Search - Harry Gregson-Williams, Lisbeth Scott :: Sinbad, Legend of the Seven Seas [Original Motion Picture Score]

Sinbad, Legend of the Seven Seas [Original Motion Picture Score]
Harry Gregson-Williams, Lisbeth Scott
Sinbad, Legend of the Seven Seas [Original Motion Picture Score]
Genres: Pop, Soundtracks
 
  •  Track Listings (22) - Disc #1

Hard to believe, but the animated feature film--once at the top of the endangered film species list--seems now imperiled by a glut of multi-studio riches. Perhaps overshadowed by the success of its rival in nautical animat...  more »

     
?

Larger Image

CD Details

All Artists: Harry Gregson-Williams, Lisbeth Scott
Title: Sinbad, Legend of the Seven Seas [Original Motion Picture Score]
Members Wishing: 3
Total Copies: 0
Label: Dreamworks
Release Date: 6/24/2003
Album Type: Soundtrack
Genres: Pop, Soundtracks
Style:
Number of Discs: 1
SwapaCD Credits: 1
UPCs: 600445045972, 0600445045972

Synopsis

Amazon.com
Hard to believe, but the animated feature film--once at the top of the endangered film species list--seems now imperiled by a glut of multi-studio riches. Perhaps overshadowed by the success of its rival in nautical animated adventure, Finding Nemo, this rich reworking of the Sinbad legend features its own spectacular visual wonders, marvelously underscored by the orchestral soundtrack of Harry Gregson-Williams. As he did for Chicken Run and Antz, the English composer again displays a mastery of animation's sharply increased musical demands. But in paying tribute to the swashbuckling musical grandeur of a bygone film era, Gregson-Williams still remains very much his own man, subtly seasoning his sweeping heroic themes with touches of choral mystery and the exotic. It all builds inexorably to the expected symphonic crescendos, but with a brio and romantic flair that's hard to deny. --Jerry McCulley

Similar CDs


Similarly Requested CDs

 

CD Reviews

Absolutley Superb!
09/19/2003
(5 out of 5 stars)

"This score for Sinbad, Legend of the Seven Seas is astonishing. It sounds so wonderful and just great action music. I recommend this to everyone who enjoys listening to great action music."
An Entertaining Movie Score!
07/11/2003
(4 out of 5 stars)

"Don't dismiss this score because you may not want to see the movie or because it's an animated movie. I haven't seen the movie but the score to Sinbad is a fantastic journey. It's filled with energy and bounce and a few memorable themes. This is one of those rare soundtracks where I can't pick a favorite cue. It's just an overall good listen. Definitely, one of the best scores to be released this year. Harry Gregson-Williams is rapidly becoming one of my new favorite composers. Between Shrek, Spy Game, Chicken Run, and now Sinbad, he is getting better and better with each movie."
Orchestral Spectacular!
M. Mosheim Jr. | Harleysville, PA USA | 03/31/2005
(5 out of 5 stars)

"Do yourself a favor and order this music. It's just plain fun! Don't try to analyze what you are hearing. Just enjoy. The main theme may wear on you just a bit, but overall I have to say it's still great. The recording is very well balanced, and you can hear all the instruments clearly, even in the full-bore, high level passages (there are plenty of these). Also, there is plenty of bass energy, but it is not overwhelming. Track 3, the Sea monster, is a good example, with some excellently recorded tympani. This track has it all. I always look forward to hearing the bass trombones at the 0:46 mark. Track 5 has the Syracuse theme. I have no idea what this is (I have not seen the movie, and don't need to). Let me say that this theme is more like an Anthem to me. If you only listen to one track as your sample, make it this one. The orchestra sounds like it will just keep going through the roof (eight notes, orchestra all playing together, full-bore). This might qualify for the 'best one minute piece of music' award, if there was such a thing. It returns majestically on track 21 at 3:40, in a different key, even more thrilling because it's played twice and the last note is held longer. I guess I've run out of superlatives. The only sonic problem I noticed on my copy, is that when the strings are playing at their highest level, there is some distortion, but it's not overly objectionable. Favorite tracks - 1,3,5,14,17,21. Almost forgot. The arrangements are right on target."