The Lemonheads - Car Button Cloth

3




Album Details

Title: Car Button Cloth
Artist: The Lemonheads
Release Date: 10/15/1996
Label: TAG Recordings
Album Type(s): lyrics/libretto
UPCs: 075679272621, 075679272614, 075679272645
Genre: Rock
Styles: Alternative Pop/Rock, Adult Alternative Pop/Rock, Punk-Pop, Alternative/Indie Rock
Moods: Bittersweet, Summery, Wistful, Wry, Autumnal, Ironic, Laid-Back/Mellow, Melancholy, Quirky, Cathartic, Detached, Earnest, Humorous, Intimate, Reflective
Total Copies: 6
Number of Discs/SwapaCD Credits: 1

Track Listings

  1. It's All True
  2. If I Could Talk I'd Tell You
  3. Break Me
  4. Hospital
  5. The Outdoor Type
  6. Losing Your Mind
  7. Something's Missing
  8. Knoxville Girl
  9. 6ix
  10. C'mon Daddy
  11. One More Time
  12. Tenderfoot
  13. Secular Rockulidge

Additional Releases

YearTypeLabelCatalog #
1996CDTAG Recordings92726

Other Editions

  • No other editions were found for this album.

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Album Review

Lemonheads leader EVAN DANDO is indeed a lemonhead. Or a bubblehead. And it still doesn't matter. The man is just too talented a tunesmith. Just as you shouldn't have been fooled by an overreaching, inane record company that marketed him for the teenyboppers as an "alterna-hunk" (who cares?), nor should anyone dismiss him just because his LPs always have a few outright duds on them ("Secular Rockulidge" here blows), making it seem that he writes too off-the-cuff or is too easily pleased. Nor should you write him off because his lyrics still stray into the sublimely idiotic (latest prose puzzler: "Khmer Rouge, Genocide qua" is not clever, it's stoooopid Evan! All the more so in the middle of the near-perfect pop single "If I Could Talk I'd Tell You."). And on the other side of the coin, I could rave about how Car Button Cloth is a mature work, more scattershot but ultimately more satisfying than the well-venerated It's a Shame About Ray and better thought out than the up-and-down, spastic C'mon Feel The Lemonheads. But, frankly, I don't give a (fill in naughty expletive of choice) about any of this. The important things are the HOOKS, which are plentiful and often instantly timeless, and Dando's voice, which becomes more convincing, sensitive, throaty, introspective, humble, and edgy each time out. And the overall attitude, which is loose but dripping with sincerity, earnestness, and real feeling. Sure, Dando's got the goods, and songs such as "It's All True" and "Break Me" are the sort that a million bands would work years at 7-11 to call their own. It almost seems unfair; he's written so many great ones this decade. But just as importantly, Dando has perfected the art of just being himself, without pretension, and it's a hell of a lot more honest and real and enjoyable than a truck load of overhyped, super-hip, underground product this year that, though far more high-brow, is ultimately tight-assed, calculating, suffocating, and worthless in comparison. I'd rather go where the real fun is, and it's here. The first three songs alone are like love at first hearing. ~ Jack Rabid, All Music Guide

Credits

NameCredits
Bill GibsonGuitar, Vocals (Background), Bass
Bryce GogginOrgan, Producer, Engineer, Vocals, Moog Synthesizer, Mixing
Darrin EhardtDesign
Dina WaxmanBass
Erich Drew LueningWhistle (Instrument)
Evan DandoBass, Guitar, Illustrations, Vocals, Moog Synthesizer, Design, Piano, Percussion, Drums
Kenny LyonGuitar, Clapping
Patrick Murphy?
Paul MarconiMixing Assistant
Rich GilbertPedal Steel
Royston LangdonPiano, Bass
Scott HullMastering
Sue KapaPhotography, Assistant Engineer