Search - Aaron Copland, London Symphony Orchestra :: Copland Conducts Copland [SACD]

Copland Conducts Copland [SACD]
Aaron Copland, London Symphony Orchestra
Copland Conducts Copland [SACD]
Genre: Classical
 

     
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CD Details

All Artists: Aaron Copland, London Symphony Orchestra
Title: Copland Conducts Copland [SACD]
Members Wishing: 1
Total Copies: 0
Label: Sony
Release Date: 2/8/2000
Album Type: Enhanced, Super Audio CD - DSD
Genre: Classical
Styles: Ballets & Dances, Ballets, Historical Periods, Modern, 20th, & 21st Century, Symphonies
Number of Discs: 1
SwapaCD Credits: 1
UPC: 696998904163
 

CD Reviews

Excellent transfer of an older ANALOG recording!
S. GRAY | Newton Falls, Ohio United States | 02/16/2003
(5 out of 5 stars)

"This is a tranfer to SACD of an older recording. Yes, it is only 2 channels- stereo. However, on any decent system it has a very natural sound with the ambient information conveyed as only SACD is able! Yes, there is some hiss- an artifact of the analog master. It is not a problem for me. The recording and the performance are great!
Something to note: I have the LP, CD, and SACD of this recording. The LP always had a more natural tonality. The CD was always cleaner (being a digital copy), had a harsher top end, and a limited soundstage. Instruments lost their "roundness" and harmonic flavor on the CD version. The SACD is the ultimate: it has the "roundness", smooth treble, spacial detail, of the LP, and the clean pop-free sound of the cd. Simply amazing!"
Great performance, great recording.
S. GRAY | 06/25/2001
(5 out of 5 stars)

"This is one of the SACDs that can make anyone a believer in the new format. The performance is top notch to begin with, but it's the quality of the recording that caught my attention, even though I have other good recordings of these pieces. Instruments truly sounded live and spread across a 3 dimensional space. Hall sounds were distinct from the music - you could tell the hall was empty when the recording was made and you could easily time the primary reverbations. Every instrument and distinct sound seemed to exist in its own space. Only complaints are that overall sound is a bit bright, typical of the era of the recording, and the hall reverb was too strong, probably due to the empty space."