Search - Monty Alexander, Ernest Ranglin :: Rocksteady (Hybr)

Rocksteady (Hybr)
Monty Alexander, Ernest Ranglin
Rocksteady (Hybr)
Genres: International Music, Jazz, Pop
 
  •  Track Listings (12) - Disc #1

Rocksteady is pianist Monty Alexander's tribute to the late '60s and early '70s heyday of ska. No mere dalliance, Alexander is from Jamaica and came up through the club scene there before relocating to the United States an...  more »

     
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CD Details

All Artists: Monty Alexander, Ernest Ranglin
Title: Rocksteady (Hybr)
Members Wishing: 3
Total Copies: 0
Label: Telarc
Release Date: 3/23/2004
Album Type: Hybrid SACD - DSD
Genres: International Music, Jazz, Pop
Styles: Reggae, Modern Postbebop, Bebop
Number of Discs: 1
SwapaCD Credits: 1
UPCs: 089408358128, 089408358166

Synopsis

Amazon.com
Rocksteady is pianist Monty Alexander's tribute to the late '60s and early '70s heyday of ska. No mere dalliance, Alexander is from Jamaica and came up through the club scene there before relocating to the United States and embarking on a career in jazz. A vital component throughout this album is guitarist Ernest Ranglin, who played on many of the key recordings produced by Coxson Dodd (including Toots & the Maytals, Derrick Herriot, Roland Alfonso, and many others). The dozen tracks pay homage to the era's key artists and composers. The album opens with the spry fun of Dave and Ansel Collins' "Double Barrel," one of the first Jamaican songs to become a hit in America, and closes with Bob Marley's richly emotive "Redemption Song." In between they play everything from "Confucius" by the Skatelites to "The Israelites" by Desmond Dekker. The sextet locks into each number, eschewing overdubs for an essential live groove. --David Greenberger

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CD Reviews

Transposing pre-reggae Jamaican pop music into a jazz key
Jan P. Dennis | Monument, CO USA | 04/07/2004
(5 out of 5 stars)

"Besides being a fascinating experiment in musical cross-pollination, the music on this disc spectacularly succeeds both from the standpoint of pure musical genius and as a demonstration of jazz's ability to turn (somewhat) mundane materials (in this case mainly sixties ska and rocksteady tunes) into pure alchemic gold, in the hands of the right players. And that's the key to the success of this disc: both the principals' bona fides as authentic Jamaican pop icons, each having been an integral and essential part of the explosion of pre-reggae music that eventuated in the full glory of Bob Marley and the Wailers, and their absolute mastery of the jazz idiom. That they could magically meld such disparate music materials into one entirely captivating whole bespeaks both their authenticity as original practitioners of Jamaican pre-reggae pop and as stellar jazz improvisers.Really, this disc is the best of both worlds: It centers on that mysterious and mesmeric ska/rocksteady beat, all the while magically expanding its boundaries into authentic jazz territory on account of the leaders' brilliant improvisational talents. Don't miss out on the protean talents of Monty Alexander and Ernest Ranglin, two master of Jamaican music, fully on display here."
Monty's best album in year's
Jan P. Dennis | 04/05/2004
(5 out of 5 stars)

"This is the best album Monty has made since he started his recent experiments with reggae and jazz. Rocksteady is great groove album craftly blended by jazz musicians; the end result is one hour of pure grooving fun loving, and downright joyous music. It's the magic of Monty's dialogue with Ernest Ranglin that helps make this work so well. There is rarely a minute when either one of them isn't inventing a lick that has you smiling. Add to that the rhythm section which is so very tight and supportive, especially the drummer, although I think the acoustic bass really helps make this a unique band as wellAlthough songs include ska tunes (Confucius), it's the rocksteady tunes that dominate. Most people know The Israelites, but there are wonderful versions of Double Barrel, Freedom Street and my favorite Stalag 17. They also cover early reggae classics like Marcus Garvey and two classics by the Congos, then finishing up with Marley's Redemption song. Kudos to Monty and his guest Ranglin for this album, let's hope it's the continuation of a beautiful friendship."
A seamless syncretism of two time-honored aural traditions.
Jan P. Dennis | 04/03/2004
(5 out of 5 stars)

"Here we have what must be on of the finest, (and most successful) attempts to bring jazz and reggae to bear upon each other. This album is primarily a treat because of Alexander's master piano work, riveting in its straight-forward yet complex renderings as always. The reggae classics that were selected are likewise wonderful, and are obviously geared to those that have grown beyond Legend in their pursuit of the irie sound. The Congos, Burning Spear, and Toots and the Maytals are all used as inspiration for some truly innovative renditions. Toots Hibbert even makes an appearance on vocals. A tremendous bit of music that will satisfy jazzheads and reggae lovers alike...and just in time for spring. Buy this."