Paris Hilton - Paris (11 tracks) +Album Reviews +Used CD available for Swap

A perfect representation of the current state of music

G. L Matlock | Chicago, IL USA | 08/24/2006

(1 out of 5 stars)

"Something interesting I've been noticing is that many people (some of my friends included) are saying that they are surprised by how much they like Paris Hilton's new single. You shouldn't be. Someone with her infinite wealth can easily afford to hire the right team to make her album as addictive as possible. This is the same tactic that allowed Britney Spears to achieve huge success so quickly. She had powerhouse producers behind her to make her music extremely infectious, causing just about anybody who didn't know any better to think to themself, "Wow! This girl's a great artist!" No. There's a difference between being a great artist and someone with the right team of producers working on their side.

This music is addictive because of its simplicity. Simple tunes are easier to hum/sing/remember, which is very appealing to some people. They contain "safe" harmonic and melodic structures where scale degrees and chords proceed to predictable locations, which are very immediately pleasing to the ear, yet not very rewarding (especially in the long-run). Paris' music is just that: predictable melodic/hamonic structure, geared toward making people think that she is actually a surprisingly valid artist, when she's actually deceiving them so that she can gain even more fame and fortune. How predictable...like her music.

On top of it all, there's a magical device that the music industry has tried to keep hush-hush over the years, but is now becoming common knowledge to the public. Referred to by producing veteran, DJ Premiere, in the video that accomopanies Christina Aguilera's new Back to Basics album as "auto-tune", this aweful technology allows producers to adjust the pitch of someone's voice after it's been recorded. Wonderful. At least before, people with minimal talent had to re-record over and over until they got it right, hopefully learning a little bit about relative pitch in the process and forcing them to slowly learn how to sing in the process. Obviously, Paris has used this. Her "interpretation" of the melody in this song is so terrible that she obviously has had little or no vocal training, and thus, has no more of a concept of relative pitch than anybody else in the country.

Paris said in an on-set interview for her video that she does not want people to think that she is just making an album just to do it, but that she has dreamed of making one since she was very young. Well guess what, Paris? Just because you want to make an album doesn't mean you should. Leave that to the dedicated, intelligent musicians of substance like Sheryl Crow, U2, Alicia Keys, and OutKast. Go take some music theory courses and intensive voice lessons and study some of the music that came out before you were born. Read some good literature. Exercise your mind. Then maybe, even you can release a respectable album."

A reflection of my generation.

John | New Jersey | 09/04/2006

(1 out of 5 stars)

"Twenty years ago, 2 years before my birth, no label would have signed a "singer" like this. It is just trendy basically. It also shows you the horror that is the music buisness. Not only that they could sign a horrific atrocity like this, but that people are so desperate to make money that they would overlook talented unsigned bands for this trash. Now, I won't push the music I do love on you the reviewer, like most would (including myself) because no matter what you like, rock,jazz,blues, REAL rap, metal, folk, whatever. You will understand where I am coming from. Music is about passion and talent. The only thing paris has a passion for is money and her only talent is spending it. Don't support this. Support real music."

A Sad Reflection of Declining IQ and Musical Taste

Rudy Palma | NJ | 08/31/2006

(1 out of 5 stars)

"For the love of music, do yourself a favor and pass up on shelling out your dollars on Paris Hilton's self-titled album. A CD that has been in gestation for two years, "Paris" is a smoldering smorgasbord of embarrassing, gimmicky pop schlock that could not be more painful to listen to. Why is that? This chick has no talent.

Sure, some of the songs are mildly flirtatious and fun in the lyrical department, but even with an assortment of cream of the crop songwriters in the pop music scene Hilton cannot obscure the fact that she is nothing but a quick buck for a record company cashing in on her pointless fame. She can sing without her voice cracking, but she is definitely unworthy of even the D-list of pop vocalists, and her persona and style certainly don't boost her over the artistic threshold. She is to Gwen Stefani what Jessica Simpson is to Mariah Carey, only even worse; the poorest imitation.

The sole glimpse of talent on the record is on the egotistical "Fightin' Over Me," but only because Fat Joe and Jadakiss give it a much-needed facelift. Nevertheless, just like all the rest of the tracks, it is pure, unadulterated product. Hearing her whisper "that's hot" and namedropping hot shot producer Scott Storch under her breath at the beginning of the mind-numbing "Turn It Up" is even less of a pleasure.

Some of the beats on "Screwed" create a cool cadence, but no one has ever sounded less like they knew what they were singing about. Also, "Stars Are Blind"? "Stars Are Deaf" is more like it. Or at the very least, "Stars Are Bland," for never has their been a more bland pop single. Lastly, her cover of Rod Stewart's "Do Ya Think I'm Sexy?" turns the classic into a lightweight roller disco confection, but she simply cannot deliver a decent voice and, most importantly, any grit or soul.

Do yourself a favor and refrain from buying "Paris." Don't support music that is 100% product and 0% genuine or a woman who inspires misogyny as she thrusts herself down the throats of Americans on a daily basis. For a pop album that actually sounds great in every aspect, opt instead for the latest releases from Madonna, Robbie Williams or any Kylie Minogue album this side of 2000.

Products like "Paris" are complete and utter atrocities, and spell death for art as we know it. Just wait - in late December you'll read the following obituary: "Art As We Know It passed away December 23, 2006 at 9:25 pm. It was 1097 years old. It passed away upon the realization that Paris Hilton's debut album was certified platinum."

"

THE PERFECT LAXATIVE!

C. Martinez | NJ | 09/01/2006

(1 out of 5 stars)

"Ladies and Gents, if you're suffering from horrendous constipation, this trashy CD is the perfect remedy for your monstrous cramps! Just one listen, and you'll be bursting thru that bathroom door like there will be no tomorrow! Better than Ex-Lax! Highly recommended for senior citizens."

Teen pop gone awry - poor singing & production

gavin.s | Philadelphia, PA USA | 08/31/2006

(1 out of 5 stars)

"Having heard the whole album it's clear - this girl does not yet know how to sing - if that's your idea of unpretentious so be it. Were it up to me I would take "Stars are Blind" (which IS catchy, has an lazy, "island" feel which works well with her soft tease of a voice), "Screwed", and "Do Ya Think I'm Sexy" and scrap the rest of this album. The latter cover of Rod Stewart needs to be redone, sounds too much like the original, please use a little imagination. Bottom line: except for "Stars are Blind" this is a forgettable album no matter what your tastes are.

PS - if you think payola is dead in the music industry just try to fathom Stephen Thomas Erlewine's review for All Music Guide. That's an embaressment."

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