Search - Ludwig van Beethoven; Fritz Reiner; Chicago Symphony Orchestra :: Beethoven: Symphonies Nos. 5 & 7 / Reiner

Beethoven: Symphonies Nos. 5 & 7 / Reiner
Ludwig van Beethoven; Fritz Reiner; Chicago Symphony Orchestra
Beethoven: Symphonies Nos. 5 & 7 / Reiner
Genre: Classical
 
  •  Track Listings (10) - Disc #1


     
?

Larger Image

CD Details

All Artists: Ludwig van Beethoven; Fritz Reiner; Chicago Symphony Orchestra
Title: Beethoven: Symphonies Nos. 5 & 7 / Reiner
Members Wishing: 1
Total Copies: 0
Label: RCA
Original Release Date: 1/1/1959
Re-Release Date: 6/30/2010
Genre: Classical
Styles: Forms & Genres, Theatrical, Incidental & Program Music, Historical Periods, Classical (c.1770-1830), Modern, 20th, & 21st Century, Symphonies
Number of Discs: 1
SwapaCD Credits: 1
UPC: 090266897629

Similarly Requested CDs

 

CD Reviews

Reiner and the Chicago Symphony triumph with Beethoven.
10/16/1998
(5 out of 5 stars)

"My first encounter with Fritz Reiner and the Chicago Symphony occurred many years ago when these two symphonies were released on LP. I absorbed Reiner's interpretations so thoroughly that I have since found it difficult to absorb any others. His insistence on precision, scrupulous attention to attacking a phrase, structuring a passage, and even pin-pointing a single note are most remarkable indeed. Such attention to detail has prompted numerous stories about Reiner's tyrannical agonizing over phrasing, dynamics, architectonics. These Beethoven symphonies (along with his Ninth) are so carefully structured under Reiner's conducting that one feels--at least I do--that he has some kind of mystical insight into the workings of Beethoven's muse. The fatalistic Fifth with its glorious and unparalleled linking that occurs between the third and fourth movements--one of the greatest moments in symphonic literature--and the "dance" of the Seventh with its pulsating rhythms and flashes of brilliant sunlight combine to showcase Reiner and his orchestra at their most powerful. Reiner attacks both symphonies with an energy that is--in my listening experience--unmatched. This same accuracy (Reiner's attention to careful musical pronounciation) is also apparent in the Coriolan and Fidelio overtures. Listen to the opening chord of the Coriolan: it is spoken crisply, accurately, and with great gusto. It strikes sharply and quickly. No other interpretation of this powerful overture is recorded with such majesty. These recordings from decades ago are audio spectaculars: RCA's "Living Stereo" is presented in its best light."
AWESOME!
Lincoln-63542 | Raleigh, NC USA | 07/02/2000
(5 out of 5 stars)

"This recording dates back to the second part of the Fifties and is still young and fresh. This is the Great Chicago Symphony conducted by the builder of that greatness. And this is one of the best performed 5th's I have heard so far. The Seventh Symphony included is a real beauty: it's Second Movement is particularly touching and the Last Movement of the Symphony as rendered is an "allegro con brio" where YOU KNOW the members of the Orchestra are right at the edge of their seats putting their hearts on their playing. They play with passion and ingenuity! . The Coriolan Overture has a majesty and magnificence very hard to describe. Buy this CD and for that money you will get with bonuses the Greatness of Beethoven by means of this brilliant Maestro and the Orchestra he helped to put in the Map of the Best Orchestras in the World. A true Winner!"
Scrupulous performances indeed.
John Peters | Austin, TX | 11/30/2002
(5 out of 5 stars)

"Fritz Reiner is frequently associated with composers from the late 19th and early 20th centuries such as Strauss and Wagner. In spite of this association, his performances of Beethoven's music are not to be ignored. Reiner was a stupendous interpretor of Beethoven and any listener of this CD will quickly understand why. The first movement of the 5th Symphony sets the pace for the entire performance. These are strait-forward interpretations but in no way does this subtract from their virtue. The playing and the precision of the orchestra is amazingly clean and disciplined (even by Reiner's standards if one can believe such a thing). In typical fashion, Reiner rules with a rod of iron and never lets the sound get carried away or even remotely perverse. In both symphonies and both overtures Reiner favors fast tempi and this is without a doubt very advantagous. The music is always moving and does not drag the way so many modern recordings of these works do. One of the most important aspects that these recordings have to offer is the fact that Reiner gives all of the movements in both symphonies equal attention to detail. He does not let the first and fourth movements completely dominate the second and third movements. In essence, he does not focus all of his energy on the powerful movements and let the minor ones flutter. For anybody who prefers very potent interpretations of Beethoven this is it."