Search - Adrian Sherwood :: On-U Sound Crash: Slash & Mix Adrian Sherwood

Adrian Sherwood
On-U Sound Crash: Slash & Mix Adrian Sherwood
Genres: Dance & Electronic, International Music, Pop

Track Listings (28) - Disc #1
1. Jungle, Pt. 4
2. Private Armies Dub
3. 2 Thieves and a Liar
4. Liberty City
5. Man of Mystery
6. Hey Ho
7. Dubbing Psycho Thriller
8. Hole in the Roof
9. Mind at the End of the Tether
10. Frontline Version/Tribulation Dub
11. African Blood
12. Virgin
13. Beware
14. Sellassie I
15. Conspiring
16. Jerusalem
17. Revolution
18. My Whole World
19. Beneath the City Streets
20. Privatise the Air/Stadium Rock
21. Half Cut for Confidence/Jack the Biscuit
22. These Things Happen
23. Breaking Down the Pressure
24. African Space
25. Slummy Ghetto
26. The Dope
27. In the Air
28. Dinosaurs Lament

Single CD collection of highlights from Adrian Sherwood's influential On-U-Sound label featuring loads of great Reggae and Dub workouts. 31 tracks including cuts from Gary Clail, Tackhead, New Age Steppers, Bim Sherman, M... more »

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CD Details

All Artists: Adrian Sherwood
Title: On-U Sound Crash: Slash & Mix Adrian Sherwood
Members Wishing: 0
Total Copies: 0
Label: Caroline
Original Release Date: 1/1/2007
Re-Release Date: 4/10/2007
Album Type: Import, Original recording remastered
Genres: Dance & Electronic, International Music, Pop
Styles: Electronica, Reggae, Dance Pop
Number of Discs: 1
SwapaCD Credits: 1
UPCs: 094637502525, 094637502556

Synopsis

Album Description

CD Reviews

31 tracks on a single CD!

DJ Jonathan E. | 09/10/2007

(4 out of 5 stars)

"This is a whiz-bang-thank-you-mam crashed/slashed/mashed trip through the rowdier side of Adrian Sherwood's sonic wizardry. If you're in the mood for that sort of aural assault, great. If not, it will be extremely irritating. The On-U catalog is not always easy to find, however, and this is not a bad introduction for the neophyte, although not balanced with the deep spaciness of some On-U artists' tracks. For those who've followed On-U since its emergence in the early 1980s (or was it late 1970s?), nothing can beat the originals -- some of the best music ever made. I certainly prefer the original tracks at full length without the quick edit twitch. However, it works well as a speed listen, or as a reminder of Sherwood's greatness."