Search - Claudio Monteverdi, Boston Baroque, Janice Chandler :: Monteverdi - Vespers of 1610 (Vespro della Beata Vergine) / Chandler, R. Croft, Atkinson, Numura, Boston Baroque, Pearlman

Monteverdi - Vespers of 1610 (Vespro della Beata Vergine) / Chandler, R. Croft, Atkinson, Numura, Boston Baroque, Pearlman
Claudio Monteverdi, Boston Baroque, Janice Chandler
Monteverdi - Vespers of 1610 (Vespro della Beata Vergine) / Chandler, R. Croft, Atkinson, Numura, Boston Baroque, Pearlman
Genre: Classical
 
  •  Track Listings (15) - Disc #1
  •  Track Listings (15) - Disc #2

This performance of Monteverdi's extraordinary collection of sacred music, which received a 1999 Grammy nomination, has its good points, but it can't really be considered best even in its class. Martin Pearlman leads a rel...  more »

     
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This performance of Monteverdi's extraordinary collection of sacred music, which received a 1999 Grammy nomination, has its good points, but it can't really be considered best even in its class. Martin Pearlman leads a relatively large-scale performance, using a 30-member chorus (often doubled by instruments) throughout; he adds some plainchant before the Psalms; he takes the Lauda Jerusalem and Magnificat at high pitch. The instrumentalists play their difficult parts quite creditably, and Pearlman takes some exciting tempos. Unfortunately, his chorus can't always keep up with him: they often sound muddy and, in fast passages, sometimes downright sloppy. The soprano soloists sing attractively but with wider vibratos than ideal for this music; the tenors, however, are very good indeed, with Richard Croft's heartfelt, sensitively embellished, beautifully modulated singing deserving an award for Best Performance of Monteverdi by a Mainstream Opera Singer. If you want a full-scale choral performance, though, you'll do better with that of René Jacobs or William Christie, and Andrew Parrott's reconstruction of a Vespers service (done mostly one-singer-per-part) is not to be missed. --Matthew Westphal

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CD Reviews

A dazzling performance of an astonishing work.
Irwin Reynolds (reynoldr@nttc.org) | Skokie, IL | 03/12/1999
(5 out of 5 stars)

"Pearlman's is a dazzling performance of this most astonishing of choral masterpieces; a clear first choice. Not even the benchmark recording by John Eliot Gardiner and the Monteverdi Choir can match it. The acoustic of the venue and the top-drawer Telarc sound combine to heighten the sublime sense of spatial dimension and spirituality at the heart of the music; and the inclusion of the plainchant antiphons (omitted by Gardiner) gives the performance a sense of occasion and completeness. This is the stuff of revelation; an experience of breath-taking beauty and wonder. If you don't already own this CD, buy it. NOW!"
Surely the best "Vespers"
Guntram | PR,Brazil | 02/13/2003
(5 out of 5 stars)

"If you read the editorial rewiew above,you'll
choose wrong.The american team did this stupendous
music much better that european versions.Of course,
there are very nice portions of this on Jacobs,the
critic's choice but too there are moments so slowly
performed that I fall asleep just like Caronte in
another Monteverdi's work.The Boston players and Perlman
fulfil a remarkable and well-balanced performance,
the sumptuous tenor Richard Croft(Are there L'Orfeo
by him?If you know,please,tell me)opens spectacular
and that carry to an very uniform chorus.The only
exception are the soprano soloists,nevertheless
nothing damnable at all.This is the best:believe me!"
A good version
Teemacs | Switzerland | 01/13/2005
(4 out of 5 stars)

"Will someone please shoot Matthew Westphal and put us all out of our misery? We have to endure his claptrap on this piece constantly. OK, so he loves the museum-piece-vaguely-resuscitated Parrott version. Fine, but I for one am fed up hearing it used to poo-pooh better versions - such as this one. It's not the best - that honour for me belongs to Gardiner in the fabulous "live" version in San Marco, followed by Suzuki with the Bach Collegium Japan, but this is definitely up in the second division. It has antiphons, but they aren't allowed to get in the way, and the singing and playing, while not the best, are pretty darn good. A version to which I shall frequently return."