Search - Court & Spark :: Hearts

Hearts
Court & Spark
Hearts
Genres: Country, Alternative Rock, Pop, Rock
 
  •  Track Listings (12) - Disc #1

"Hauntingly hypnotic, wearily beautiful currents of organ, pedal steel, dobro, cello and mandolin flesh out MC Taylor's mellow vocals...stunning." - UNCUT With Hearts, The Court & Spark have created their masterwork...  more »

     
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CD Details

All Artists: Court & Spark
Title: Hearts
Members Wishing: 4
Total Copies: 0
Label: Absolutely Kosher
Original Release Date: 1/1/2006
Re-Release Date: 5/2/2006
Genres: Country, Alternative Rock, Pop, Rock
Styles: Americana, Indie & Lo-Fi, Adult Alternative, Country Rock
Number of Discs: 1
SwapaCD Credits: 1
UPC: 653225005727

Synopsis

Album Description
"Hauntingly hypnotic, wearily beautiful currents of organ, pedal steel, dobro, cello and mandolin flesh out MC Taylor's mellow vocals...stunning." - UNCUT With Hearts, The Court & Spark have created their masterwork, a rarified record that seamlessly stitches together shimmering river hymns, fuzzy sci-fi sky songs, acoustic drone in the key of OM, dusky West Coast country and western, spectral discreet music, and serpentine motel blues into an album as rich, nuanced and irreverent as it is ambitious. Since 2000, The Court & Spark has made a series of critically acclaimed albums with Scott Solter (Spoon, Mountain Goats) - the autumnal Ventura Whites, the elegiac Bless You (featuring Gene Parsons of The Byrds), and the hypnotic Witch Season, as well as homespun EPs Double Roses and Dead Diamond River (featuring M. Ward and British chanteuse Linda Thompson). Hearts is the first full-length album to be wholly engineered and produced by the band at their communal home/recording studio, The Alabama Street Station, and is permeated by an easy camaraderie and joyful, exploratory vibrations.

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CD Reviews

Expectation exceeded
D.D. | Somerset, KY. USA | 05/14/2006
(5 out of 5 stars)

"Court & Spark's previous recordings set a high bar for Hearts, and those listeners like myself who regard this group highly will be pleasantly surprised that Hearts is exceeds those high expectations. On Bless You and Witch Season, the two discs preceding Hearts; two aspects of Court & Spark's music made an immediate impression, both obvious at first listen, but wonderfully elusive when listened to carefully. The golden "country" tone of M.C. Taylor's singing is a real voice, so unlike the affected drag-king sound of so-called male contemporary country singers that a close listen will intoxicate with its sensuality. The vocal sound has the melancholic edge of a singer who knows about love and loss. Taylor is often superficially compared to Gram Parsons; the only real comparison in the country genre is George Jones. But you might as well apprach his muse from the angle of the lute songs of John Dowland. Taylor is a wide-awake musician who cannot be neatly pigeon-holed. In one sense the beautiful country-esque drawl is, like a lot of the aspects of Court & Spark compositions, a signifier for a more complicated reality and a paradox. I get the feeling that Taylor is a bit of a magician, and is himself pleased and amazed to spin dross into gold. In doing so he brings a sense of unexpected courage in facing the challenge of creating new music in what promises to be a tough century. The survival of a sweet vulnerability in the face of overwhelming odds has always been at the core of country music, and that, I think, is what Taylor evokes. (I'll return to this review shortly, with a consideration of the 2nd impressive quality in this recording; the group.)"