De La Soul - Art Official Intelligence Bionix (18 tracks) +Album Reviews

Some Grown Man "ish"

mrdilettante | Lost Angeles, CA | 12/27/2001

(4 out of 5 stars)

"When De la drops an album I'm gonna cop it. They've earned that much. Even if I ain't quite feeling it on the first few spins, first few months even, at some point it's gonna hit me. It's inevitable with these guys. This album is no exception. It's at once introspective, reverential, playful, raunchy, and definitely intelligent. In fact, as I crossed into my 30's this year it stands to reason that De La is probably one of the few groups out there who aren't afraid to act their age. I was touched by "Am I Worth it to You" and felt like "Trying People" was speaking directly to a brotha. Now I'm not knocking certain rappers who cater to the youth market with "money, hoes, & clothes" (I can't front, I want 'em too). However, when it comes to saying what's really on a thirty something black man's noggin' and doing so without getting too self-righteous, De La's always been on point. "Baby Phat" gives a bouncing and long overdue shout to the thickness out there and "Pawn Star", Slick Rick on "What We Do", and B-Real on "Peer Pressure" keep the flow light but still on point.What gets slept on with these guys also is their production skills. "Simply Having"'s Paul McCartney sample is infectious and genius and "The Sauce" is butta. But I can't say enough about the thoughtful and cleverness of the lyrics.All in all, they are just professionals. If you've slept on the Soul over the years, just go back and get the entire catalog...you'll eventually grow into it."

Hip-hop for truly mature audiences only.

T. Smith | 04/20/2005

(4 out of 5 stars)

"I find that the main things about "getting" De La Soul's brand of hip-hop are:

1. They are cerebral rappers, forcing you to thorougly chew their lyrics before mental-digestion in order to understand their perspective.

2. At the time of this writing, they are well into their 30s (Pos was born "Out of the heavens August one-seven, sixty-nine... ") and have been in the game for 16 years, almost unheard of today (outside of LL, Dr. Dre, Snoop, and a few others, who even comes close).

Accordingly, they tend to rhyme about things that their peers can relate to, especially if said peers are trying to "make it" in life. Unfortunately for De La - like Dave says in Bionix - they have had to "get on that ol' bulls--t" to get the later generations used to their flow.

My take? This is one of their better efforts, though it does not crack the the top three for me*. I won't go into detail about the tracks, except to say that I regard "Held Down" and "Tryin' People" as two of the finest songs I've heard recently. Many won't get the cleverness of "Peer Pressure", or the satire of the (overly?) explicit "Pawn Star", and will criticize the R&B-tainted "Special", but you can't please all the people all the time.

Bottom line: if you fit the demographic, or don't but appreciate the music of those that do, then pick up the CD. The more you listen, the more you will appreciate it.

* My preference:

1. "De La Soul Is Dead": outstanding ode to how De La Soul as everyone knew them (DaISY Age) was no more; clever, witty, though some of the skits went over the heads of those outside of the NY tri-state area, or those that don't know of De La's background (i.e., they used to work at Burger King... )

2. "Buhloone Mind State": severly under-rated recording that comments on what's wrong in the hip-hop industry; sadly, still applicable today. So on-point, that Tommy Boy didn't know how to promote it! ("It might blow-up but it won't go 'pop'")

3. "Three Feet High & Rising": only rated number three because I don't play it as much anymore; the first, the innovative, the album some people are STILL trying to understand after 16 years.

4. "AOI: Bionix, Part 2"

5. "Stakes Is High" - the first post-Prince Paul production, where De La tries re-establish themselves; weak in spots, but overall quite good, especially cameos from Common & Mos Def."

Not the best, not the worst

Scott Moeller | Renton, WA United States | 12/09/2001

(4 out of 5 stars)

"Whenever De La Soul releases an album it will always be compared to 3 Feet High & De La Soul Is Dead. Those were 2 of the greatest albums ever made and after that De La never really got that magic back. Buhloone had its moments (though it was a little on the short side) and Stakes Is High was solid. But there was always something missing. Then they dropped Mosaic Thump and (while still pretty good) it was their worst album yet.As for Bionix, well it's an improvement over Mosaic. While Mosaic didn't have any great songs, besides Foolin', Bionix has a couple with Trying, Held Down, and Bionix. Also through the first 12 tracks there isn't a bad song among the group (well a couple actually are barely above that level). However the next two (Pawn Star and What We Do) are definite songs to skip. Another thing is that the skits on this album just didn't make much sense and only It's American was entertaining. So I give this album 3 and a half stars and rate it ahead of Mosaic Thump while behind their first 4 albums."

AOI-Part Two

Thomas Magnum | NJ, USA | 12/14/2001

(5 out of 5 stars)

"For the second installment in their Art Official Intelligence trilogy, De La Soul go back to an old school style. They are just letting their rhymes rule. Mosaic Thump had numerous guest MC's, but outside a couple of guests, Bionix lets Dave and Pos flow. There are some goofy tunes like "Baby Phat" and "Pawn Star", but the album has a deeper feel. Songs like "Am I Worth You?", "Held Down" and "Trying People" have a weight and depth to them. De La Soul is always at their best when they are making social commentary and while Bionix is not Stakes Is High or De La Soul Is Dead, it is a strong album."

De La Groundbreaker

K. Smith | Osaka, Japan | 12/06/2001

(5 out of 5 stars)

"This new De La album, while not song for song superior to all the rest, when taken as a whole, as a concept record, is the best they've done. And what a concept it is. De La meditates on Love, Lust, Temptation, Happiness and Humility. The songs waft in and out of each other as do the skits, which before, as in De La is Dead, used to be a separate from the whole. A unifying theme that would tie the album together. But on the new album, the skits and samples are part of the music and part of the concept. Rather than acting as this entity that sort of sits like an outside perspective of the album, as with the Van Dam kids on Dead or the game show skits on 3 Feet High, the Bionix skits are woven in and complement the songs, literally and figuratively, which in of itself is different. The Rev. Do Good skits are funny, but not overbearing and float in and out of the album in seamless fashion. And rather than retread the same territory as Mosaic Thump--much in the way Tribe rewrote Midnight Marauders on Beats Rhymes--Bionix makes a few winks in Thump's direction without beating you on the head with heavy trilogy concept. Wait until you hear what they did with the Ghost Weed skit! Hilarious! Then you have the cameos. Slick Rick is awesome, his song catchy as all hell. And then the surprise hit of the season: B Real is actually good! The last time he was good, let's face it, was the first Cypress album! Oh yeah, ok, and on the Beastie Boys remix of So Whatcha Want. I think his appearance here works because he is playing the B Real character and it's not just a guest spot featuring rock icon B Real. You know what I'm saying? Rather than 'here's a song and B Real is on it,' again we come back to how everything is woven into the concept, and B Real is woven into the song as a counterpoint character, kind of like the Bittie character in Bitties in the BK Lounge. Another thing that makes this a brilliant album is it's experimental qualities, which could be redundant when you're talking about De La. Experimental De La. Well, they're always a step ahead, what else is new? But I mean, they throw in so many new elements and textures that on paper might not work, but work because they are the sum of the whole. Gospel creeps in all over the album, especially kickin' on the Al Green-style Held Down. There are Latin influences. Soul. Phil Spector-ish beats. Even R&B. What? R&B on a De La album?? Again, it's the sum of the whole that makes it work. Song for song, Stakes is High is hard to beat. But here is something different. And I know it's early to say because De La albums take time to distill like a fine ale before their full body comes to the palate, but I'm putting Bionix up there with some of their best, if not the best taken as a whole. All I have left to say is that I can't wait for the third installment of AOI so I can throw them all in the carousel, play them back to back and hear the genius--finally--fully realized."

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