Born to American parents in Neuilly, France, conductor
Lorin Maazel displayed musical maturity at an early age. Educated in the United States, he studied conducting with
Vladimir Bakaleinikov, as well as violin and piano in Pittsburgh. Maazel's conducting career was underway by the tender age of seven, when the legendary
Arturo Toscanini invited him to lead the
NBC Orchestra in New York. Subsequently, young Maazel directed a series of
New York Philharmonic performances at Lewisohn Stadium. In 1939, he conducted the Interlochen Orchestra at the World's Fair in New York, and the
Los Angeles Philharmonic at the Hollywood Bowl, sharing the podium with
Leopold Stokowski. Maazel's
Cleveland Orchestra debut was in 1943, beginning what would become a historic relationship. In 1946, he enrolled in the languages, mathematics, and philosophy departments at the University of Pittsburgh. Concurrently, Maazel was a member of the
Pittsburgh Symphony's violin section. In 1951, Maazel traveled to Italy as a Fulbright Scholar to the study music of the
baroque period, and enjoyed success conducting many leading European orchestras.
In 1972, the celebrated
Cleveland Orchestra appointed Maazel its fifth music director. He remained in this capacity for a decade. Maazel has since served as music director of several prestigious orchestras, including the Deutsch Oper Berlin,
Berlin Radio Symphony, and
Orchestre National de France, in addition to serving as principal guest conductor of the Philharmonia Orchestra in London. He has been the conductor for the
Pittsburgh Symphony, and the
Bavarian Radio Symphony since 1988, and 1993 respectively. Maazel holds the distinction of being not only the youngest to ever conduct at Bayreuth, but the first American. In fact, when he conducted
Wagner's Ring at Bayreuth, Maazel became the first non-German to do so. The maestro has conducted virtually all of the world's leading orchestras, including the
New York Philharmonic, Chicago Symphony,
Boston Symphony, and more. He has vast and impressive experience directing
opera , appearing at such prestigious houses as the Salzbug, Lucerne, Paris, and Metropolitan operas. He has also conducted at La Scala and Covent Garden, as well as serving as artistic director (and general manager) of the
Vienna State Opera from 1982-1984.
Maazel has received numerous awards and distinctions, including the Comande's Cross of Merit of the Federal Republic (Germany), Legion of Honor (France), Commander of the Lion (Finland), and was made an honorary member of the
Israel Philharmonic in 1985. He has received the Grand Prix du Disque award ten times, and been given numerous honorary degrees from various universities. His popularity and influence were undeniable when the United Nations named him Ambassador of Goodwill.
Maazel has championed the use of television and film, himself writing film adaptations for such landmark works as
Gustav Holst's Planets, and Vivaldi's Four Seasons. He has also written operatic film music for Mozart's Don Giovanni and
Bizet's Carmen, directed by Joseph Losey and Francisco Rossi, respectively. For these efforts, Maazel has been awarded several international prizes.
Throughout his career, Maazel has recorded extensively, continuously adding to a discography that is highlighted by recordings of the complete symphonic output of
Beethoven,
Mahler,
Rachmaninov, and
Sibelius. In addition to an ever-flourishing conducting career, Maazel maintains his dedication to composition. The 1996 recording of his concertos for cello, flute, and violin, with
Rostropovich,
Galway, and the composer as soloists respectively, is indicative of Lorin Maazel's timeless devotion to musical creativity. ~ David Brensilver, All Music Guide
Beethoven: Piano Concerto No. 3; Haydn: Symphony No. 94 "Surprise"
Mussorgsky: Pictures at an Exhibition; Ravel: Bolero; La Valse; Alborada del Gracioso
