Search - Camille Saint-Saens, Antoni Wit, Polish Radio Orchestra & Chorus Katowice :: Saint-Saëns: Violin Concerto No. 3; Introduction and Rondo capriccioso; Caprice andalous; Morceau de concert

Saint-Saëns: Violin Concerto No. 3; Introduction and Rondo capriccioso; Caprice andalous; Morceau de concert

Camille Saint-Saens, Antoni Wit, Polish Radio Orchestra & Chorus Katowice
Saint-Saëns: Violin Concerto No. 3; Introduction and Rondo capriccioso; Caprice andalous; Morceau de concert
Genre: Classical

Track Listings (7) - Disc #1
1. Introduction And Rondo capriccioso In A Minor, Op. 28
2. Romance In C Major, Op. 48
3. Caprice andalous In G Major, Op. 122
4. Morceau de concert In G Major, Op. 62
5. Violin Concerto No. 3 In B Minor, Op. 61: Allegro non troppo
6. Violin Concerto No. 3 In B Minor, Op. 61: Andantino quasi allegretto
7. Violin Concerto No. 3 In B Minor, Op. 61: Molto moderato e maestoso - Allegro non troppo

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CD Details

All Artists: Camille Saint-Saens, Antoni Wit, Polish Radio Orchestra & Chorus Katowice, Katowice Radio Symphony Orchestra
Title: Saint-Saëns: Violin Concerto No. 3; Introduction and Rondo capriccioso; Caprice andalous; Morceau de concert
Members Wishing: 0
Total Copies: 0
Label: Naxos
Original Release Date: 1/1/1994
Re-Release Date: 10/4/1994
Genre: Classical
Styles: Forms & Genres, Concertos, Instruments, Strings
Number of Discs: 1
SwapaCD Credits: 1
UPC: 730099575225

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CD Reviews

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John Austin | Kangaroo Ground, Australia | 01/19/2003

(5 out of 5 stars)

"Grouped here are the best and most interesting works Saint-Saens composed for violin and orchestra. The Introduction and Rondo capriccioso is the best known and most frequently recorded. The other smaller items are well-crafted pieces, while the concerto is an especially engaging work.Guilty sometimes of giving undue prominence to soloists in concerto recordings, Naxos engineers here achieve a perfect textural balance. Notice how the trombones are allowed to overwhelm everything with their "chorale" towards the end of the last movement until the violin soloist, at comparatively minimal volume, is once again allowed to be heard. In terms of sound quality and balance, this is one of the very best concerto recordings I have heard."