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J. Mark Scearce: The 99 Beautiful Names of God
John Cheek
J. Mark Scearce: The 99 Beautiful Names of God
Genres: New Age, Classical
 
  •  Track Listings (1) - Disc #1

The 99 Beautiful Names of God are the names by which Muslims regard God. Composer J. Mark Scearce was inspired to interpret these names into music from a desire to heal. He created 99 Beautiful Names in order to help a pia...  more »

     
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CD Details

All Artists: John Cheek
Title: J. Mark Scearce: The 99 Beautiful Names of God
Members Wishing: 0
Total Copies: 0
Label: Albany Records
Original Release Date: 1/1/2009
Re-Release Date: 9/1/2009
Genres: New Age, Classical
Styles: Instrumental, Chamber Music, Historical Periods, Classical (c.1770-1830)
Number of Discs: 1
SwapaCD Credits: 1
UPC: 034061113928

Synopsis

Product Description
The 99 Beautiful Names of God are the names by which Muslims regard God. Composer J. Mark Scearce was inspired to interpret these names into music from a desire to heal. He created 99 Beautiful Names in order to help a pianist friend, ill from cancer, by giving her a set of small pieces that she could play to bring her back to her instrument and through it, back to health. Pianist John Cheek comments that Mark s nobilissima visione for solo piano aims to heal and give the listener some soul time: Intimate, respectful ruminations on the Godhead or visions of Almighty Power.
 

CD Reviews

Musical Contemplations on a Protean God
J Scott Morrison | Middlebury VT, USA | 09/23/2009
(5 out of 5 stars)

"I had never heard of composer J. Mark Scearce and as a non-religious person I didn't expect the name and intent of this set of 88 short piano pieces to draw me in. And yet they did. There is something mysterious and appealing about the title: The 99 Beautiful Names of God. I didn't know until I held the CD in my hand that the title is taken from the Koran. (Mohammed taught that 'The Most High God has 99 names and whoever enumerates them will enter into paradise.')



The work consists of a series of short sections, generally played without pause, each named for one of the Islamic names for God (e.g., The Most Gracious [Ar-Rahman], The Sublime [Al-Jalil], The Wise [Al-Hakim], The Destroyer [Ad-Darr], The Everlasting [Al-Baqi], The Protector [Al-Wali], The Avenger [Al-Muntaqim]). There are 88 sections, rather than 99, because Scearce has combined some of them (e.g., The Giver of Life and The Taker of Life [Al-Muhyi and Al-Mumit]). None of the sections lasts longer than a minute or so, and some are much briefer than that. Scearce says he pondered each name in turn and responded musically. The composing process took four years. (It is amusing, undoubtedly intentional and perhaps with hidden meaning, that there is clear reference in the very first and last sections to the shape-note hymn, Amazing Grace.)



The music itself is tonal and simple, often sparsely harmonized, mostly slow, almost trance-like at times. Structurally it reminds one of, say, Satie (without the sass) or Mompou (without the Spanish color) in its simplicity. One is occasionally reminded of some of the earlier pieces from Bartók's 'Mikrokosmos.' It would be easy to dismiss the music as simple-minded, but it is not. There is a cumulative power over the music's 71 minutes to evoke a contemplative, even philosophical or religious, turn of mind, at least for this listener.



Scearce says the original impetus for composing the work was to give a pianist-colleague, ill from cancer, a set of small pieces that would bring her back to her instrument and back to health. Somehow this intent can be heard in the music.



John Cheek is a fine pianist who gives these pieces precise, evocative and musical performances.



Scott Morrison"