Search - Benjy Wertheimer :: Soul of the Esraj

Soul of the Esraj
Benjy Wertheimer
Soul of the Esraj
Genres: International Music, New Age, Pop
 
  •  Track Listings (5) - Disc #1

Soul of the Esraj is a musical canvas for the practices of healing arts, hatha yoga and meditation. While the album has its roots in the classical music of North India, many elements of New Age and contemporary ambient mus...  more »

     
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CD Details

All Artists: Benjy Wertheimer
Title: Soul of the Esraj
Members Wishing: 0
Total Copies: 0
Label: ANCIENT FUTURE
Release Date: 10/14/2003
Genres: International Music, New Age, Pop
Styles: India & Pakistan, India, Meditation
Number of Discs: 1
SwapaCD Credits: 1
Other Editions: Soul of the Esraj
UPC: 825336300026

Synopsis

Product Description
Soul of the Esraj is a musical canvas for the practices of healing arts, hatha yoga and meditation. While the album has its roots in the classical music of North India, many elements of New Age and contemporary ambient musical styles have been included to build a multifaceted soundscape for each listener's spiritual journey. It is Benjy's hope and prayer that Soul of the Esraj will prove to be a steady and soulful companion to each listener on their path through this precious gift of life. The pieces on the CD feature the esraj (an instrument from North India that resembles a small sitar but is played with a bow) accompanied by instruments from around the world, including bass flute, Celtic harp, viola da gamba, voice, and guitar. Indian classical ragas (ancient melodic forms) are associated with a particular time of day, and the selections on Soul of the Esraj flow through a sequence based on the ragas from which they are derived. About Benjy Wertheimer A founding member of the internationally acclaimed Ancient Future world fusion music ensemble, Benjy has studied Indian classical music for over 20 years with some of the greatest masters of that tradition (including Alla Rakha, Zakir Hussain, Ali Akbar Khan and Z. M. Dagar). An award-winning songwriter, composer, vocalist, and multi-instrumentalist (playing tabla, congas, percussion, esraj, guitar, and keyboards), Benjy has toured the US, Canada, and Japan with renowned bamboo flute master G.S. Sachdev and has opened for such artists as Carlos Santana, Paul Winter, and Narada Michael Walden. For over five years, Benjy scored music for the internationally syndicated NBC series Santa Barbara. He has recorded with numerous artists on such labels as A&M, Windham Hill, Narada, Nippon Phonogram, Triloka, Rounder and Global Pacific, and worked with such internationally renowned producers as Rick Rubin (the producer for the Beastie Boys, Tom Petty, Johnny Cash, and many others). For several years, Benjy was a contributing composer/member of the Zakir Hussain Rhythm Experience (along with Mickey Hart of the Grateful Dead). Benjy is very grateful to David Michael, Randy Mead, Matthew Montfort, Tim Ellis, and Heather Klinger Wertheimer - Soul of the Esraj could not have come into being without their unique and wonderful musical gifts.

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CD Reviews

Foothills of the Himalaya
12/09/2001
(5 out of 5 stars)

"This is meditative music with the haunting, healing sounds of the esraj, a bowed string instrument from India. I had the CD on as background the first three times I listened to it. Periodically, when I would stop whatever I was doing, I'd realize how deeply contented and mellow I'd become. Five stars for its type. The man's a meditator for sure. Mellow it is, and not bland. The tonal quality of the esraj, and Wertheimer's familiarity with Indian music completely save it from being 'new age'."
Something Special
Prayer Flags in the Woods | Humboldt County, CA | 11/28/2001
(5 out of 5 stars)

"There is indeed some beautiful, and quite unique, music on this cd. I highly recommend it to anyone interested in the interface between Hindustani classical and contempory western musics. The entire cd maintains a very slow and mellow tempo, with a haunting and meditative quality. The principal instrument is Wertheimer's esraj - a bowed instrument from northern India. He is backed (usually quite subtly) by acoustic guitar, harp, flute, voice and keyboard. Most of the "fusion" work out there using Indian music tends to come along with electronic instrumentation and eventually uptempo percussion. Two of the nice things for me on this record is how it is mostly acoustic, and it stays with its slow tempo feel. (Though others might find the lack of percussion and change in tempo a bit boring.) The first track ("Dawning") in particular is striking in its transcendent quality. It has become a favorite piece of music for me. I don't think the rest of the cd quite holds this piece's magic, as some of the other tracks get somewhat repetitive, and in places the keyboard and other backup gets a bit too new age-ish for my taste. Still this is very cool music. I reckon that there are heaps of hatha yogis and massage practitioners out there using this cd. Personally I like to listen to it as the night slows down and sleep beckons. . . ."