Search - Wolfgang Amadeus Mozart, Jeno Jando :: Mozart: Violin Sonatas, Vol. 3 (K. 378-380)

Mozart: Violin Sonatas, Vol. 3 (K. 378-380)
Wolfgang Amadeus Mozart, Jeno Jando
Mozart: Violin Sonatas, Vol. 3 (K. 378-380)
Genre: Classical
 
  •  Track Listings (8) - Disc #1

Once you get past basic musicianship, the most important element in performances of Mozart's violin sonatas is balance. These are not works for a virtuoso violin soloist with respectful piano accompaniment (as Heifetz, for...  more »

     
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CD Details

All Artists: Wolfgang Amadeus Mozart, Jeno Jando
Title: Mozart: Violin Sonatas, Vol. 3 (K. 378-380)
Members Wishing: 0
Total Copies: 0
Label: Naxos
Release Date: 1/19/1999
Genre: Classical
Styles: Chamber Music, Historical Periods, Classical (c.1770-1830), Instruments, Strings, Symphonies
Number of Discs: 1
SwapaCD Credits: 1
UPC: 730099411226

Synopsis

Amazon.com
Once you get past basic musicianship, the most important element in performances of Mozart's violin sonatas is balance. These are not works for a virtuoso violin soloist with respectful piano accompaniment (as Heifetz, for example, used to play them). They are full-fledged collaborations, with emphasis, if anywhere, on the piano. Nishizaki may not be the most elegant violinist ever to record Mozart (that would probably be Grumiaux), and her intonation is occasionally suspect, but she plays with great comprehension and she knows her place in the music, allowing Jandó's assertive and knowing musicianship to shine. The realistic, well-balanced recording is a further element in allowing Mozart's music to work its magic. --Leslie Gerber

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CD Reviews

Good, basic Mozart.
02/27/2001
(4 out of 5 stars)

"Compared with the String Quintets, Quartets, etc., Mozart's Violin and Piano Sonatas are often underrated. Although not his greatest works, they are gems of the genre and contain music of surprising passion and verve. Some listeners like performances that are full of personality, often meaning performances that take great artistic liberties with interpretation. This recording is more my style, as it leaves something for my imagination - it doesn't drip with ego, which would be entirely inappropriate for this music. The Sonata K. 379 is the most successfully performed here, as Jando, particularly in the opening of the first movement (an extended introduction to the g-minor Allegro that follows), is particularly musical and perfectly understated. The tempi chosen for all of these Sonatas are very good, although the last movement of the B-flat Sonata could be a bit faster. Balance is generally good and Nishizaki knows when to get out of the way of the piano's often predominant role - which is all to the good because Jando is an excellent musician. Also, Nishizaki's intonation is occasionally off and her playing reveals a narrow color palette (forte, mezzo, and piano). However, her playing is certainly capable and never glib. The quality of the recording is very good, although more reverberation would help the music to "sing"."