Search - Felix [1] Mendelssohn, Franz [Vienna] Schubert, Wolfgang Amadeus Mozart :: Carl Schuricht

Carl Schuricht
Felix [1] Mendelssohn, Franz [Vienna] Schubert, Wolfgang Amadeus Mozart
Carl Schuricht
Genre: Classical
 
  •  Track Listings (11) - Disc #1
  •  Track Listings (4) - Disc #2


     
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CD Details

All Artists: Felix [1] Mendelssohn, Franz [Vienna] Schubert, Wolfgang Amadeus Mozart, Ludwig van Beethoven, Anton Bruckner, Carl Schuricht, Vienna Philharmonic Orchestra, Paris Conservatory Concert Society Orchestra
Title: Carl Schuricht
Members Wishing: 0
Total Copies: 0
Label: EMI Classics
Release Date: 6/4/2002
Album Type: Original recording remastered
Genre: Classical
Styles: Historical Periods, Classical (c.1770-1830), Symphonies
Number of Discs: 2
SwapaCD Credits: 2
UPCs: 724357513029, 724357513050
 

CD Reviews

Mainly For The Bruckner 8th
Jeffrey Lipscomb | Sacramento, CA United States | 06/16/2004
(5 out of 5 stars)

"Among the great Austro-German conductors, Carl Schuricht (1880-1967) is not easy to classify. On one side were the highly subjective, "romantic" conductors like Furtwangler, Abendroth, Kabasta, Max Fiedler, and Knappertsbusch. At the other extreme were the more objective, literal and "modern" Richard Strauss, Weingartner, Kleiber and Rosbaud. Schuricht's art occupies a "middle ground," with occasional leanings in both directions. This was also largely the case with Bongartz, Konwitschny, Krauss, Lehmann, and Scherchen. The main attraction here is the superb Bruckner 8th on Disc 2. It is my favorite stereo account and it ranks among the greatest- ever recordings of the work. My other favorites here are the 1949 Furtwangler (Testament), Horenstein (BBC), Knappertsbusch (Tahra), Kempe (Somm - especially the slow mvt., which I prefer to Schuricht's), and Beinum (Philips or MHS).The selections on Disc 1 are somewhat of a mixed bag. The Hebrides Overture is a fine reading, although I don't think it really challenges the classic Maag and Furtwangler accounts. This Schubert 8th with the VPO is not Schuricht at his best. When his regular producer Victor Olof quit Decca to join up with another label, he was replaced by the rather egocentric John Culshaw, with whom Schuricht did not get along. This 8th is said to have had umpteen rehearsals, and the result is rather static and dull. A FAR greater live account can be heard on Music & Arts 1094. EMI should have offered instead Schuricht's superb 1949 Beethoven 5th with the Paris Conservatory - a GREAT reading that is currently only available in poor transfers on "bootleg" CD labels.The Beethoven 1st is from Schuricht's complete Beethoven set, which is still available on French EMI. Too bad the superior VPO First, once on a ten-inch London LP, wasn't chosen instead - it's probably my favorite performance of the work. But I certainly have no objections to the excellent Haffner - Schuricht's straight but nicely nuanced account is fully in accord with this work's delightfully sunny good nature.Broader representations of Schuricht's mastery are available on two 10-disc sets, one from History (I have reviewed it here at Amazon) and the other on Scribendum (available at Amazon UK). Also very much worth exploring is a series of live concert performances on the Swiss CD label Archiphon. Like Ancerl and Furtwangler, Schuricht in live performance was a more inspired and expressive conductor than he was in the studio."
Powerful Bruckner
R. J. Claster | Van Nuys, CA United States | 11/16/2002
(5 out of 5 stars)

"This is a very dynamic performance of Bruckner's 8th symphony, full of both rhythmic drive and flexibility yet fully conveying the organ based sonorites of the music. The stereo sound is excellent, especially in the vividness of its reproduction of the numerous brass chorales. Furthermore, all the other items receive strong renditions (the Schubert and Mozart are in good stereo, the Mendelssohn and Beethoven in clear mono).
A very good buy!"
Bruckner for Brucknerians
Robert Odell | Pasadena, CA United States | 05/04/2006
(5 out of 5 stars)

"I have been a fan of this work for at least 25 years, and own almost every recording. My favorite has been the slow, majestic driving Knappertsbusch with the Munich Philharmonic, which even though slow captures the esssential relentless driving force of this work and the sublime beauty.To me most others are lacking in one way or the other.

Then comes Schuricht and the Vienna brass and horn section. Unbeliveble playing, with a tone to the brass I have yet to hear, and a very fast and at times variable pace, but the climaxes of unrivaled dimension and inner detail done superbly, as well as a great conveyance of the essential spirituality of this work. This work if not done correctly can at times let your mind wander----not this recording. DaYDREAMING IS NOT ALLOWED. YOU WILL BE JOLTED OUT OF YOUR REVERIES.

The best yet IMHO"