Search - Massive Attack, Neil Davidge :: Danny the Dog

Danny the Dog
Massive Attack, Neil Davidge
Danny the Dog
Genres: Dance & Electronic, Pop, Soundtracks
 
  •  Track Listings (21) - Disc #1

The Band were Approached Personally by Luc Besson and the Film's Director, Louis Leterrier, to Record the Soundtrack. Working Over an 11-week Period, the Band Set Out to Create an Instrumental Soundtrack which Captures Bot...  more »

     
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CD Details

All Artists: Massive Attack, Neil Davidge
Title: Danny the Dog
Members Wishing: 1
Total Copies: 0
Label: Virgin Records Us
Original Release Date: 5/13/2005
Re-Release Date: 11/16/2004
Album Type: Soundtrack
Genres: Dance & Electronic, Pop, Soundtracks
Styles: Electronica, Trip-Hop, Dance Pop
Number of Discs: 1
SwapaCD Credits: 1
UPC: 724387439320

Synopsis

Album Details
The Band were Approached Personally by Luc Besson and the Film's Director, Louis Leterrier, to Record the Soundtrack. Working Over an 11-week Period, the Band Set Out to Create an Instrumental Soundtrack which Captures Both the Fast-paced Action and Reflective Sadness of Unleashed (Also Known as Danny the Dog). The Soundtrack is Made Up of 21 Pieces of Music, which Run in Chronological Order Throughout the Film, with Each Piece Depicting a Certain Scene, from the Intensity of Tracks Such as "Atta' Boy", "Simple Rules", "Collar Stays On", "You've Had a Dream" to the Haunting Dub and Ambience of "Sam's Tunes", "Right Way to Hold a Spoon" and "Everybody's Got a Family", the Soundtrack Demonstrates Perfectly the Band's Gift for Capturing the Intricate Mood of Film.

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CD Reviews

This Dog Gets Unleashed, Unchained, and On The Prowl...
yygsgsdrassil | Crossroads America | 03/29/2005
(5 out of 5 stars)

"...Which might prove to be hazardous to all concerned. This is the original version of the soundtrack to the Jet Li vehicle entitled Unleashed. The Massive is my group of choice when I get into electonica, with an ambient and/or trip hop thing spiced thru it. For listeners who want to listen to something different, this is it. Played in its entirety, in the same track sequence, it amounts to another Massive masterpiece (100th Windows I think wasn't well received in my opinion because it risked it's audience with the addition of Sinead O'connor on vocals. Even so, it is still a masterwork better than most of the sludge being presented as pop music nowadays, but I digress.) What you need to 'really capture' this is either 1) a relaxed, kicked back evening with a bottle of scotch in tow or 2) an aimless post-midnight drive through city streets-preferably from the downtown to the more sordid parts of the city-with this in your CD/Mp3. If you don't get it by the time Polaroid Girl or Sam appears, then you won't get it. As always these workings of buzzes and blips, razoring guitar work and redemption searching have a sense of menace and fear in the under-current. This soundtrack makes you want to see what's in the movie that's for sure, but, for me, for now--I can do with the imagery already placed in my head."