Track Listings (21) - Disc #1| All Artists: Arthur Honegger, Igor Stravinsky, Hermann Scherchen, Royal Philharmonic Orchestra Title: Honegger: Pacific 231/ Stravinsky: Petrouchka Members Wishing: 0 Total Copies: 0 Label: Deutsche Grammophon Original Release Date: 1/1/2001 Re-Release Date: 11/13/2001 Genres: International Music, Soundtracks, Classical Styles: Europe, Continental Europe, Far East & Asia, Ballets & Dances, Ballets, Forms & Genres, Theatrical, Incidental & Program Music, Historical Periods, Modern, 20th, & 21st Century, Symphonies Number of Discs: 1 SwapaCD Credits: 1 UPC: 028947124528 |
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Search - Arthur Honegger, Igor Stravinsky, Hermann Scherchen :: Honegger: Pacific 231/ Stravinsky: Petrouchka
 | Arthur Honegger, Igor Stravinsky, Hermann Scherchen Honegger: Pacific 231/ Stravinsky: Petrouchka Genres: International Music, Soundtracks, Classical
This very welcome entry in Westminster's revival of Scherchen's treasured LP recordings features shorter works by Arthur Honegger. Pacific 231 is a famous cornerstone of 1920s modernism, a sound portrait of a railroad engi... more » |
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Amazon.com This very welcome entry in Westminster's revival of Scherchen's treasured LP recordings features shorter works by Arthur Honegger. Pacific 231 is a famous cornerstone of 1920s modernism, a sound portrait of a railroad engine, encapsulating the mechanistic power of the new age. "Rugby" captures the ebb and flow of fast-moving physical effort. The "Symphonic Movement" has Stravinskyan dash and drive. Scherchen does all three with panache and also captures the tender beauties of the Pastorale d'été and the other works. Such care with miniature gems is typical of Scherchen's art, as is his very personal interpretation of Stravinsky's Petrouchka, with its driven, often manic depiction of the ballet's fairgrounds atmosphere and a palpable sense of menace in scenes like The Moor's Room. Like no other recorded Petrouchka, Scherchen's links the work to the barbarism of Le Sacre du Printemps, with which Stravinsky followed it. The mono sound shouldn't put you off; this was state-of-the-art in 1954 and still sounds good. --Dan Davis Similarly Requested CDs
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CD ReviewsScherchen At His Best Jeffrey Lipscomb | Sacramento, CA United States | 06/09/2004 (5 out of 5 stars) "These performances are among Scherchen's very finest accomplishments. Some of these were once available on Westminster's fabled "Lab Series" LPs. Those still sound a little clearer and more crystalline - but this CD is nonetheless an excellent transfer of some classic readings.The main attraction here is probably the Petrushka. While I feel that Rite of Spring could more aptly be likened to Beethoven's Eroica as a pathbreaking score, Petrushka is very much a revolutionary work. Its ingenius orchestration was no doubt partly the result of Stravinsky's studies with Rimsky-Korsakov - but Stravinsky brought a special astringency and tart wit to bear that went far beyond that of his teacher.While the Royal Philharmonic's playing is not faultless (limited rehearsal time?), this chiseled account is extraordinary. It is one of the three finest readings I have heard, along with Stravinsky's own and the virtuoso Amsterdam Concertgebouw recording by Hans Rosbaud. The latter was once on a Philips LP -it SCREAMS to be re-issued on CD.Scherchen's "locomotive" Pacific 231 was a real sonic blockuster in its day. This and the other Honegger pieces still have impressive mono sonics, with fine interpretations to match. For a fascinating comparison, you might try Honegger's own readings of La Temptete, Pastoral d'ete, Pacific 231, and Rugby (along with a great Symphony #3) on Music & Arts 767. Others worth a listen include Munch's Pastorale (Valois), and Paul Sacher's Chant de Joie on a Pan CD.But if I could have just ONE recording of each work here, this Scherchen CD would fit the bill very nicely." Make It New Kevin Maynard | Markyate, ST ALBANS, Hertfordshire United Kingdom | 01/06/2007 (5 out of 5 stars) "I recently tuned into this Petrouchka on the radio while driving into work. My initial reaction was, which new young conductor is this? Why have I never heard so vibrant and richly-coloured an interpretation before? The orchestral detail was quite stunning, and the energy as raw and compulsive as the best Stravinsky performances I've ever heard, whether on disc or in the concert hall. I was dumbfounded when I discovered the recording date. Buy it, and the hairs on the back of your neck will bristle with excitement! No Stravinsky-lover can afford to be without this record."
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