Search - Alex North :: Who's Afraid Of Virginia Woolf? (1995 Film Score Re-recording)

Who's Afraid Of Virginia Woolf? (1995 Film Score Re-recording)
Alex North
Who's Afraid Of Virginia Woolf? (1995 Film Score Re-recording)
Genres: Pop, Soundtracks
  •  Track Listings (13) - Disc #1


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CD Details

All Artists: Alex North
Title: Who's Afraid Of Virginia Woolf? (1995 Film Score Re-recording)
Members Wishing: 0
Total Copies: 0
Label: Varese Sarabande
Original Release Date: 6/22/1966
Re-Release Date: 10/10/2000
Album Type: Soundtrack
Genres: Pop, Soundtracks
Number of Discs: 1
SwapaCD Credits: 1
UPCs: 030206580020, 4005939580025

CD Reviews

Spellbinding Shrewery.
F. Gentile | Lake Worth, Florida, United States | 09/23/2002
(5 out of 5 stars)

"I consider this one of the most intelligently written and acted movies ever filmed. The psychological devestation that George (Burton) and Martha (Taylor)inflict upon each other casts a spell which, though it at times makes the viewer uncomfortable in its realism, is impossible to turn away from. George Segal and Sandy Dennis are the unfortunate co-passengers on this mad ride to "truth". Though they are not stupid, they are naieve and inexperienced to the point of seeming arrested development, and George and Martha go in for the kill. This is the film where Elizabeth Taylor shattered her glamour image, a pretty brave thing to do at that time, and it worked. Though her beauty was always obvious, I was never a big fan of many of her film roles, until I saw this film. It is not only her best performance, but I consider it in the ranks of the top female performances ever filmed, and Richard Burton is equally superb. That they were able to play so well off of each other in spite of, or maybe because of, their personal off-screen relationship, is amazing. Movies that do not insult the intelligence are rare these days,... I guess most of todays paying movie audience wants glorified ear-splitting music videos, with the plot secondary, if considered at all. This film is a perfect example of the mostly forgotten noble intention of the medium, which was ,yes, to entertain, but aspired to craft an experience that would also move you, make you think, and, stand in awe struck appreciation of REAL talent."
Special Edition DVD Showcases Albee's Vitriolic, Take-No-Pri
Ed Uyeshima | San Francisco, CA USA | 12/17/2006
(5 out of 5 stars)

"Edward Albee's vituperative play about marital warfare, an acknowledged classic even during its first run, came to the screen with searing fervor by an unlikely combination of talents at that time - stage director Mike Nichols helming his first film, screenwriter Ernest Lehman coming off the big box office treacle of "The Sound of Music", and two mega-stars who were more famous as notorious tabloid-saturated lovers than as character actors. The highly successful 1966 adaptation of the Broadway hit was considered quite daring because of its frank portrayal of a sadomasochistic marriage and the frequent use of profanity throughout. The groundbreaking film also signaled the end of the Hayes Code, which held a censorship stranglehold over Hollywood productions since 1934. Now in a new 2006 two-disc DVD set, the movie seems marginally tamer now, but the lacerating wit of Albee's fearless dialogue and the powerful performances still make this a great picture albeit not a joyous one.

The simple-sounding story focuses on the aptly named George and Martha, a middle-aged associate history professor and his older, shrewish wife. Staggering home after an alcohol-fueled faculty party, they trade their usual barbs and then are joined by Nick, a young assistant math professor, and his wife Honey, whom a drunken Martha had invited over for a late-night nightcap. Despite the late hour, Nick readily accepts the invitation since Martha's father is the university president. What ensues is a series of vitriolic cat-and-mouse scenes of tension and black comedy among the four principals. In fact, there is no one else in the movie other than a roadside café owner and a waitress in the background. Delusions and deceptions contaminate the often nasty comments, and the conversations strip away the characters' self-protective veneers. With his debut film, Nichols manages to open up the story with scenes in the front yard and at the café, but he maintains the claustrophobic atmosphere necessary for the primal instincts to ignite and fester among the quartet.

Haskell Wexler's textured black-and-white cinematography and Sam O'Steen's edgy editing add immeasurably to the often harrowing proceedings. However, what remains most memorable is the fine cast guided by Nichols. Even though Elizabeth Taylor is nearly two decades too young to play the 52-year old Martha, she throws herself into the harridan with abandon. Overweight with a gray wig and bosom-heaving outfits, Taylor makes Martha flamboyantly vulgar and sadly pitiable at the same time. It's her best movie work by miles. Richard Burton is more ideally cast as George, who begins as a despondent, beaten-upon husband but soon matches his wife's emotional blackmail ploys with cyclonic force. Out of a dozen professional attempts, this is the only time Taylor and Burton seem to justify the intrigue of their off-screen exploits. In her first major role, Sandy Dennis is impressive as the fragile Honey liberating herself with alcohol. Perhaps because Nick is the least developed role, George Segal comes off as the most pallid of the foursome.

The print is clean and nicely presented in a letterbox format. The DVD extras start out strong with two alternate commentary tracks - the first a newly recorded one with Nichols and director Steven Soderbergh, the second with Wexler that was recorded for the Laserdisc release several years ago. Nichols and Wexler both provide invaluable insights into the production, while Soderbergh seems rather superfluous with his fan reactions to the movie. The second disc has two new featurettes - the twenty-minute "Who's Afraid of Virginia Woolf?: A Daring Work of Raw Excellence", which discusses the production in retrospect, and the ten-minute "Who's Afraid of Virginia Woolf?: Too Shocking for Its Time" about the censorship problems around the film and how it kick-started the rating system still in use today.

Also on the second disc are two archival pieces of lesser interest - an eight-minute 1966 interview with Nichols on NBC's "Today Show", which shows the filmmaker as less than illuminating at this point in his career, and a superficial 1975 TV special called "Elizabeth Taylor: An Intimate Portrait". Hosted by a meandering Peter Lawford, the latter program has interviews with Rock Hudson, directors Vincente Minnelli and Richard Brooks and even Taylor's American mother Sara but no involvement from Taylor herself, who is seen only in archival footage. Of more interest is footage from Dennis's screen test opposite Roddy McDowall, showing the actress already well prepared for her complex role. There are four trailers included for the films included in the newly released Taylor-Burton DVD set, of which "Woolf" is surprisingly the weakest. The others in the collection are 1963's "The VIPs", 1965's "The Sandpiper" and 1967's "The Comedians"."
Virginia Woolf? No Way, I'm Afraid of Martha
K. Harris | Las Vegas, NV | 09/26/2006
(5 out of 5 stars)

"An absolutely flawless film adaptation of an absolute brilliant play by Edward Albee, "Who's Afraid of Virginia Woolf?" was a triumph for first time feature director Mike Nichols. "Woolf" has long been one of my favorite films, I'd say it's in the top three of all time along with "The Lion In Winter" and "All About Eve". So, needless to say, I am thrilled that it's finally receiving an updated Special Edition. So many unworthy, mediocre films are getting deluxe makeovers that it is gratifying when something great gets included!

Because "Woolf" is based on a play, it relies heavily on performance and writing. The sets have been expanded a bit, but primarily what you see is concentrated to a couple of hours in a house. This can be jarring in the day of quick cuts and rapid scene change. This film is a lot more claustrophobic than what you might be accustomed to--but this closeness is used to great affect throwing these characters into confrontation.

This film has one of the strongest, most powerful screenplays ever. Primarily, the story is about George and Martha--a dysfunctional married couple in a university town. They spend their days fighting and retreating, sparring constantly, playing games of one-ups-manship. It is an absolutely chilling, grotesque portrait of codependency. One fateful evening a younger couple join them for some "entertainment", little suspecting that they will be drawn into an intense night where they are alternately challenged and used as pawns in George and Martha's struggle. This is not for the squeamish viewer. Even though the film is 30 years old, you will be shocked and surprised about how far George and/or Martha is willing to go for victory. It is an absolute verbal bloodbath--fast, cruel, uncompromising, adult. You will be challenged as a viewer, and what a treat that is to see something as razor sharp and super intelligent!

All four actors were all nominated for Oscars, with Elizabeth Taylor and Sandy Dennis winning. This is a Master Class of acting. Elizabeth Taylor is a wonder. Having an earlier career that capitalized on her beauty, she is a revelation as the desperate, viscous, sexual, middle-aged "hag". Probably regarded as one of film's greatest performances, it's a can't miss (I've heard Bette Davis also wanted to revitalize her career with this role). Richard Burton as a hen pecked husband, George Segal as a young rival, and Sandy Dennis as his naive wife are all spot on--captivating, moving, ferocious.

What I didn't mention is just how funny this movie is! It is a wicked, nasty, bitterly hilarious story. I want everyone to see this movie, especially if it's new to them. Treat yourself to an awesome entertainment, great writing, and magical performances. A classic for adults! KGHarris, 9/06.