Search - Danny Caron :: Good Hands

Good Hands
Danny Caron
Good Hands
Genres: Blues, Jazz
 
  •  Track Listings (11) - Disc #1

Danny Caron is a soulful and passionate guitarist who has played with some of the best musicians in America. His just released CD entitled "Good Hands" features some of the most soulful musicians in the San Francisco Bay A...  more »

     

CD Details

All Artists: Danny Caron
Title: Good Hands
Members Wishing: 0
Total Copies: 0
Label: Danny Caron Music
Original Release Date: 3/1/2003
Re-Release Date: 10/31/2003
Genres: Blues, Jazz
Style:
Number of Discs: 1
SwapaCD Credits: 1
UPC: 789577133426

Synopsis

Product Description
Danny Caron is a soulful and passionate guitarist who has played with some of the best musicians in America. His just released CD entitled "Good Hands" features some of the most soulful musicians in the San Francisco Bay Area including Jim Pugh from the Robert Cray Band on Hammond organ, Ron E. Beck from Tower of Power on drums, and two exquisite previously unreleased Charles Brown trio cuts with the legendary Charles Brown singing and playing piano, and Ruth Davies on bass.In addition you'll find some beautiful acoustic jazz cuts with John Wiitala (bass), Deszon Claiborne (drums), and John R Burr (piano) A couple of those are augmented by a burning horn section, with a few searing sax solos from Jeff Ervin and Charles McNeal. "The tunes on this record are really homages to some of my favorite guitarists", says Caron. "Grant Green, Billy Butler, Johnny and Oscar Moore, Gatemouth Brown, T Bone Walker, and BB King - just to name a few of the obvious ones...I'm not trying to play like them-I never could-I'm just trying to thank them!" Originally out of Silver Spring, Maryland, Danny moved to Austin, Texas and cut his teeth on the Crawfish circuit playing with singer-pianist Marcia Ball. He then worked with Zydeco king Clifton Chenier and his Red Hot Louisiana Band with whom he recorded the Grammy Award winning Album I'm Here in 1980. Relocating to the San Francisco Bay Area in 1981 he continued to freelance and eventually teamed up with the legendary singer and pianist Charles Brown. Danny served as guitarist and musical director for Charles Brown from 1987 until Brown's death in 1999. He has played on numerous CD's and sessions with Charles Brown, Clifton Chenier, Bonnie Raitt, John Lee Hooker, Van Morrison, Ruth Brown, Etta Jones, John Clayton, Teddy Edwards, Gerald Wilson, Donald Fagen, Dr. John, Little Milton Campbell, John Hammond Jr. and many others. *Danny is the featured guitarist on the Van Morrison produced John Lee Hooker album, "Don't Look Back" which won two Grammy Awards - one for Best Traditional Blues Recording, and the other for Best Collaboration, Van Morrison and John Lee Hooker. He keeps up a busy schedule touring and performing most recently with Robben Ford, Barbara Morrison, Maria Muldaur and others. He continues working with Just Say Jazz, a group of Bay Area musicians dedicated to preserving and promoting jazz and blues awareness in primary schools. He is presently teaching courses at The Jazzschool in Berkeley California. WWW.DANNYCARON.COM
 

CD Reviews

BONE-DEEP BLUES!
STEPHEN T. McCARTHY | a Mensa-donkey in Phoenix, Airheadzona. | 10/16/2005
(5 out of 5 stars)

"[Originally posted on 2005, March 13.]



Look, I'm 45 years old (my arthritic knees feel at least twice that age) and most people my age are rarely buying new music. I'm no exception. By 45, you know what you like and you've owned it for years. Because the tape deck in my truck broke several months back, I've been forced to listen to the radio while driving.



Going home from work after midnight a few weeks ago, I put on the local pseudo-Jazz station. Late, when they figure nobody's listening anyway, KYOT sometimes shelves the Kenny G and Dave Koz and spins stuff a little more adventurous. About halfway home they started playing some hot guitarist whose style I did not recognize. Damn! This guy was GOOD! I pulled into my garage, shut off the engine, & just sat there listening; unable to go into the house until the track concluded. (And I'm thinking : "You KYOT Airheadzona DJ better tell me who this is, doggone it!") "That was DANNY CARON with THE PROMISE," he announced. Now, I know from past experiences that whenever a musical piece commands my attention to that degree upon first listen, I've got a winner.



I ordered 'GOOD HANDS' from Amazon, & when it arrived I found myself staring at a middle-aged, balding guy who looked like the archetype late night television talk show host. My first impression : Well, yeah it's good, but maybe I didn't really need to own it. That opinion was radically reversed by my 4th or 5th trip through the nearly hour-long disc. By then, my ears had picked-up on what he was doing with that guitar, and I'm thinking, "OH, HOKEY SMOKES, MAN!"



While I have no doubt that CARON could trade blazing licks with virtually any "guitar god" out there (and although he does cut loose on the brief GATE WALKS THE BOARD) that's not what 'GOOD HANDS' is all about. These are mostly slow to mid-tempo deeply smoldering Blues, but played with awesome Jazz chops. The first thing you'll notice is the impeccable cleanness of his sound : sharp, single-note runs possessing an extraordinary finesse and rhythmic sense! But after your ears become "educated" you begin to notice the brilliantly executed shadings he employs to wring out the genuine emotional content of each piece. Hey, I love my Blues guitarists, but even the "Kings" (B.B., Albert & Freddie) could learn a thing from CARON about Blues nuance. Dang! This is just an exquisite Blues guitar album of uncommon sensitivity; as soulful a recording as I have ever heard! If you're a young guitarist & you want to learn a thing or two about imbuing your music with an authentic feeling, a deep passion, 'GOOD HANDS' has a lot to teach you.



And speaking of "HANDS", what's up with Caron's digits? The photographs indicate that either this guy is the size of Yao Ming, or else he has the most inordinately long fingers! That explains how he maneuvers around the neck of that guitar so nimbly.



The tracks also contain some first-class accompaniment, notably : John Burr's romantic piano, Jim Pugh's funky Hammond B-3 organ, and a riotous tenor sax solo by Charles McNeal on HEY JIMMY. (Although I could do without the Charles Brown vocals on cuts #5 & 11.) If you like the classic Jazz guitarists such as Wes Montgomery, Kenny Burrell, Joe Pass, and early George Benson, then you'll SURELY want to add Danny Caron to your collection.



My favorite piece is RAINY NIGHT IN GEORGIA. No, on second thought, I'd say IN A SENTIMENTAL MOOD. Check that; it's definitely SHINE ON. OK, I can't decide.....but did you notice that I didn't even mention THE PROMISE - the head-turning track I heard on the radio, that caught my attention to begin with? That's how impressive this album is! What a travesty of justice that so much acclaim is lavished on each new long-haired, hard rock speed freak guitarist who comes along, but a player like THIS remains unknown. He's never going to get the recognition that he deserves, but hey, you can forget all about Allstate, man, because you're in REALLY 'GOOD HANDS' with DANNY CARON!

"
Supremely tasty
Narizdura La Carretera | El Lay, USA | 11/19/2006
(5 out of 5 stars)

"Caron has a very concentrated, simple style that sweeps the listener along without sounding like 'this is jazz, can you understand it?' For me this is the epitome of good jazz blues playing. His tone, also, is impeccable. Not as dark as the typical 'jazz guitarist' yet not over-hairy like the rock blues folk. It's just right, very balanced and clear. I wish more jazz guitarists would go for this tone, nice and dry without much delay.



It's also a very well produced, well recorded album. To top it all off and bring it to 5 stars, there's not a bad composition on the album."