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Songs Without Words 2: Windham Hill Piano
Various Artists
Songs Without Words 2: Windham Hill Piano
Genres: Folk, Jazz, Special Interest, New Age, Pop
 
  •  Track Listings (11) - Disc #1

For 25 years, Windham Hill has made its name releasing contemporary instrumental music of an acoustic nature, and this collection of solo piano pieces continues in that tradition. The second installment of Songs Without Wo...  more »

     
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CD Details

All Artists: Various Artists
Title: Songs Without Words 2: Windham Hill Piano
Members Wishing: 2
Total Copies: 0
Label: Windham Hill Records
Release Date: 1/22/2002
Genres: Folk, Jazz, Special Interest, New Age, Pop
Styles: Smooth Jazz, Meditation, Adult Contemporary, Easy Listening, Singer-Songwriters, Adult Alternative
Number of Discs: 1
SwapaCD Credits: 1
UPC: 019341139522

Synopsis

Amazon.com
For 25 years, Windham Hill has made its name releasing contemporary instrumental music of an acoustic nature, and this collection of solo piano pieces continues in that tradition. The second installment of Songs Without Words culls contributions from the likes of Janis Ian, Michael Feinstein, and Michael Gore, and it includes a duet reworking of Jim Brickman's "Glory" with compilation producer David Benoit. Many of the pieces have either a romantic or nostalgic feeling. Two tracks truly stand out within this 11-song collection: Barbara Higbie's "Charlie Riley," a song that boogies along in Vince Guaraldi-"Charlie Brown" fashion, and Brian Culbertson's slightly melancholic "You're Not Alone," a romantic work with an emotional refrain. Taylor Eigsti's "Past Voices" also has some charming sentimental qualities; interestingly enough, he composed it when he was 11 years old. Most of the other compositions, though, are not as memorable or striking, not necessarily because of the talent involved, but because they could use more inventiveness. For those who desire piano music that is low-key and peaceful, Songs Without Words Vol. 2 may do the trick, but those seeking something meatier will look elsewhere. --Bryan Reesman

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