Search - Schubert, Cgb, Bernstein :: Symphony Nos 8 & 5

Symphony Nos 8 & 5
Schubert, Cgb, Bernstein
Symphony Nos 8 & 5
Genre: Classical
 
  •  Track Listings (6) - Disc #1

In this 1987 recording, Leonard Bernstein gives a highly personal account of the Unfinished, one that yields remarkable insights into the score's problematic expressiveness. His treatment of the first movement is reminisce...  more »

     
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CD Details

All Artists: Schubert, Cgb, Bernstein
Title: Symphony Nos 8 & 5
Members Wishing: 1
Total Copies: 0
Label: Dg Imports
Release Date: 9/8/1989
Album Type: Import
Genre: Classical
Style: Symphonies
Number of Discs: 1
SwapaCD Credits: 1
UPCs: 028942764521, 0028942764521

Synopsis

Amazon.com
In this 1987 recording, Leonard Bernstein gives a highly personal account of the Unfinished, one that yields remarkable insights into the score's problematic expressiveness. His treatment of the first movement is reminiscent of Bruno Walter's in its pacing and tonal darkness. There are many interesting and unexpected touches, such as the use of extra vibrato to give a feverish, trembling quality to the viola accompaniment of the big tune. The pacing of the Andante is leisurely, and tonal color is again one of the conductor's chief concerns. Here, the reading imparts a delicate tension to the argument, together with a sense of motionlessness, breathlessness, and far-off distance such as one encounters in Bruckner. The climaxes are unerringly judged, but the ending is not as sunny or radiant as one is used to--Bernstein makes it instead more subdued--not really melancholy, but quietly, tenderly detached. The Concertgebouw strings play magnificently throughout, and the work of the Dutch winds is striking in its excellence. For a realization based on live takes in a difficult hall, the recording is extremely well-engineered. The coupling is a light and energetic, but expressively sharply profiled account of the Fifth. --Ted Libbey
 

CD Reviews

Whatever Schubert needs, Lenny has it!
Alan Majeska | Bad Axe, MI, USA | 12/13/2006
(5 out of 5 stars)

"Although you might not think of Leonard Bernstein and the Concertgebouw Orchestra as the ideal team for recording Schubert Symphonies: many listeners have loyalties to Bohm/Berlin (DG), Kertesz/Vienna (Decca), Walter/New York (Sony), and Beecham/Royal Philharmonic (EMI, 5) in these works - whatever Schubert needs, Bernstein and the Concertgebouw Orchestra have it in these mid 1980s recordings. Bernstein is sensitive to changes in mood and slight variances of tempo, and the DG sound is better than what Sony has for Bernstein's New York recordings of these same works from the 1960s.



The Concertgebouw Orchestra is one of the world's top 5 orchestras, along with the Vienna Philharmonic, Berlin Philharmonic, and Philharmonia Orchestra, and this recording is evidence of their excellence. Bernstein's tempos are expansive, but never drag. The beautiful Concertgebouw sound is well served by DG's engineers.



Highly recommended, and not only to Bernstein fans."
Lovely, genial Schubert, but Bernstein isn't very involved
Santa Fe Listener | Santa Fe, NM USA | 12/04/2008
(4 out of 5 stars)

"I'm a great lover of Bernstein's conducting, but the Amazon reviewer over-sells these genial live recordings, which show no special interest other than first-rate music-making, which isn't to be slighted. If I had attended this concert in 1987, I would have been very happy. (Mr. Libbey is on another planet when he refers to the Unfinished in terms of "problematic expressiveness," whatever that even means.) In both symphonies tempos are completely middle-of-the-road, although the first movement of Sym. #8 feels slightly rushed. There's no hint anywhere of Bernstein's tendency to adopt slow tempos, as often happened in his late career. I'm a bit baffled at how he could turn in performances where he is so uninvolved, especially considering that he gave us a great Unfinished from his NY Phil. years, still available on Sony.



However, the playing is never less than gorgeous, and DG's live recording does justice to the famous warm acoustics of the Concertgebouw hall. Overall, I think the only listeners who will be delighted are those who complain that Bernstein is too over the top. He certainly isn't here."