Search - Franz Joseph Haydn :: Joseph Haydn: Divertimenti für Streichtrio Vol. I

Franz Joseph Haydn
Joseph Haydn: Divertimenti für Streichtrio Vol. I
Genre: Classical

Track Listings (15) - Disc #1
1. Trio for 2 violins & cello in G major, H. 5/20: Allegro
2. Trio for 2 violins & cello in G major, H. 5/20: Menuet - Trio
3. Trio for 2 violins & cello in G major, H. 5/20: Presto
4. Trio for 2 violins & cello in C major, H. 5/16: Allegro
5. Trio for 2 violins & cello in C major, H. 5/16: Menuet - Trio
6. Trio for 2 violins & cello in C major, H. 5/16: Finale: Presto
7. Trio for 2 violins & cello in E flat major, H. 5/4: Allegro
8. Trio for 2 violins & cello in E flat major, H. 5/4: Adagio cantabile
9. Trio for 2 violins & cello in E flat major, H. 5/4: Presto
10. Trio for 2 violins & cello in B minor, H. 5/3: Adagio
11. Trio for 2 violins & cello in B minor, H. 5/3: Allegro
12. Trio for 2 violins & cello in B minor, H. 5/3: Tempo di Menuet
13. Trio for 2 violins & cello in D major, H. 5/21: Siciliano: Adagio
14. Trio for 2 violins & cello in D major, H. 5/21: Allegro
15. Trio for 2 violins & cello in D major, H. 5/21: Menuet - Trio

Preparing for the 200th anniversary of Haydn's death, these rarely heard pieces show Joseph Haydn as an intelligent chamber music composer.

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CD Details

All Artists: Franz Joseph Haydn
Title: Joseph Haydn: Divertimenti für Streichtrio Vol. I
Members Wishing: 0
Total Copies: 0
Label: Cavi-Music
Original Release Date: 1/1/2008
Re-Release Date: 10/14/2008
Genre: Classical
Styles: Chamber Music, Historical Periods, Classical (c.1770-1830)
Number of Discs: 1
SwapaCD Credits: 1
UPC: 4020796413750

Synopsis

Album Description

Preparing for the 200th anniversary of Haydn's death, these rarely heard pieces show Joseph Haydn as an intelligent chamber music composer.

CD Reviews

Need to review performance practices in early Haydn

W. R. Shindle | Westminster, MD | 07/26/2007

(3 out of 5 stars)

"While the project of recodings all the authentic Divertimenti for String Trio by Joseph Haydn is very commendable. The performance by "Das Wiener Philharmonia Trio" is marred by their misunderstanding of the variable "eighth note" appogiaturas in early Haydn before he came in contact to C.P.E. Bach's treatise on performing on keyboard instruments. Conseguently, particulary in the cadences of the Minuet and "Tempo di Menuetto" movements, we are shocked to hear a short appogiatura which should last two-thirds of the main note value. In other words, the "eighth-note" appogiatura preceeding a dotted half should be performed as a half note appogiatura, resovling to a quarter note. I tried to readjust my inner ear to the correct projecture, but find it very annoying to constanting hearing the overquick gliding over what should be the expressive appogiatura note, missing the impact of what was intended by Haydn

"