Search - Gevorg Dabagian :: The Music of Armenia, Volume 3: Duduk

After two volumes of vocal music drawn largely from the sacred/classical tradition, The Music of Armenia, Volume Three may seem like a complete departure. This is after all, a collection devoted to traditional/folk music for the wind instrument known as the duduk. But as is so often the case with Armenian music, there are long-standing connections between these apparently distinct styles. Not only are the traditions of Armenian classical and folk music intertwined, with their common roots in ancient bardic and epic songs, but some songs from the medieval sacred repertoire have recently made their way into the duduk players' arsenal as well, like Vasn mero perkutian (track 15), in part due to the playing of Gevorg Dabagian. And the duduk's soft, reedy sound has an almost vocal quality that makes it nearly as songful and soulful as the voices heard in the first two volumes.Of all the instruments played in Armenia, the duduk is perhaps the most truly Armenian. Other traditional instruments can all be traced back to ancestoral instruments from the Arabic world, but the duduk appears to be specific to Armenia. Small wonder, then, that many Armenians consider the duduk to be the instrument that most eloquently expresses the warmth, the joy, and the tragedy of Armenia.Many of these pieces are simply instrumental transcriptions of what were originally vocal works. Others are old melodies that have come to be associated with the duduk; if they had words originally, they have long been lost. And some of the pieces come from one of Armenia's most unusual sources of music: the troubadour/poets known as ashugh.