Search - John Coltrane :: Legacy (Dig)

Legacy (Dig)
John Coltrane
Legacy (Dig)
Genres: Jazz, Pop
 
  •  Track Listings (13) - Disc #1
  •  Track Listings (9) - Disc #2
  •  Track Listings (12) - Disc #3
  •  Track Listings (5) - Disc #4

There have been numerous John Coltrane introductions, surveys, and best-ofs through the years, but never one quite like Legacy. It draws on Coltrane's recordings for several labels--including Prestige, Blue Note, and Atlan...  more »

     
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CD Details

All Artists: John Coltrane
Title: Legacy (Dig)
Members Wishing: 1
Total Copies: 0
Label: Umvd Labels
Release Date: 9/10/2002
Album Type: Box set
Genres: Jazz, Pop
Style: Bebop
Number of Discs: 4
SwapaCD Credits: 4
UPC: 731458929529

Synopsis

Amazon.com
There have been numerous John Coltrane introductions, surveys, and best-ofs through the years, but never one quite like Legacy. It draws on Coltrane's recordings for several labels--including Prestige, Blue Note, and Atlantic, as well as Impulse!--and as a result it's able to present both his early and his late work. Further, it's a four-CD set, its length affording the scale that Coltrane's work demands. There are some brilliant sideman performances with Miles Davis and Thelonious Monk (the standout "Trinkle, Tinkle"), as well as essential tracks from early recordings like "Lazy Bird." Selected and sequenced by Coltrane's son, saxophonist Ravi Coltrane, the set takes a gently theoretical approach to Coltrane's music, with each CD a chronological journey through a different aspect of his music. Disc one emphasizes Coltrane's approaches to harmony and melody; disc two features his innovative approach to rhythm. Disc three concentrates on the creative relationship between Coltrane and drummer Elvin Jones, while disc four is a collection of bristling live performances. Along the way one hears many of Coltrane's greatest performances: the accelerated chordal improvisation of "Giant Steps," the wailing soprano saxophone of "My Favorite Things," the blistering tenor of "Impressions," the virtuoso cadenza of "I Want to Talk About You," and the lyrical majesty of "Wise One." There's room here for contrasting versions of "Impressions," "Naima," and "Nature Boy" that demonstrate Coltrane's gifts for transforming his most familiar material. There's also an unissued live version of "One Up, One Down" and some examples of the demanding music of Coltrane's final years. It's a brilliant selection, revealing both the depth and breadth of an always-impassioned musical genius. --Stuart Broomer
 

CD Reviews

Invest in Complete Impulse and Atlantic sets.....
Chris Medina | Staten Island, NY | 05/09/2003
(2 out of 5 stars)

"First off, I want to say that all of the recordings on here are beautiful. They all capture the pure genius and sheer beauty that is Coltrane, but it amazes me why they put this set together like this. Im giving it 2 stars....but dont be confused, the music is beautiful, its the set thats getting 2 stars. You Do Not Ever Ever Ever in Life Ever Seperate A Love Supreme! It is a suite, meant to be heard in its entirety. How could u leave out 2 movements? This is like one big sample set. They took pieces from all over the place and threw them on 4 cds. It isn't how the music is supposed to be heard. Pay the extra 40 or 50 bucks and buy the Classic Quartet Complete Impulse! recordings. It is a more complete and logical approach to the genius that is Coltrane. Then, buy the Complete Atlantic recordings. These two sets are the reason God put me on this earth."
Great Collection...[Poor] Packaging
Chris Medina | 09/15/2002
(4 out of 5 stars)

"As for the music on this collection, it is breath-taking. This set offers listeners one of the few opportunities to hear the entire scope of Trane's art. The re-vamped sound seems much better and more consistent to me than previous offerings, especially the selections from his Prestige years. The sequencing is also interesting in that it was selected by his son, Ravi. He breaks down the recordings into four categories and chooses tunes based on those categories, usually in sequential order. This allows the listener to hear the progression from raw, talented appretice with potential to the master that we all know and admire.I can not argue with the music on this collection as it is among the most important recordings in the history of jazz, but I can argue with packaging the multi-disc collection in [inexpensive] cardboard. I understand planned obsolescence, but this is ridiculous. I have the had the set for about a week and it is already falling apart. As important as the music is, I can not forgive Impulse! for skimping on the design. Also, the track listing is only in the liner note and not on back of the box or disc sleeve. This means each time you want to figure out what you are listening to, you have to break out the liner notes. Not too big a hassle, but most box sets don't have this flaw.In short, buy it for the music, but be prepared to watch the packaging disappear right in front of your eyes."
UNTER UNS, THIS IS FOR COMPLETISTS ONLY (but well worth it)
Jean-Jacques Rossatti | BRAZIL | 05/20/2005
(3 out of 5 stars)

"Well, I am not going to say anything about the packaging, song-splitting or whatever. I just want to call to atention the fact that this set contains for the first time Coltrane's full (at least recorded) appearance at the benefit concert for the 'Black Arts Repertory Theatre and School' on March 28, 1965 - for some of the other artists appearing at this concert check out 'The New Wave in Jazz' by GRP/Impulse. Previous issues of 'NATURE BOY' were edited, omitting Garrison's solo, whereas this one is expanded from where the edited track left off into a great version of 'ONE DOWN, ONE UP', with Tyner specially on fire. Now, there is just one thing: this version is probably a second or third or whatever copy of the original master reel, once it sounds considerably worse than the edited version, although it is not that bad - regarding the resurfacing of this tape there is not one single word by the producers, shamefully enough. And last but not least, the booklet informs that this song clocks at 29:41, but there is a false start of some 40 seconds which have been left over the official cd time."