Search - Jon Oliva's Pain :: Tage Mahal

Tage Mahal
Jon Oliva's Pain
Tage Mahal
Genres: Pop, Rock
 
  •  Track Listings (13) - Disc #1

A list of the most significant US American metal musicians is bound to include Jon Oliva. Together with his band, Savatage, he has composed and produced countless anthems for eternity. His charismatic voice, concise piano,...  more »

     
?

Larger Image

CD Details

All Artists: Jon Oliva's Pain
Title: Tage Mahal
Members Wishing: 0
Total Copies: 0
Label: Crown Japan
Original Release Date: 1/1/2004
Re-Release Date: 1/3/2005
Album Type: Import
Genres: Pop, Rock
Style:
Number of Discs: 1
SwapaCD Credits: 1

Synopsis

Album Description
A list of the most significant US American metal musicians is bound to include Jon Oliva. Together with his band, Savatage, he has composed and produced countless anthems for eternity. His charismatic voice, concise piano, aura, friendly personality and imposing appearance ? his fans love and admire Oliva for a whole number of unusual characteristics. He is now ready to present Tage Mahal, the debut release by his new band, Pain, which will ? in case we had you worried for a minute ? exist alongside Savatage: "I wanted a band with musicians who live in the immediate vicinity," Oliva explains. "With Savatage, it sometimes requires an amazing organizational effort to realize a new project. Things are much easier with my new band, Pain. It consists of musicians that I?ve known for ages and that I can get together with at any time to play live, try out new ideas or record songs." Pain consists of guitarist Matt Laporte, keyboardist John Zahner (whom Oliva knows from! the preproduction of the Savatage recording, Sirens) drummer Chris Kinder and bassist Kevin Rothney. All four musicians also played on Watching In Silence, the debut by ex-Sav vocalist Zachary Stevens? band, Circle II Circle. Oliva also invited his long-standing Savatage ally, Steve ?Dr. Killdrums? Wacholz to play the drums on two tracks in the studio (?No Escape? and ?Nowhere To Run?) and added a glowing wind section to the rocking sound in strategic places. "There are fixed rules that we have to stick to when it comes to Savatage?s sound. Pain gives me complete artistic freedom, I can do anything I feel like doing and, as in the case of the wind section, experiment with unusual orchestrations."

Similar CDs

 

CD Reviews

What is this? It's a breath of fresh air!
Ciara | 10/20/2006
(5 out of 5 stars)

"Inredible effort on Jon's part. His voice gives me goosebumps and chills up and down my spine. Whether it is Sava or not, the voice rocks!"
Operatic Metal
Metalhead61 | State College, PA USA | 03/06/2007
(5 out of 5 stars)

"A truly creative album that ranks with the best of metal and rock, at least that's what I believe after only listening to it 6 times in a row. I can't get the tunes out of my head and I can't get the album out of my CD player. I'm not sure what kind of metal this is (I can't keep up with all the different genres), so I've christened it "operatic metal." In fact, the album reminds me of a rock opera, only much, much better. My favorites on the album include the first 6 cuts ... and, well, cuts 8, 9, 11 and 13. Oh ... , I guess the whole 13 cuts are my favorites. Anyway, if you like great music buy this CD. But it should have a warning label that says it's addictive."
As Close to True Savatage as Anything Since Streets
King Lerxst | Austin, Texas United States | 03/18/2008
(5 out of 5 stars)

"I waited until recently to try out Jon Oliva's solo band thinking it wouldn't be very good. I think Savatage was getting more predictably with each successive release although I liked PAM better than WOM. I've never really been a huge fan of Zak's voice. It's great and all but I've always believed Jon was the true voice of Savatage and I can't help but imagine how much better Edge of Thorns and Handful of Rain would have been if Jon sang on them. That being said I think this album recaptures a lot of the magic that Savatage had before Jon originally left. People always give Criss Oliva too much credit for the style of Savatage. To me it was always Jon's songwriting that pushed the band while Criss provided great guitar riffs. You can really see that here. There are songs that would fit on earlier Savatage albums as well as the big concept albums. It's also nice to see Paul O'Neil out of the picture for a while. Overall, it's a great disc. If you like either incarnation of Savatage you'll love this album."