Search - Uriah Heep :: Future Echoes of the Past

Future Echoes of the Past
Uriah Heep
Future Echoes of the Past
Genres: Pop, Rock, Metal
 
  •  Track Listings (13) - Disc #1
  •  Track Listings (9) - Disc #2

Recorded over two nights of the British metal act's German tour 1999-2000, 11/29/1999 Aschaffenburg-Colossaal, Germany and 11/30/1999 Munich-Nachtwek, Germany. 22 tracks includingthe classics, 'Sunrise', 'July Morning', 'B...  more »

     

CD Details

All Artists: Uriah Heep
Title: Future Echoes of the Past
Members Wishing: 2
Total Copies: 0
Label: Phantom Sound & Visi
Original Release Date: 1/1/1999
Re-Release Date: 11/29/2001
Genres: Pop, Rock, Metal
Style: Hard Rock
Number of Discs: 2
SwapaCD Credits: 2
UPC: 766486847729

Synopsis

Album Description
Recorded over two nights of the British metal act's German tour 1999-2000, 11/29/1999 Aschaffenburg-Colossaal, Germany and 11/30/1999 Munich-Nachtwek, Germany. 22 tracks includingthe classics, 'Sunrise', 'July Morning', 'Bird Of Prey', 'Gypsy', 'Look At Yourself' and 'Lady In Black'. And featuringthe bonus track 'Come Away Melinda' recorded at the Munich Sound Check. Slimline double jewel case. 2001 release.

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CD Reviews

Finally... Uriah Heep truly lives again!!
Robert Dumas | Pawling, NY USA | 01/10/2002
(5 out of 5 stars)

"As a longtime fan of this band's classic line-up, no one has been more critical of their subsequent post-David Byron material than me. (Though I thought some of the John Lawton stuff was pretty good -- particulary Firefly and parts of Innocent Victim.)The current Heep line-up has been together for 15 years. That in and of itself is startling and surprising. For my money though, 1998's Sonic Origami was the first studio CD this line-up has produced that came close to capturing the essential essence of Uriah Heep.However, on this two-disc set, the band fully embraces its classic pedigree and rocks the rafters like no one else. Mixing both new material (from the late '80s up through stuff from Sonic Origami) with plenty of classic tunes, this package is the first release in nearly two decades that I believe oldtime fans can really rally behind.The core of the band reminds intact: the inimitatible Mick Box on guitars, powerhouse Lee Kerslake on drums and the sturdy Trevor Boulder on bass. Phil Lanzon is on keyboards (in the wake of the seemingly irreplacable Ken Hensley) and Canadian Bernie Shaw takes over vocal duties.Shaw is definitely the band's best singer since David Byron was sacked in 1976. On current material, he sounds a little too much like Steve Perry for my money. That was my main complaint about Sonic Origami -- Shaw lacked the subtlty, panche and etheral charm of Byron. But Shaw is BY FAR the best vocalist they've had who can do justice to the early Byron songs. He treats these tunes with great respect and sings them with passion. It always seemed to me that past Heep singers tried to make these songs their own, thus corrupting the sound that the band originally crafted -- the sound that attracted millions of fans from around the world to start with.In fact, even the Sonic Origami material sounds better here in concert. The group kicks off "Future Echoes of the Past" with two of Sonic Origami's best tracks: Between Two Worlds (decicated on the studio CD to Byron and late bassist Gary Thain) and I Hear Voices. Both great songs made greater in this live settting. Even the late '80s stuff experiences a renaissance of sorts here -- the blistering "Universal Wheels" being a perfect example.What will send a tingle up the spines of old time Heep fans, however, will be the reditions of, not just the classics (we expect "Gypsy," "Easy Livin" and "Look at Yourself"), but the cult classics as well. When the band tears into "Sweet Freedom" it feels like 1974 again. When that tune artfully segues into "Rain," and you will gasp. Though Shaw lacks the gentle narrative style of Byron, he does more than justice to this beautiful ballad.Shaw also offers a wonderful reading of the band's first big hit, dating back to 1969... "Come Away Melinda." This time, if you close your eyes and drift away, you will swear it's Byron back behind the mike.This is not to say Shaw should try and be a Byron clone. Not at all. What he manages to do here his keep his own identiy and style while treating the older material with reverence and respect, singing those classic songs (Sunrise, Bird of Prey to name a few) like the way they were meant to be sung when they were originally written nearly three decades ago.I've been hard on the post-'70s Heep and most of the time they deserved it. So, it is with gleeful pleasure I am able to recommend this 2-disc package (with great photos and wonderful liner notes from producer Pip Williams and the band members) and give it five-star rating (which I don't give out very much!)If you're an oldtime fan of the band, take heed. I guess it's true -- you can't keep a good band down! Uriah Heep has seemed to come full circle and instead of hiding from its past, it is embracing it. And that sure SOUNDS good."
Great "heavy" showcase of Heep 90s/00s lineup
J. Davis | Columbia, SC USA/Tokyo, Japan | 12/22/2006
(4 out of 5 stars)

"I got this 2-disc set back in 05, along with Acoustically Driven, and a couple of the later non-Hensley/Byron discs. I'm a Heep fan from Demons & Wizards days (ca. 1972), and had not heard any of the B. Shaw period vocals. It took some getting used to, to hear Byron-sung songs done from the newer vocalist. But, over time, and after much listening to Sea of Light and Sonic Origami, I began to appreciate Shaw's vocal style.



The cuts from this 2-disc live set hail either from the current band's era (Raging Silence, 1990, to Sonic Origami, 1997) or from the Hensley/Byron period. I wasn't familiar with the cuts from the 90s band at first, until I got these discs and began listening to them. The live versions of songs from Sonic Origami and Sea of Light are flawless, the live sound mix is quite good (but missing some bottom end, IMHO).



Shaw and the band do the Helsney/Byron era songs very well. Mick Box is awesome as ever on guitars, and Fanzon does a great job updating the keyboard sound while keeping that Hammond organ element of the earlier Heep sound alive. I like Bolder's bass work, always have, even from his work with David Bowie back in the 70s glam days. I preferred Gary Thain's work with Heep from the 70s, though, but Bolder brings a good signature style to the late 90s mix. I wish there was more definition of the bass in the live mix captured on this disc set.



I like the sets, culled from their Germany tour dates in 99/00. I wish I had seen them at that point in concert. I read another reviewer's comments who had recommended this compilation rather than Electrically Driven--advice that I took. I was able to get a good enough deal for the 2-disc set to make it a good route to take. They mix it up on these discs between the new stuff (Sonic.., Sea..) and the Helsney/Byron stuff, so you get a good indication of what the band can do bringing together old and new.



I really like this 2 disc set. The sound quality is better than Spellbinder (taken from their 94 tour, released on CD in 99) and the cross-selection of cuts is better (of course, they had more newer material to cull from for the 99/00 tour). Highly recommended for older Heep fans who want a place to start with the newer 90s/00s band."
This old band is a good one!
J. Davis | 03/02/2002
(4 out of 5 stars)

"yes this old band is also good as Led Zeppelin, Deep purple or Sabbath in their 70's hey day. The HEEP songs like bird of prey, sweet lorraine, raibow demons and pacific highway had been performanced in the live set. The result is amazing!
The band's current singer Bernie Shaw is excellent like the HEEP's old singer in the seventies Dave byron. Mick Box guitar sound is amazing and Lee Kerslake drums solo is still powerfull!..."