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Bad Brains
Bad Brains
Bad Brains
Genres: Alternative Rock, World Music, Pop, Rock
 
  •  Track Listings (16) - Disc #1

Legendary hardcore-punk album from 1982, considered the definitive landmark for breaking the NYC hardcore scene. All material on this CD was recorded at 171-A Studios, NYC, during August, September, and October 1981, excep...  more »

      
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CD Details

All Artists: Bad Brains
Title: Bad Brains
Members Wishing: 16
Total Copies: 0
Label: ROIR
Original Release Date: 1/1/1982
Re-Release Date: 3/19/1996
Album Type: Explicit Lyrics, Original recording reissued
Genres: Alternative Rock, World Music, Pop, Rock
Styles: Hardcore & Punk, American Alternative, Reggae
Number of Discs: 1
SwapaCD Credits: 1
UPC: 053436822326

Synopsis

Album Description
Legendary hardcore-punk album from 1982, considered the definitive landmark for breaking the NYC hardcore scene. All material on this CD was recorded at 171-A Studios, NYC, during August, September, and October 1981, except "Pay to Cum," "I Luv I Jah," "Jah Clling Dub" recorded live at 171-A on May 16, 1981. Liner Notes by Ira Kaplan. With Lyrics.

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CD Reviews

The best of Hardcore
Mark A. Carter | New York | 04/19/2006
(5 out of 5 stars)

"From lunatic speed/thrash/metal/punk hardcore to low-tempo reggae, this album is a frenzied mix of two styles with more hits than misses. You won't get any faster riffs than 'Don't need it' or 'Sailin on' & the drumming is just insane. Lyrics are sung so fast as to be indecipherable and are more like sonic accompaniment than lead vocals. All sneers, yelps and high-pitched wailing sung like a machine gun at breakneck speed. But what really sets this album apart is the musicianship on display. Every crazed lick seems deliberately placed and there are some truly awesome slower numbers like 'The Regulator' which are almost traditional classic rock. The reggae songs make a welcome change of pace & give you a chance to catch your breath before the next maniacal crescendo of sound assaults your ears. Great album. Lots of fun, energy and old-school oomph!"
And I thought I knew punk...
GaragePunkHippieMan42 | Detroit, the home of garage rock | 11/23/2004
(5 out of 5 stars)

"Well, to begin my story, I was a starry-eyed eighth grader who had recently discovered the Ramones. I thought they were so powerful, so fast, so destructive. Now, let's not get this mixed up. The Ramones are an excellent band, no doubt about it. But this...this was something more. I got this CD because I thought it was funny that four Rastas were in a punk band. I put the CD into my walkman, turned it on, and my ears began to bleed. This is the single greatest punk/hardcore album of all time, and I don't care what anyone says. People say "you can't understand what he's saying" and "all the songs sound the same" and "the recording quality's really bad", and I just wanna knock their teeth in. Bad Brains really invented everything that is hardcore and destructive about punk, and this album is the epitomy of hard rock. Give it a chance, and you will come to love this album."
Hardest of the Hard
pancho | Canada | 08/30/2004
(5 out of 5 stars)

"Before I bought this record, I had read about Bad Brains and thought I knew what they were all about. Nothing, however, could prepare me for the brutal reality of this monumental album. Shivers ran up my spine, my gut twisted in knots, and all I could do was sit there until it was over. A stunning lesson on the power of experience.What makes these four men and their music great? They absolutely defy convention, like the Rolling Stones, The Who, Led Zeppelin and the Sex Pistols before them. A group of rastafarians from D.C. influenced by white boys from Britain and a little place called Queens? Crazy fast and loud songs interspersed with reggae segues? Their eclectic mix of influences and unconventional messages work because they really believe in what they say and do. Their timing and placement of songs on the record are also flawless, keeping constant tension on the listener and always delivering.I am a big fan of HR's lyrics, which mix the political fire of the Clash with the spiritual and emancipation facets of the gemstone that is Bob Marley. Occasionally at odds with the words, the music simply did not belong in the pop culture environment of the early 80's. This pleases me, because the less people that like a band, the more personal they seem to their fans. I'm not saying any further expansion of the Brains' fan base is prohibited, but anyone without a real appreciation of music need not apply. No complaining about unpolished prodution, either, because that does not matter one iota if the music has real feeling.What else can be said of the band that birthed hardcore? They are the most intense musicians you are ever likely to hear in this lifetime, unless there is a revolution in the recording industry. I will not rant about the RIAA or the multitude of poseurs out there today, nor will I praise illegal downloading, which woke up the industry but also scared artists into holes of uninspiring dreck. I will say that it is a sad state of affairs that new artists wander into today, burying creativity under sales charts, and the attitude of the general public sucks as well. Money is not everything!Regardless, if you buy this record, prepare to have your mind blown and your world shaken. Oh, and don't crank your stereo if you have complaining neighbors, because I can guarantee that this will make their day. Have a blast!"