Search - Tony Levin :: Prime Cuts

Prime Cuts
Tony Levin
Prime Cuts
Genres: Jazz, Pop, Rock
 
  •  Track Listings (6) - Disc #1

A collection of Tony?s bass playing from his Magna Carta sessions. Includes Tony Levin track exclusive to this CD, a bonus 16 minute audio interview with Tony and unreleased MP3 from BLS sessions "T & T Vignette" is ...  more »

     
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CD Details

All Artists: Tony Levin
Title: Prime Cuts
Members Wishing: 5
Total Copies: 0
Label: Magna Carta
Release Date: 4/5/2005
Genres: Jazz, Pop, Rock
Styles: Progressive, Progressive Rock
Number of Discs: 1
SwapaCD Credits: 1
UPC: 026245100220

Synopsis

Album Description
A collection of Tony?s bass playing from his Magna Carta sessions. Includes Tony Levin track exclusive to this CD, a bonus 16 minute audio interview with Tony and unreleased MP3 from BLS sessions "T & T Vignette" is a treat, an unreleased track from the Black Light Syndrome sessions, featuring Levin and another pioneer, Terry Bozzio, who together create a probing collage of sounds. An appropriate title we have in "Another Dimension", one culled from the repertoire of Liquid Tension Experiment2. Again, Tony stretches the boundaries of Stick and bass to achieve the required intensity, balancing himself against Mike Portnoy, John Petrucci, and Jordan Rudess. Check out the brilliant shift from a probing ostinato to a flamenco-Argentinean folkloric passage (roughly 6:22). Talk about tension and release! "Dark Corners" is a remix from the Bozzio Levin Stevens album Sonic Residue From Vapourspace produced by Mark Gage. Vapourspace?s Gage captures the symbiosis that is so integral to this ensemble and spotlights the sonic side trips to the nether regions that provide a foil to the pressing rhythmic motifs. From Magellan?s album Hundred Year Flood, "Brother?s Keeper", begins pastoral?it could be Steeleye Span?until Levin enters with a gaunt, growling bass line that signals the Industrial Revolution! Trent Gardner, Wayne Gardner, and Joe Franco match Levin?s ferocity. Take note of how Levin maintains a consistent, top-of-the-beat surging where others might tend to drag. "Endless", from Bozzio Levin and Stevens? Situation Dangerous presents numerous interesting facets. One of these rears up at 6:26 and features Levin holding down a plundering tonality and unflinching groove in what seems to be a 9/8 time signature. In typical Levin style he maintains a selfless balance, letting Stevens soar while staying himself grounded.
 

CD Reviews

Even T-Lev himself doesn't want this disc out!
ProgScape | The Ghetto Of Beautiful Things | 04/19/2005
(1 out of 5 stars)

"Per Tony Levin's website on April 18, 2005:



"...friends have told me they've heard of a new Tony Levin cd being issued this month. I want to point out that it is nothing to do with the new music I've been working on for so long - I think it's mostly re-releases of old tracks - and nothing I approve of. Isn't the music business amazing - so many great artists trying to get their music released, and there are companies putting out music the artist doesn't want released!"



That should tell you enough about this release.

"
As much as I want to...
spiral_mind | Pennsylvania | 04/19/2005
(3 out of 5 stars)

"...I can't recommend this disc, even though Tony Levin has to be one of the best & most versatile bassists in the world today. For one thing, compiling Prime Cuts was a record-label deal done without his knowledge. (TL commented about it on his website: "Isn't the music business amazing - so many great artists trying to get their music released, and there are companies putting out music the artist doesn't want released!")



For another thing, and perhaps more importantly, these tracks are merely cherry-picked from one big cherry orchard. Two of them are unreleased (one studio drum/bass jam and one remix), but I don't think that alone is quite enough reason to pick up this collection. Go hunt down both Liquid Tension Experiment albums and both discs from Bozzio/Levin/Stevens and you'll find that everything else is just as fantastic as the selections included here. Ditto the track from Magellan's album Hundred Year Flood, ditto the wonderful array of Levin solo albums not represented here (they range from eclectic instrumental world-jazz to proggy fusion and then some; the live Double Espresso is the best first choice if you need an introduction). Ditto practically everything he's done with everyone from Peter Gabriel to King Crimson to dozens of obscure and not-so-obscure releases you might have never heard of. This is indeed fantastic music; it just deserves to be enjoyed in its original context instead of sliced and diced into one inadequate package."