Search - Emmylou Harris :: Elite Hotel

Elite Hotel
Emmylou Harris
Elite Hotel
Genres: Country, Pop, Rock
  •  Track Listings (12) - Disc #1

After introducing her country-rock recipe on Pieces of the Sky, Emmylou Harris returned later in 1975 with a strikingly similar sophomore effort that continued to blend traditional and contemporary elements. Here she revis...  more »


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CD Details

All Artists: Emmylou Harris
Title: Elite Hotel
Members Wishing: 3
Total Copies: 0
Label: Warner Bros / Wea
Original Release Date: 1/1/2000
Re-Release Date: 10/25/1990
Genres: Country, Pop, Rock
Styles: Roadhouse Country, Outlaw Country, Classic Country, Folk Rock, Country Rock
Number of Discs: 1
SwapaCD Credits: 1
Other Editions: Elite Hotel, Elite Hotel
UPCs: 075992724623, 075992724647, 081227810962

After introducing her country-rock recipe on Pieces of the Sky, Emmylou Harris returned later in 1975 with a strikingly similar sophomore effort that continued to blend traditional and contemporary elements. Here she revisits three tunes from the pen of old friend Gram Parsons, including "Sin City" and "Wheels," two of his most enduring compositions. However, she really struck it big by interpreting two of country music's most recognizable standards--Buck Owens's "Together Again" and Don Gibson's "Sweet Dreams" (a huge hit for Patsy Cline)--riding them both to the top of the country charts. Not many artists could handle both a Beatles ballad and a Hank Williams honky-tonker--not many would even want to--but Harris's diamondlike voice can be beautiful and translucent or sharp and cutting. --Marc Greilsamer

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Member CD Reviews

R.Eileen B.
Reviewed on 3/12/2013...
We wore out the album, tapes and a CD over the last 30 years. We expect to need another copy of this recording again-one of these days!

CD Reviews

wdanthemanw | Geneva, Switzerland | 03/20/2001
(5 out of 5 stars)

"Released in December 1975, just a few months after PIECES OF THE SKY, Emmylou Harris's ELITE HOTEL is already a first achievement in her career. Twelve songs, twelve little musical pearls. One would never repeat enough that half of the success of a singer depends on the members of the band playing in the recording. In ELITE HOTEL, the Angel Band hides such great names as Glen D. Hardin at the piano, James Burton at the electric guitar or Herb Pedersen at the banjo. Some of you certainly remember that Glen D. Hardin and James Burton used to play with another successful singer : Elvis Presley... Twelve musical pearls because, like in PIECES OF THE SKY, Emmylou gives to the musicians the opportunity to develop superb instrumental solos. In my opinion, Buck Owen's " Together Again " can be compared to Ray Charles's version partly thanks to the incredible piano arrangement invented by Glen D. Hardin. The supporting vocals are also terrific, specially in Gram Parson's " Sin City " , John Starling forming with Emmylou a duo that has haunted me for days. Three songs recorded live " Ooh Las Vegas ", " Sweet Dreams " and Hank Williams's " Jambalaya " and an homage to Emmylou Harris's former mentor Gram Parsons with " Sin City ", " Ooh Las Vegas " and " Wheels ". At last, a perfect version of Lennon/McCartney's " Here, there and everywhere " that is going to make you wonder why this song is not one of the most known recording of the Beatles. A CD for your library."
The True American Beauty . . .
Gary Popovich | Chesterfield, VA USA | 06/17/2003
(5 out of 5 stars)

"Beautiful, vulnerable, full of musical integrity, and possessing a voice so pure that you could drink from it - one could easily make the argument that Emmylou Harris was the Alison Krauss of the 1970's. "Elite Hotel" was Emmylou's second effort after working with the late Gram Parsons, and in some ways typical of a lot of her work - tributes to her mentor ("Sin City" and "Wheels") while putting a rootsy spin on a broad spectrum of material, including The Beatles "Here, There, and Everywhere," Patsy Cline's (well, Don Gibson's, if you want to get technical) "Sweet Dreams," and Buck Owen's "Together Again." Her voice is quite capable of breaking the hardest of hearts - but I also enjoy the more uptempo numbers (her backing group, The Hot Band, was and remains one of the truly great ensembles), like the driving "Amarillo" (Emmylou's only original) and the rollicking "Feeling Single, Seeing Double" (the little growl in her voice when she intones "wound up in a whole lotta trouble" makes my knees knock!). And her plaintive plea on "One of These Days" - "there's gonna be peace of mind for me/one of these days" - is the very essence of quiet desperation. Listening to any Emmylou Harris collection is an artistic pleasure and an education in American music. "Elite Hotel" set the bar at a high level, and put Emmylou on the way to becoming the stateswoman of country/Americana music that she is today."