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Color Theory presents Depeche Mode
Color Theory
Color Theory presents Depeche Mode
Genres: Dance & Electronic, Alternative Rock, Pop
 
  •  Track Listings (12) - Disc #1

A one-man tribute to Depeche Mode, complete with two new instrumental interludes. Eleven of their most underappreciated songs reinvented, plus "Ponytail Girl", the Color Theory original that the world mistook for DM.

     
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CD Details

All Artists: Color Theory
Title: Color Theory presents Depeche Mode
Members Wishing: 0
Total Copies: 0
Label: 11th Records
Original Release Date: 11/25/2003
Release Date: 11/25/2003
Genres: Dance & Electronic, Alternative Rock, Pop
Styles: Electronica, Singer-Songwriters, Indie & Lo-Fi, Singer-Songwriters, Tributes
Number of Discs: 1
SwapaCD Credits: 1
UPC: 601171501329

Synopsis

Album Description
A one-man tribute to Depeche Mode, complete with two new instrumental interludes. Eleven of their most underappreciated songs reinvented, plus "Ponytail Girl", the Color Theory original that the world mistook for DM.
 

CD Reviews

So many DM tributes, but this one is worth it.
Stephen T. Durrant | Smithfield, UT United States | 06/18/2005
(5 out of 5 stars)

"As a person who works in the synthpop / electronic pop scene for many years, I've seen an endless flood of Depeche Mode tributes, usually flowing out of Germany and Sweden. It seems that any start-up synthpop band has to crank out a Depeche Mode song or two and throw it on a tribute CD to be taken seriously in Europe. With a couple of the earlier tributes, I enjoyed hearing different electronic takes on the pioneers ("Your World in Our Eyes" or the DM cover band Diesel Christ "Diesel Mode"). But honestly, I just got tired of it after a while.



However, this new tribute by Color Theory was quite refreshing because it did a few things differently than the other tributes. For one thing, it's all by one artist, which brings some continuity (sometimes a good thing), but the song selection was also much more interesting, choosing tracks that fit Color Theory's established sound. Rather than picking the over-killed DM hits, Color Theory interprets the more romantic, lusty, melancholy side of DM, and does it with creative flare. It isn't an attempt to clone what's already been done-- instead it throws a new light on the songs and takes them in Color Theory's own direction. The artist is also talented enough not to slaughter any of the songs (a trait sadly lacking in many tributes).



If you're a DM purist, you may not get into this tribute, or any other. If all you want is Depeche Mode, then keep buying those hits and remix compilations. But if you don't mind hearing those great songs with a fresh perspective, this is a good CD to check out.

"
Thank goodness for interesting DM covers
M. Chiu | LA, CA | 07/15/2005
(5 out of 5 stars)

"What I look for in a cover is something that maintains the integrity of the original but adds something new or interesting, and this album definitely makes the grade. (in contrast to most of the covers on 'for the masses,' which add nothing to the originals)



First and foremost, the piano on 'but not tonight' is incredible. rain. for me it was dangerous to touch this song since i love the original so much, have the single, etc. but the piano, the piano...it goes straight to my heart, and i can see the raindrops plopping and bouncing off the streetlamp lit ground with the piano strokes, and dave gahan dancing around in circles with his arms out, face turned up to the sky, ruining his leather boots in the rain.



My other favorite on this album is 'it doesn't matter', with these lovely bells. and i like how it ends it with the line "i am happy, i am happy, i am happy even though you're not here now." which is a better closing line, and the repetition of the "I am happy" part leaves the listener to think about whether the singer is truly happy and ok with the situation, or whether he is trying to convince himself that he is happy.



The pace and dancy-ness of "i want you now" gives it a different feel, makes it lighter, flirtier, a little less...desperate, sleazy....

conversely, the heavy beat on 'one caress' makes it a little more insistent, with a deeper emotion, or urgency, rather than the more sweet character of the original.



The ending of 'world full of nothing' is this very interesting, beautiful, eastern-esque instrumental interlude, like peacefully pondering love, pondering the world, is it full of nothing? maybe it's peacefully full of nothing?



"I am you" is better than the original, which I find boring except for the ending with the orchestration. Color Theory's version is a little faster, with a more interesting instrumentation. It changes dynamics and uses silence in ways that make the song move somewhere, so that you can FEEL something- it's far more emotional than the original.



"sister of night" is another song in which color theory makes it loads better than the original by making it more emotional. For me, the original is largely one emotion and every time I want it to get more or less intense, it doesn't. So the original feels so flat for me.

Color theory's version has an interesting intro, with a different beat and instruments/sounds, and it sets it up in a way to allow for darkness of different kinds, it can increase intensity so that it becomes more urgent, then releases the tension with the piano which is, for me, calming, but not necessarily less dark.



"
Fitting tribute to great band
Keith Gillard | San Jose CA | 12/06/2003
(5 out of 5 stars)

"I've been a fan of Depeche Mode since the mid-'80's, and a fan of Color Theory since the mid-'90's. The influence of Martin Gore on Brian Hazard has always been there - I would say even Alan Wilder's influence could be heard too - but now it's all out in the open.A few things make this album stand out from all the other Depeche Mode tributes out there: 1) Everything on this disc is either good or great - everything is worthy of Depeche Mode. 2) It's consistent in tone and production - instead of being a compilation disc of multiple artists, this is a unified album by one very talented and accomplished artist. 3) This disc never attempts to sound like Depeche Mode, except perhaps insofar as Brian's voice is somewhat reminiscent of Martin's.I recommend this to anyone who likes good songwriting or progressive synthpop, whether or not you were a Depeche Mode fan or not. Standout tracks include "Here Is the House", "World Full of Nothing", "But Not Tonight" and the absolutely breathtaking "It Doesn't Matter" (10 out of 10 for that track; incredible). Plus, of course, Color Theory's own "Ponytail Girl", which has been one of my favourite CT tracks since I first heard a pre-release version of it.You will enjoy this album!"