Search - Ingela Bohlin, Ingeborg Danz, Hans-Jorg Mammel :: Bruckner: Mass No. 3 in F minor

Bruckner: Mass No. 3 in F minor
Ingela Bohlin, Ingeborg Danz, Hans-Jorg Mammel
Bruckner: Mass No. 3 in F minor
Genre: Classical
 
  •  Track Listings (6) - Disc #1

The Mass in F minor marks a turning point in the life of Bruckner, then aged 44: crowning his long years of apprenticeship, it announces the series of masterpieces he went on to compose during his years in Vianne. The work...  more »

     
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CD Details

All Artists: Ingela Bohlin, Ingeborg Danz, Hans-Jorg Mammel, Alfred Reiter
Title: Bruckner: Mass No. 3 in F minor
Members Wishing: 0
Total Copies: 0
Label: Harmonia Mundi
Original Release Date: 1/1/2008
Re-Release Date: 10/14/2008
Album Type: Import
Genre: Classical
Styles: Opera & Classical Vocal, Symphonies
Number of Discs: 1
SwapaCD Credits: 1
UPC: 794881890927

Synopsis

Product Description
The Mass in F minor marks a turning point in the life of Bruckner, then aged 44: crowning his long years of apprenticeship, it announces the series of masterpieces he went on to compose during his years in Vianne. The work illustrates the transition between a certain religious academicism and teh Wagnerian heritage, while also reflecting a profoundly fragmented personality, to whom Philippe Herreweghe has already devoted three critically acclaimed recordings.
 

CD Reviews

The best Bruckner mass in a superb version
Antonio Mustaros | Naucalpan, Estado de México Mexico | 10/15/2008
(5 out of 5 stars)

"Once again Herreweghe do an extraordinary job with another masterpiece of religious music, one of the best Bruckner's masses. Without doubt this is the best version available followed by the ones by Frieder Bernius and Helmuth Rilling. The period instruments of the Orchestre des Champs Elysees make a great difference of warmth, texture and clarity. The great RIAS Kammerchor do a magnificent job too. In the other hand, Celibidache's recording of this mass is very good and interesting in terms of understanding of the architecture of the work but totally immersed in the old XXth century hyper-romantic school that never help music (sacred or profane) to communicate its spiritual message."