatest and most adventurous album...  more »


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CD Details

All Artists: Eric Dolphy
Title: Out to Lunch
Members Wishing: 6
Total Copies: 0
Label: Blue Note Records
Release Date: 3/23/1999
Album Type: Original recording reissued, Original recording remastered
Genres: Jazz, Pop
Styles: Avant Garde & Free Jazz, Modern Postbebop, Bebop
Number of Discs: 1
SwapaCD Credits: 1
UPC: 724349879324


Album Description
With four of the brightest innovative talents in New York (Freddie Hubbard, Bobby Hutcherson, Richard Davis and Tony Williams) and five startling, diverse originals, Eric Dolphy made the greatest and most adventurous album of his career for Blue Note. Unfortunately, it would be his last studio recording. He died in Germany four months later at the age of 36.

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CD Reviews

One of the best records I've ever heard, and I've heard a lo
finulanu | Here, there, and everywhere | 11/17/2007
(5 out of 5 stars)

"An utterly inaccessible but extremely worthwhile jazz masterpiece. There's no piano here - Dolphy plays a variety of woodwinds (bass clarinet on "Hat and Beard" and "Something Sweet, Something Tender"; flute on "Gazzelloni"; alto sax on the title cut and "Straight Up and Down"); and the band includes other famous jazz figures such as Tony Williams (soon to join Miles Davis and form his own group, Tony Williams Lifetime) on drums and Freddie Hubbard (also of Art Blakey's Jazz Messengers, Herbie Hancock's Maiden Voyage-era band, and the Coltrane group that made Ascension) playing trumpet. But the real star of the show is Dolphy, merging Monk's innovations in odd chord progression, Coleman's love of atypical harmonies, and Mingus' experiments with song structure - often, the themes are played in odd measures, giving them a tremendously off-kilter feel (the nervy "Straight Up and Down"; Monk tribute "Hat and Beard", with an insane vibraphone part from Bobby Hutcherson). The sole ballad of the set, "Something Sweet, Something Tender", mainly a duet between Dolph and bassist Ron Davis, is beautiful in a weird way, much like some of Coltrane's very last recordings. There's also a strange pseudo-classical experiment ("Gazzelloni") that's absolutely brilliant, because there is nothing else like it. And I do mean nothing - listen to Dolph's flute. It will dispel all notions of the instrument having a pleasant, easy-on-the-ears sound. It also will dispel all notions of vibes being pleasant and easy-on-the-ears, for those looking to see notions dispelled. It's an insane piece, which is precisely why I love it. That, and it has a bass solo. Those are always good. The amazing title track is probably the worst song here, but it would've been the best on any other album - again, the bass solo really is something. I gotta say, get this right now if you like Thelonious Monk, Ornette Coleman, and/or Charles Mingus - especially if you, like me, like all three of 'em. It's not for everybody, but it's very much worth a buy."
Dolphy's last classic album
Dennis W. Wong | 09/28/2008
(5 out of 5 stars)

"Eric Dolphy was one of those rare musicians for he could straddle between the avant-garde jazz world and that of classical music--not even Wynton Marsalis can claim that virtue since he has outrightly put down the avant garde in print. If you're undecided about this form of jazz then do check out this album. This was one of Dolphy's last recorded U.S. effort and it's a stunner (you wonder how backward Downbeat was when they gave this a less than stellar rating). Backed by familiar co-horts such as Freddie Hubbard, Bobby Hutcherson and Richard Davis, the virtuoso Dolphy demonstrates his excellence with his own tunes like the Monk-dedicated, "Hat & Beard" to a tribute to a fellow flautist, "Gazzeloni". And let's not forget the great late Tony Williams on drums--the success of this album is due to the empathy between him and Dolphy. The only regret I have about the RVG version of this classic is that in the 20 bit remastering, separation is virtually lost and the sound is very thin, tinny. If you can, do get the original issue or at worse, the European edition. I traded the RVG version for an original issue which at that time was cheaper!! Other RVG releases to avoid are "Midnight Blue" ,"Unity", and "Speak No Evil"--get the original issues. Outside of that this album is recommended."