Search - Teddy Thompson :: Up Front and Down Low

He's too cool for the room (so join the cult)

Jesse Kornbluth | New York | 07/18/2007

(5 out of 5 stars)

"When last I considered Teddy Thomp'son, he was building his cult. A very elite cult, because 'Separate Ways seemed to be so special that you could say, well, a lot of people just didn't have ears good enough for it.



Except it wasn't "special." And it wasn't "too good." It was great writing and great music and a remarkable voice, start to finish, without a single dud. I don't know why only a few of my nearest and dearest flipped for it. Maybe because it was depressing, in a wonderfully funny way.



Like this line: "I wish when the phone rang/it wasn't always you."



Not exactly a universal sentiment, is it?



So let's call Teddy Thompson an acquired taste --- until the day one of his songs becomes an unlikely hit and tens of thousands rush back to fall in love with all the great music they so breezily rejected.



And what of the follow-up to "Separate Ways"?



It's no follow-up at all. "Upfront & Down Low" is country. Classic country, if you will: songs by George Jones, Dolly Parton, Merle Haggard, the Everly Brothers, Elvis. Thompson uses a standard backup band, but he adds a string section, courtesy of the arranger responsible for the strings on Nick Drake's CDs.



Sounds like a vanity project? Not in the least. Teddy Thompson --- who didn't hear music that wasn't country until he was 16 --- understands this music completely. And delivers it authentically. But that understates. What happens in "Upfront & Down low" is captured magic, the alchemy of great taste and a compelling voice.



I went to see Teddy Thompson preview this CD in a downtown club. It was one of those rare nights: a small room, no more than a hundred people in the audience, all of them very much on the singer's side. Two violinists, a cellist and a string bass player came onstage first, then a drummer and a slide guitarist, then Thompson. Hard to miss him --- he was wearing a white suit. "I'm from the corporate office of Willie Wonka," he explained.



Naturally he apologized for the tone of the songs: "These songs are depressing. That's what country music is about."



But the songs needed no apology. They were flawless, if not exactly fun, and the title song, which he wrote, just might be the best. That song was, of course, the most depressing. Funny. I can't get it out of my head.

"

Teddy Thompson's Torch & Twang

John Buckingham | Worcester, MA USA | 07/24/2007

(5 out of 5 stars)

"One usually doesn't think of men as being classic torch singers, but with UP FRONT AND DOWN LOW, New York-based young Brit singer/songwritier Teddy Thompson makes a stunning claim to that style of heart-achey pop music. Backed with tasteful arrangements on classic country tunes and his one original, Thompson unleashes his clear, plaintive and often soaring tenor to astonishing effect - particularly on "Walking the Floor Over You", "My Heart Echoes", "She Thinks I Still Care", Dolly Partron's "My Blue Tears" and his own "Down Low". Thompson delivers terrific phrasing on all tracks, especially putting over the wonderfully sarcastic edge of "You Finally Said Something Good (When You Said Goodbye)", which opens with a jaunty string quartet cakewalk. That number and the witty "Let's Think About Living" are the most upbeat among the album's 12 listed and one hidden track, a sweet and mournful "Don't Ask Me to Be Friends". Listeners who enjoyed Thompson's contributions to the BROKEBACK MOUNTAIN soundtrack will be delighted to find that UP FRONT AND DOWN LOW continues his forary into classic country & western music and delivers one of 2007's best sung albums in the process. No doubt about it - Teddy Thompson is absolute torch and twang. Look out, k.d...."

From a non-country fan...

dead tired | nyc | 07/18/2007

(5 out of 5 stars)

"I guess this is technically a country album, but he brings a very folk/alt vibe to these songs. The result is just beautiful. Really, from start to finish. The emotion carried in his voice is so very moving. Just so soulful and touching.

If country isn't your "thing" I still say there is a place in any alt-rock collection for this CD. Perfect for a night of missing that certain someone. Perfect for a night of drowning your sorrows. Perfect for that long trip you didn't want to make in the first place. Ah, it's just perfect."