Search - Jr Strauss, Schwarzkopf, Gedda :: Night in Venice

Jr Strauss, Schwarzkopf, Gedda
Night in Venice
Genre: Classical

Track Listings (22) - Disc #1
1. Aria Di Chiesa
2. Inno Alla Vergine
3. Largo
4. Ave Maria
5. L'Ange
6. Ingemisco
7. Adeste Fideles
8. Ave Maria
9. Ave Verum Corpus, KV 618
10. Domine Deus
11. Agnus Dei
12. Panis Angelicus
13. Granada
14. Vaghissima Sembianza
15. Ti Voglio Tante Bene
16. Mon Ciel, C'est Toi
17. Il Canto Della Rinuncia
18. I Love Thee
19. Because
20. Carretiere
21. Tu Lo Sai
22. Pourquoi Fermer Ton Coeur?
Track Listings (23) - Disc #2
1. Mammina Mia
2. Te Quiero
3. Core 'Ngrato
4. Senza Nisciuno
5. Adda Turna
6. 'O Paese D' 'O Sole
7. Pecche?
8. Fenesta Che Lucive
9. Piscatore 'E Pusilleco
10. Tu, Ca Non Chiagne!
11. L' Te Vurria Vasa
12. Torna A Surriento
13. Dicitencello Vuje
14. Guapparia
15. Silenzio Cantatore
16. Voce 'E Notte!
17. 'O Maranariello
18. Passione
19. 'O Sole Mio
20. 'O Surdato 'Nnammerato
21. 'A Vucchella
22. Torna!
23. Addio, Mia Bella Napoli

CD Details

All Artists: Jr Strauss, Schwarzkopf, Gedda, Ackermann
Title: Night in Venice
Members Wishing: 0
Total Copies: 0
Label: EMI Classics Imports
Original Release Date: 1/1/1955
Re-Release Date: 10/17/2000
Album Type: Import
Genre: Classical
Styles: Opera & Classical Vocal, Historical Periods, Modern, 20th, & 21st Century
Number of Discs: 2
SwapaCD Credits: 2
UPC: 077776953021

Similar CDs

	Frederic Chopin, Nelson Goerner Chopin: Piano Works Genre: Classical Label: Angel Records
?

	Beethoven, Kubelik, Bohm Beethoven: Best Of Beethoven [Australia] Genre: Classical Label: Eloquence
?

	Lisa Vale And I Love You Genres: Pop, Rock Label: Atlantic / Wea
?

CD Reviews

Inane and cutesy, A Night in Venice isn't a must-listen

Santa Fe Listener | Santa Fe, NM USA | 01/27/2008

(3 out of 5 stars)

"Like many other listeners, I wanted to be as delighted with other Strauss operettas as I was with Fledermaus, only to find that the Gypsy Baron delivers about half the inspiration and A Night in Venice about a quarter. The story and characterization are inane, and Strauss's desperation to please ends up being cutesy -- the music tries to be lilting and sparkling but without much basis.

There's nothing that Schwarzkopf and company can do to resuce the banalaity they'e stuck with, but they try their best, which is saying a lot. I've never bothered to seek out a better version. This one, in decent 1954, has held the field for ove fifty years and is likely to keep on doing so."