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Dvorak - Stabat Mater / Zvetkova, Donose, Botha, Scandiuzzi; Sinopoli
Antonin Dvorak, Giuseppe Sinopoli, Johan Botha
Dvorak - Stabat Mater / Zvetkova, Donose, Botha, Scandiuzzi; Sinopoli
Genre: Classical
 
  •  Track Listings (5) - Disc #1
  •  Track Listings (5) - Disc #2

As with Mozart writing his Requiem, this live recording of Dvorak's Stabat Mater has taken on great significance from being released in the weeks following the death, at 54, of the conductor Giuseppe Sinopoli in April 2001...  more »

     
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All Artists: Antonin Dvorak, Giuseppe Sinopoli, Johan Botha, Roberto Scandiuzzi, Staatskapelle Dresden, Ruxandra Donose, Mariana Zvetkova
Title: Dvorak - Stabat Mater / Zvetkova, Donose, Botha, Scandiuzzi; Sinopoli
Members Wishing: 0
Total Copies: 0
Label: Dg Imports
Release Date: 5/8/2001
Album Type: Import
Genre: Classical
Styles: Opera & Classical Vocal, Symphonies
Number of Discs: 2
SwapaCD Credits: 2
UPC: 028947103325

Synopsis

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As with Mozart writing his Requiem, this live recording of Dvorak's Stabat Mater has taken on great significance from being released in the weeks following the death, at 54, of the conductor Giuseppe Sinopoli in April 2001. It is a massively portentous performance given with the Dresden Staatskapelle. Five searing climaxes surge through the opening movement after the bleakest of openings. The quartet of soloists spar dramatically in the "Quis est homo"--there is real curiosity in their desperate questioning. Chorus and tenor Johan Botha present the beautiful "Fac me tecum" melody as if it were the "Ode to Joy." The bass Roberto Scandiuzzi has the ponderous, pondering voice of an elderly judge. There is wisdom in his dryness. Mezzo Ruxandra Donose sings the "Inflammatus" with fluid, weeping tone. The Chor der Saechsischen Staatsoper Dresden embraces the choruses with considerable passion. The choristers are strong and unstraining in the "Eja mater," floating the quiet passages with well-supported whispering tone. By the time the finale comes round, they are sounding pretty tired, but that is the nature of the work. The mood is drained. You cannot hear the audience, but you can feel them. The world has lost a conductor who could create an atmosphere. --Rick Jones
 

CD Reviews

Sorrowful
D. Seymour | Atlanta, GA USA | 05/30/2002
(5 out of 5 stars)

"Antonin Dvorak's Stabat Mater is an achingly beautiful masterpiece. As a choral work, it is a brilliant outpouring of grief and sorrow. Here, Giuseppe Sinopoli's recording with the Staatskapelle Dresden is dark and compelling. This recording benefits from Sinopoli's background as an opera conductor. Compared to the same piece rendered with hypnotic beauty by Robert Shaw, this version elevates the dramatic aspects. The swirling vortex of the opening movement "Stabat Mater dolorosa" draws you deep into Dvorak's own sorrow at the death of his children. Sinopoli's climaxes during the opening 20 minutes are monumental. The Bass Solo & Chorus of the fourth movement are as touching as Brahms' German Requiem. The fifth movement chorus "Tui nati vulnerati" allows some muted joy to intermingle with the grief. The final movement returns to the original vortex. Only this time the climax becomes triumphant - as if to say 'this too shall pass'. Great sound quality and balance for a live recording. The choir is never muddy, always crisp. I think the benifit of an audience here helps produce the adrenaline evident throughout the performance. An essential of any choral collection."
An emotionally intense, superb performance of Dvorak's score
John Kwok | New York, NY USA | 11/24/2001
(5 out of 5 stars)

"If this was Sinopoli's valedictory recording, I couldn't think of a better way of concluding his critically acclaimed career. He leads the Dresden Staatskapelle in yet another emotionally intense, warm performance noted for its intelligence and brilliant orchestral playing. The Dresden Staatskapelle's chorus matches the orchestra's playing in yielding a vigorous, warm performance of its own, never quite overshadowing the spectacular singing of the soloists - none of whom I have heard before. This is the first time I ever heard Dvorak's great work for chorus and orchestra; I was almost moved to tears."