Album Details
Title: Dizzy up the Girl Artist: The Goo Goo Dolls Release Date: 9/22/1998 Re-Released On: 10/1/1999 Label: Edel Records, Warner Bros., WEA International Album Type(s): lyrics/libretto UPCs: 093624705826, 4029758020425, 9399603191422 Genre: Rock Styles: Alternative Pop/Rock, Contemporary Pop/Rock, Post-Grunge, Adult Alternative Pop/Rock, Alternative/Indie Rock Moods: Earnest, Stylish, Theatrical, Bittersweet, Brash, Confrontational, Passionate, Poignant, Melancholy, Messy, Reflective, Rollicking, Rousing, Autumnal, Brooding, Cathartic, Raucous, Searching, Wistful Total Copies: 78 Number of Discs/SwapaCD Credits: 1 |
Track Listings
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Dizzy
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Slide
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Broadway
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January Friend
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Black Balloon
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Bullet Proof
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Amigone
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All Eyes on Me
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Full Forever
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Acoustic #3
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Iris
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Extra Pale
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Hate This Place
Additional Releases
| Year | Type | Label | Catalog # | | 1999 | CD | Edel Records | 0102042 | | 1999 | CD | WEA International | 31914 | | 1998 | CD | Warner Bros. | 47058 |
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Other Editions
- No other editions were found for this album.
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Album Review
"Name" changed the game for the Goo Goo Dolls. Prior to that unexpected hit ballad, the Buffalo trio was pretty much content to turn out amiably sloppy rock & roll in the style of the Replacements. Like the latter-day 'Mats, they weren't adverse to cleaning up their sound a little bit, but once they had a hit, they were happy to jump headfirst into the mainstream, cleaning up their rockers until they shone and embracing acoustic power ballads instead of shunning them. In fact, "Iris" -- their contribution to the City of Angels soundtrack and lead single for their sixth album, Dizzy Up the Girl -- is a virtual rewrite of "Name." The funny thing is, where most college rock bands of the Bush era sounded awkward as mainstream rockers, the Goo Goo Dolls actually sound better as a mainstream band, partially because they were hardly underground in the first place. Like a less mannered and conflicted Let Your Dim Light Shine-era Soul Asylum, the trio balances hard rockers with ballads. The difference is, they enjoy the mainstreaming of their music and respond with one of their catchiest sets of songs. There's nothing new on the record apart from their willingness to polish their music so it reaches the widest audience. That will alienate whatever hardcore followers they have left, but that attitude will likely please anyone brought aboard with "Name" and "Iris." ~ Stephen Thomas Erlewine, All Music Guide
Credits
| Name | Credits | | Allen Sides | Engineer | | Bob Ludwig | Mastering | | Carmen Rizzo | Programming | | Darrell Thorp | Assistant Engineer | | David Campbell | String Arrangements | | Greg Collins | Assistant Engineer | | Jamie Muhoberac | Keyboards, Piano, Processing | | Johnny Rzeznik | Vocals, Guitar | | Ken Allardyce | Engineer | | Melanie Nissen | Photography | | Mike Malinin | Drums | | Rob Cavallo | Producer | | Robby Takac | Vocals, Bass | | Steve Gerdes | Design, Art Direction | | The Goo Goo Dolls | Producer |
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