Search - Mozart, Barenboim, Eco :: Late Symphonies

Mozart, Barenboim, Eco
Late Symphonies
Genres: Special Interest, Classical

Track Listings (15) - Disc #1
1. Sym No.29 in A, K.201: I. Allegro moderato
2. Sym No.29 in A, K.201: II. Andante
3. Sym No.29 in A, K.201: III. Menuetto & Trio
4. Sym No.29 in A, K.201: IV. Allegro con spirito
5. Sym No.30 in D, K.202: I. Molto allegro
6. Sym No.30 in D, K.202: II. Andantino con moto
7. Sym No.30 in D, K.202: III. Menuetto & Trio
8. Sym No.30 in D, K.202: IV. Presto
9. Sym No.31 in D. K.297 'Paris': I. Allegro assai
10. Sym No.31 in D. K.297 'Paris': II. Andantino
11. Sym No.31 in D. K.297 'Paris': III. Allegro
12. Sym No.33 in B flat, K.319: I. Allegro assai
13. Sym No.33 in B flat, K.319: II. Andante moderato
14. Sym No.33 in B flat, K.319: III. Menuetto & Trio
15. Sym No.33 in B flat, K.319: IV. Finale (Allegro assai)
Track Listings (10) - Disc #2
1. Sym No.34 in C, K.338: I. Allegro vivace
2. Sym No.34 in C, K.338: II. Andante di molto
3. Sym No.34 in C, K.338: III. Finale (Allegro vivace)
4. Sym No.38 in D, K.504 'Prague': I. Adagio-Allegro
5. Sym No.38 in D, K.504 'Prague': II: Andante con moto.
6. Sym No.38 in D, K.504 'Prague': III: Menuetto (Allegro) & Trio.
7. Sym No.39 in E flat, K.543: I: Adagio-Allegro.
8. Sym No.39 in E flat, K.543: II. Andante con moto
9. Sym No.39 in E flat, K.543: III. Menuetto (Allegro) & Trio
10. Sym No.39 in E flat, K.543: IV. Finale (Allegro)
Track Listings (12) - Disc #3
1. Sym No.35 in D, K.385 'Haffner': I. Allegro con spirito
2. Sym No.35 in D, K.385 'Haffner': II. Andante
3. Sym No.35 in D, K.385 'Haffner': III. Menuetto & Trio
4. Sym No.35 in D, K.385 'Haffner': IV. Finale (Presto)
5. Sym No.36 in C, K.425 'Linz': I. Adagio-Allegro spiritoso
6. Sym No.36 in C, K.425 'Linz': II. Andante
7. Sym No.36 in C, K.425 'Linz': III. Allegro spiritoso
8. Divert No.7, K.205: I. Largo-Allegro
9. Divert No.7, K.205: II. Menuetto & Trio
10. Divert No.7, K.205: III. (Adagio)
11. Divert No.7, K.205: IV. Menuetto
12. Divert No.7, K.205: V. Finale (Presto)
Track Listings (14) - Disc #4
1. Sym No.41 in C, K.551 'Jupiter': I. Allegro vivace
2. Sym No.41 in C, K.551 'Jupiter': II. Andante cantabile
3. Sym No.41 in C, K.551 'Jupiter': III. Menuetto (Allegretto) & Trio
4. Sym No.41 in C, K.551 'Jupiter': IV. Finale (Molto allegro)
5. Sym No.32 in G, K.318: I. Allegro spiritoso
6. Sym No.32 in G, K.318: II. Andante
7. Sym No.32 in G, K.318: III. Allegro spiritoso
8. Divert No.7, K.205: I. Largo-Allegro
9. Divert No.7, K.205: II. Menuetto & Trio
10. Divert No.7, K.205: III. (Adagio)
11. Divert No.7, K.205: IV. Menuetto
12. Divert No.7, K.205: V. Finale (Presto)
13. 2 marches, K.335: No.1
14. 2 marches, K.335: No.2

CD Details

All Artists: Mozart, Barenboim, Eco
Title: Late Symphonies
Members Wishing: 0
Total Copies: 0
Label: Angel Records
Release Date: 9/12/1991
Genres: Special Interest, Classical
Styles: Marches, Forms & Genres, Serenades & Divertimentos, Historical Periods, Classical (c.1770-1830), Symphonies
Number of Discs: 4
SwapaCD Credits: 4
UPC: 077776730127

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CD Reviews

One of the greatest sets, if not the very best!

07/24/1999

(5 out of 5 stars)

"These recordings of Mozart's symphonies are not as famous as those by other conductors like Neville Marriner or Karl Boehm, but they are just as rewarding. The English Chamber Orchestra has a smaller, more "spunky" sound that emphasizes the details in the music. It has more spirit than the Academy of St. Martin-in-the-Fields, and is not as thick and Romantic as the Berlin Philharmonic. Daniel Barenboim, who recorded all of Mozart's piano concertos with the ECO around the same time as these symphonies, is the master of forward thrust. What I mean by that is, even though you hear a lot of fine detail in the woodwinds and cellos and so forth, the music is always driving forward in an aggressive fashion. These are not laid-back performances--do NOT use them for background music! The ECO plays beautifully with any conductor, but it is really Barenboim who makes these performances special. One gets the feeling that this is the way Mozart should really sound."