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Maxwell-Davies: Ms Donnithorne's Maggot / 8 Songs for a Mad King
Thomas
Maxwell-Davies: Ms Donnithorne's Maggot / 8 Songs for a Mad King
Genres: Pop, Classical
 
  •  Track Listings (2) - Disc #1


     
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CD Details

All Artists: Thomas
Title: Maxwell-Davies: Ms Donnithorne's Maggot / 8 Songs for a Mad King
Members Wishing: 2
Total Copies: 0
Label: Unicorn
Release Date: 12/7/1993
Album Type: Import
Genres: Pop, Classical
Style: Vocal Pop
Number of Discs: 1
SwapaCD Credits: 1
UPC: 053068905220

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CD Reviews

Already a modern classic of great emotional range.
03/04/1999
(5 out of 5 stars)

"Peter Maxwell Davies has taken the emotional and technical range of the human voice further than anyone before him. Extreme extended techniques allow for a full new pallet of timbre and emotion. Not for the traditionalists in classical music."
Crazy stuff
new music guy | NY, NY United States | 04/05/2002
(4 out of 5 stars)

"As the only recording of Eight Songs for a Mad King available at the moment, this is essential listening for lovers of contemporary music and wacky musical theater. Peter Maxwell Davies plays here with the potential of the human voice, forcing the "Mad King" George, played by a fine Julius Eastman, to push himself to the limit, making use of a full 5 octaves. The Fires of London was never a particularly strong group, especially in comparison with modern ensembles of the same instrumentation such as Eighth Blackbird. But despite a dry, studio sound and some technical flubs from the players, they do well enough to not damage the overall recording. There are sections that have made me shiver consistently, through dozens of listenings, in particular Eastman's howling at the end. Miss Donnithorne's Maggot is an easily forgettable work in comparison to Eight Songs, but its an understandable coupling on this disc, and it doesn't detract from the value."
Amazing Musical Theater
Slobberer | Astoria, NY United States | 05/31/2002
(5 out of 5 stars)

"Both pieces, particularly the "Mad King" are wonderfully excrutiating. I say that in the most complimentary way - far-reaching avant-garde music that is purposeful and energetic and balanced musically and theatrically (as both of these pieces strike me as theatrical as much as they are musical). I don't know what kind of career Julius Eastman had after this recording was made (in the 70's, I think), he is only featured on a couple of Meredith Monk CDs besides this outing, but this piece sounds EXTREMELY TAXING vocally, if not ruinous to the voice. He is superb with this difficult piece, though, despite the challenges, and the recording has been engineered very well.



One might benefit further by watching the film: The Madness of King George III, which I think is a very fine film."