Search - Heinrich Schutz, Jeremy Summerly, Paul Agnew :: Schütz - The Christmas Story · Cantiones sacrae · Psalm 100 / P. Agnew · A. Crookes · M. McCarthy · Oxford Camerata · J. Summerly

Schütz - The Christmas Story · Cantiones sacrae · Psalm 100 / P. Agnew · A. Crookes · M. McCarthy · Oxford Camerata · J. Summerly
Heinrich Schutz, Jeremy Summerly, Paul Agnew
Schütz - The Christmas Story · Cantiones sacrae · Psalm 100 / P. Agnew · A. Crookes · M. McCarthy · Oxford Camerata · J. Summerly
Genres: Special Interest, Classical
 
  •  Track Listings (14) - Disc #1


     
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Sacred masterpiece by Bach's great precursor.
darragh o'donoghue | 11/07/2001
(4 out of 5 stars)

"The story of the Nativity is as packed with incident as any Passion - Christ's birth, Roman tyranny, supernatural portents, genocidal despotism, persecution, flight - and yet, with the exception of Bach's 'Christmas Oratorio', it doesn't carry the same weight in the sacred canon. Unlike Bach's Passions, which subordinate the 'action' onto the recitative, using the choruses and arias as commentary of affirmations by the faithful, Schutz makes his 'Christmas Story' entirely dramatic, with arias and choruses setting the dialogue of the characters. this means that instead of Bach's pieces of more abstract beauty, Schutz's have their own distinctive flavour, matching the role of the character(s) singing them - so the angel's are ethereal, though grounded by violas; the shepherds innocently pastoral (with predictable recorders); the wise men nobly attitudinising (violins); the sinister pomp of Herod and the elders marked by self-important trumpets. this is not to say that the recitatives are merely static and functional: they are actually more dramatic and colourful than Bach's, and that describing the slaughter of the Innocents has a terrible desolation.The three Cantiones sacrae from much earlier in Schutz's career, demonstrate a vibrant pleasure in choral writing, with male and female voices complementing each other in works of spiralling beauty, supported only be a low organ. the third, 'O bone, o dulcis', with its mention of the crucifixion, takes a sombre turn. 'Psalm 100', a jubilant prayer to the Lord, also moves to a more reflective climax. Jeremy Summerley and his Oxford Camerata have done their usual precise job, the sensitivity of the sparse instrumentation matched by the gymnastic expressivity of the singers."
Early Mussic Classic recorded Beautifully
Robert E. Murena Jr. | Fairfield, CT United States | 02/11/2005
(5 out of 5 stars)

"I am a casual listener of early music and have found that the Naxos label Rarely disappoints. A case in point is this recording of Heinrich Schutz. The music is beautiful of course: Heinrich Schutz, with one foot in the renaissance and one foot in the baroque era, composes music that is of a higher form than his predecessors yet is true to its sacred spirit and without so much opulence and flair as the Baroque composers. This CD is indicative of his style and the final chorus of the work is a terrific piece and full of power. The CD is well recorded and very dynamic... given the price it is a definite "good purchase".



It is a shame that Heinrich Schutz gets less air-time on classical radio than he deserves and one way to ensure you get enough of him is by buying this CD. It is perfect incidental music for a Christmas dinner or party, however I will admit that I often break the rules and listen to this CD throughout the year... -shame on me. I recommend Schutz highly and while he is no JS Bach he should be regarded nearly as well. I hope you heed my advice and pick this one up it is bound to please.



-- Ted Murena"
Beautiful music, cheap price. Buy! Buy! Buy!
Robert E. Murena Jr. | 02/18/1999
(5 out of 5 stars)

"As of this writing this CD ranks 86,775th on amazon.com's sales charts. This is wrong. Schutz's Christmas Story is a fantastic piece, the kind of music I would recommend to anyone, no matter what their tastes. The performance is lovely, the CD is 6 bucks. If you buy it, you'll be glad you did."