Search - Claude Debussy, Eugene Ormandy, Philadelphia Orchestra :: Claude Debussy: La Mer; Prélude à l'après-midi d'un faune; Danse; Nocturnes

Claude Debussy, Eugene Ormandy, Philadelphia Orchestra
Claude Debussy: La Mer; Prélude à l'après-midi d'un faune; Danse; Nocturnes
Genre: Classical

Track Listings (8) - Disc #1
1. La Mer, symphonic sketches (3) for orchestra, L. 109: No 1, De l'Aube a Midi sur la Mer
2. La Mer, symphonic sketches (3) for orchestra, L. 109: No 2, Jeux de Vagues
3. La Mer, symphonic sketches (3) for orchestra, L. 109: No 3, Dialogue du Vent et de La Mer
4. Pr?lude ? l'apr?s-midi d'un faune (Prelude to the Afternoon of a Faun), for orchestra, L. 86
5. Tarantelle styrienne (Danse), for piano (or orchestra), L. 69
6. Nocturnes, for female chorus & orchestra, L. 91: No 1, Nuages
7. Nocturnes, for female chorus & orchestra, L. 91: No 2, F?tes
8. Nocturnes, for female chorus & orchestra, L. 91: No 3, Sir?nes

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CD Details

All Artists: Claude Debussy, Eugene Ormandy, Philadelphia Orchestra
Title: Claude Debussy: La Mer; Prélude à l'après-midi d'un faune; Danse; Nocturnes
Members Wishing: 0
Total Copies: 0
Label: Sony
Release Date: 10/19/1993
Genre: Classical
Styles: Historical Periods, Modern, 20th, & 21st Century
Number of Discs: 1
SwapaCD Credits: 1
UPC: 074645325620

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CD Reviews

Ormandy and Kinc = Greatness

S. Greer | Tallahassee, FL | 04/14/2006

(5 out of 5 stars)

"Eugene Ormandy always did have the lush sound that fits Debussy beautifully. The Philadelphia Orchestra is absolutely on top of their game and the Nocturnes have rarely sounded more sensual than they do here. How lucky we are that Sony Classical gives out such pearls at such prices! A special highlight here is Faune with William Kincaid sitting out his last year on the flute throne - a fortunate record indeed. If you play or love the flute, be sure to get this recording. Kincaid trained most of the great American flute players of the mid 20th Century (Julius Baker was one of his more famous students), thereby spreading his voice through the decades to the present day. It's a wonderful thing to hear the master do it himself. Absolutely an essential recording for all the pieces represented."